Ok fair enough. At least this is acknowledging that there is a difference in the signatures and that copper saws could not have produced this. Some if not many don't even propose that these signatures may be modern marks. They blindly adhere that no matter how the signatures look they were made by primitive tools and manpower.
But still generally this arguement is fallacious in that it applies a braod cover that because there has been some damage that therefore the specific examples are the result of that modern damage. I and many others are not convinced.
You are agreeing with others that the signatures look modern. Its now a case of seeing whether these specific examples are actually caused by modern damage or tech.
One logical arguement though not specifically applied is that if we look at all these cuts including the finished works in the clear and straight lines of blocks laid and boxes made we begin to see these modern signatures everywhere. Which sort of lends support that this is not just later modern tech but was built into the works themselves.
For example the first exampple showing the flat and sharp cut at the top of the basalt block seems to match the sharp and flat cuts in the examples I gave into the rocks. If you times this by all the sharp, flat and straight lines sometimes to machine tech levels within 1,000th of an inch. You begin to build a case that this kind of signature is found in many places.
The precision cuts on the huge granite boxes at the Serapeum in Saqqara. Up to 100 tons of black granite with 10 foot long finely cut edges that are paralelle and 90 degree to all points within 1,000s of an inch. This reeks of modern levels of tech in cutting.
Which then puts into perspective any open cut we see like the original example of the basalt as being common feature of works from this time. This would be a natural and logical conclusion if seeing so many examples that look like the signatures of modern tech. Just as you concluded the example I gave was from modern tech.
Good this is the kind of investigation that can determine what caused the signatures and I am not disagreeing. In fact its because this approach has been taken that I think its worth persuing a little longer as it may help make my point about how we assume ancient knowledge to be primitive and that signatures that are modern looking are assumed to be just that and made later.
If we can show that these same signatures are found in many places in the earliest dynasties that appear like modern signatures then the idea of these precision machine like signatures being a later copy is proven wrong. Or at least brought into question.
As I mentioned many of these works themselves contain modern signatures. The same logic should apply. If we find the same sharp, straight, clean, and geometrically aligned signatures that would usually be achieved by modern tech then this is more evidence.
If it walks like a duck then chances are its a duck and not manpower and primitive tools mimicking modern tech. Like they just happened to end up with the exact signatures of what we would normally call modern tech but blindly pounding, cutting and rubbing. If it mimicks modern tech then its caused by something equivelant to modern tech.
Ok so see how even such a small miscommunication can lead to misunderstandings. I did not know you thought the examples I gave could have been modern forgeries. Now we know and can deal with that and perhaps move on.
This I think is part of nutting out what is what. You seem to think I am not willing when I think its more about misunderstanding each other. Once we can establish a common ground then we can go from there as we have done and are doing.
How did the saw pass through the rock when its in a fixed position surrounded by rocks. If you noptice the rock with 3 cuts they are very straight and deep and stop suddenly. They don't pass all the way through. Yet the top of the cut is not deep which would be expected if a saw cut at an accute angle to go that far down the rock face.
In other words the cut is long and more or less the same depth from start to finish as though cut from above and into the rock. The other cut that goes across the rock but stops a mere inch from going right through and is very thin and has sharp unbroken or abrased edges. This looks like a classic machine cut.
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Besides this as I said there are many signatures that look like machine cuts that lend support that these are more likely done with similar methods. The slab at Abu Sire I linked has an arc cut with a sharp thin lip that could not have been made by a copper saw nor was rubbed to look like an arc. It is the signature left from whatever cut into it.
Or this cut found on one of the large pink granite reliefs at Karnak Temple which in no way could be caused by a copper saw and abrasion as its so thin and sharp and even has a slight curve as though a jigsaw slightly goes off line.
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Or this one from the same site which is not a crack but shows how fine some of these cuts are. I don't think they roughly cut granite and then spend months and years sanding the joints to paper thin perfection. Something has almost precisely cut this block on block.
Like I said when you begin to look these signatures are everywhere and cannot all be the result of the traditional tools or modern forgeries.
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Or this one. What do you think cause this. These cuts as though a thin layer has been shaved off are all over boxes in the pyramids. This one is from the Kings chamber in the Giza pyramid.
They also seem to match the many examples of what also looks like thin and sharpe edged cuts on other works like the curved slab at Abu Sir with the thin sharp arc cut and the first example I showed of the basalt pavers.
These signatures are everywhere once you open up to the possibility. Just like you recognised that the example I gave looked modern and out of place. So do these with the same logic and it seems theres some at least that cannot have been modern forgeries as they are built into the artifact itself as part of its creation.
All I am doing is showing the out of place signatures. I am not proposing any method.
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Advanced Machining in Ancient Egypt |
There is evidence, too, in the Cairo Museum of clearly defined lathe tool marks on some "sarcophagi" lids. The Cairo Museum contains enough evidence that, when properly analyzed, will prove beyond all shadow of doubt that the ancient Egyptians used highly sophisticated manufacturing methods.
www.theglobaleducationproject.org
Who says they are later though. First you suggested a general possibility that there are some modern reworkings. Now your claiming this applies to the specific examples for which you have offered no evidence that they are actually modern forgeries.
That seems illogical as it would also follow that it debunks any specific truth claim because of the fact there are more than one possibility. If this is what your aim was then we agree.
Because that is what I was also doing. That this has been made into some conspiracy for the simple fact of proposing other possibilities was not my doing. BUt one injected into this thread from the start by others who quickly jumped to claims that this was all conspiracy, aliens, about God ect.