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Part 1 of Fifty traditional poetry forms is the thread titled, Where Are You?

11- Fable
A fable is a poetic story composed in verse or prose with a moral summed up at the end. Usually using animals as characters to teach a valuable lesson.

The Lion and The Unicorn

In earth's early days under a changing sky
A lion and a unicorn met by a wayside pool.
“Stay old lion and talk with me a merry while.”
Said the prancing unicorn under the changing sky.
“Not so my dancing friend. Here is welcome and cool
But I must still go on for a few more miles.”

Unicorn saw his reflection in the wayside pool.
He thought himself most handsome and lion rather dull.
“You look so worn and weary. Why do you hurry so?
Come rest and lap the sweet waters of this wayside pool.”
“I'll take a drink”, said lion, “but there's no time to lull
Don't you see the changing sky, the black clouds how they grow?”

“Lion you trouble me. What mean these gathering clouds?
Where is it that you run to with such determined pace?”
Lion finished drinking, stretched and set himself to go.
“Hear bright beast, much water will come from these gather'n clouds.
Our God has decreed destruction for the human race.
A life boat has been given and to it now I go.”

Unicorn how he snorted, “Old beast you are deranged.
Water from the sky, such a thing has never been.
Who told you such a fable to make you so afraid?
Too much time with foolish beasts, by that you are deranged.”
But lion away was gone, no longer to be seen.
So unicorn lay him down in the poolside shade.

Half asleep he half dreamed he danced upon the pool
While all around the trees dripped with water from the sky.
He heard the noise of growling, of crackling in the clouds
And all his dancing, prancing made rings upon the pool.
Then a flash, a crack, all awake, his thoughts all awry.
All wet and cold he was and the dark sky growled loud.

Up stood bright beast on his feet, his heart was full of dread.
To get to where old lion went, was now his only thought.
He flew full pelt through the gloom, across earth's sodden land,
Water streaming off his back, his heart was full of dread.
Though so strong, his strength grew weak, his pride was come to naught.
Soon hardly could he pass through the sinking miry sand.

Then ahead he saw it clear, lit by the flashing clouds.
On a long flat rock, a long black boat, high as tall trees.
And on the ground all around with faces lifted up
Was a soaking multitude lit by the flashing clouds.
High on the boat's sheer sides lighted windows they could see
But there was no way to get in, there was no way up.

Forlorn, the unicorn knew his days on earth were done.
Water pouring off his back the growling in his ears,
Around the flashing clouds lit the dark scene he could see.
The weary beast bowed his horn, his days on earth were done.

How foolish to think that God never intervenes.
How foolish to think that such things could never be.
~~~~~~

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12 - Free-form poem

Yet


And the Lord God formed man of the dust of the ground and breathed into his nostrils the breath of life; and man became a living soul.


Freely formed – yet by decision.
Formed free – yet always contained.
Free to form – yet needing reforming.

The wind blows where it will – yet
A taut sail takes sea voyagers through
To their desired haven.

Freely falls the rain from heaven
And run the rivers to the seas – yet
The carved lands contain them
And they themselves are clothed
With many coloured mantels; forests, prairies, fens,
All free-form formed, freely fashioned,
All according to the pattern, the perfect laws of freedom.

High, high, faraway, the little lights are scattered,
Splashed across the black – yet
Arranged and ordered, keeping voyagers on course
And bringing back the lost, to freedom.

The Former formed the dust.
Why was He pleased to bring into freedom
Such a clayey creature?
Why would the wind want to enter in and let loose
One through whom would come
All the sorrows of creation?
Was The Former flawed?, foreseeing every suffering,
Feeling in his being the excruciating pains of body and soul,
Tasting to its dregs the cup of giving up, betrayal, bitter loss - yet
Still was it said, Let us form and make free
One who will become enslaved and an enslaver.

Freeman Job thought The Former flawed
Who deformed his days,
When wicked men took all his riches by sword and blood,
When a wicked wind crushed his sons and daughters
Beneath the house wherein they celebrated,
Their freedom - yet
In dread and anguish Job freely bowed and worshiped.

But then was pious Job's very own form deformed.
His body became a place of corruption and constant pain.
Then, then from his heart freely arose indignation and reproach.
With cries and sighs and complaint, “Why was I ever formed!?”,
He moaned. - Who would not!?
“Without form or freedom, let me be! Only dust again, let me be!”
Was piteous Job's blind plea in his affliction – yet
Soon, soon would he see, be blessed and freely worship.

For I reckon that the sufferings of this present time are not worthy to be compared with the glory which shall be revealed in us. For the earnest expectation of the creature waits for the manifestation of the sons of God. For the creature was made subject to vanity, not willingly, but by reason of him who hath subjected the same in hope, because the creature itself also shall be delivered from the bondage of corruption into the glorious liberty of the children of God.

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References - Genesis 2:7, Romans 8:18-21
 
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Roadrunner3

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afish,
I have freely formed an opinion that this is a formidable free-form poem that takes the reader on a journey through the cosmos all the way back to that initial decision of the Creator to create, and all the havoc that resulted and the conundrum of suffering and free will. And, in the end, through suffering and sacrifice...true freedom.
Awesome poem.
RR
 
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13- Ghazal
Originally an arabic form the ghazal is much used in middle-eastern, persian and indian poetry. It is composed of a minimum of five couplets—and typically no more than fifteen—that are structurally, thematically, and emotionally autonomous. Each line of the poem must be of the same length, though meter is not imposed in English. Both lines of the first couplet end with a refrain preceded by a rhyme. Subsequent couplets pick up the same scheme in the second line only, repeating the refrain and rhyming the second line with both lines of the first verse.

from in our dream

Oh what will we see when we awake from our dream?
Will heaven have healed the heart-ache from our dream?

Stars begin to fall and the wicked run to hide
But those already hid do escape from our dream.

If angels need ladders to climb back to heaven,
How do the fallen find the out-gate from our dream?

Oh would we feast with the hero's and heroines
But wine and bread is all we take in our dream.

Foot-sore the pilgrims sit in the moonlight to rest,
The sharp shadows bright. Let's go! It's late in our dream.

Against storm clouds, lightening lit, eagles wheel about
In suspense, stately, they wheel and wait in our dream.

The belly of a fish gives out a man's heart words,
All at sea but saved, we celebrate in our dream.

><>
 
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Greatcloud

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You are teaching me how to be what I always wanted to be. That is a poet. I bet those poems just flowed out of you in 15 minutes

Keep it up I am following you. BTW I got A new poem called water. I think my dry days are over.
 
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Hi Greatcloud - Thanks for your encouraging words. Some poems get completed in a day but I like to then leave it for at least a night's sleep before maybe tweaking and then 'releasing'. Some poems only get to the finishing line after several days. It's often surprising what readjustments will be made to what one thought was a finished piece.
Glad that you're flowing.
Keep going.
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Of the many different japanese poetry forms the haiku is the best known. Three lines, 5-7-5 syllables, about a fleeting moment involving nature.

The katauta, another japanese form, is an unrhymed three-line poem with a 5-7-7 syllable count. It has, like the haiku, developed out of the old tradition of dialogue/question-answer poetry.

14 - Haiku

Cold the winter sun,
Snow nestles among green grass,
Still air, intense, sweet.


15 - Katauta

Can you touch the moon?
Why would you want to do that?
Soon you'll think it yours to keep.

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The kyrielle is a french form of rhyming poetry written in 4 line verses. Each quatrain contains a repeating line or phrase as a refrain (usually appearing as the last line of each verse). Each line within the poem consists of only eight syllables. The name kyrielle derives from the greek word kyrie meaning lord, which is part of many christian liturgies.


16 - Kyrielle

Awake!

Sleeping ones, with dead men walking,
Mired in mud like sheep misled,
Hear God's Spirit to you talking,
Awake, o sleeper, from the dead!

To whose music are you dancing?
Whose is the feasting where you're fed?
Are the shadows so entrancing?
Awake, o sleeper from the dead!

I am good (you think), nothing wrong.
Charms gently sweet the serpent's song.
Sleep, sleep, life goes on, life is long.
Awake, o sleeper, from the dead!

Don't you hear the trumpet calling?
Stand you ready for the morning?
Get you out from sin's silky bed.
Awake, o sleeper from the dead!

Oh the light from Christ's thorn-crowned head,
What majesty his robe blood red.
Bow down to Him with holy dread.
Awake, o sleeper, from the dead!

><>
 
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Greatcloud

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I liked them all but the fable was my favorite.

This is quite an endeavor I wish you Godspeed and happy rhyming.

Did you ever teach poetry ? Tell me how you learned all these different forms of poetry.
 
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A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain verses and a non-rhyming couplet). Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each verse). Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet.

17 - Kyrielle Sonnet

Incarnation

Hallelujah! to Christ the King
By human birth He entered in.
All creation with wonder sings,
The Creator became creature.

With arms and legs, with blood and bone,
The earth He'd made He made his home.
From babe to boy, to man full grown,
The Creator became creature.

That jewish man from Galilee
Was nailed for me upon that tree.
God from God, how can it be,
The Creator became creature?

By human birth He entered in.
The Creator became creature!

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It's exciting to watch each form develop. I hope you keep it up, I know you will.

BTW I got A new poem called Shipwight. I think it's some of my best work . Check it out. Would appreciate your comment.

Keep it up I am following your work . GC
 
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Excellent work afish! I had heard of your last 3 forms but did not know "the rules". Hats off to
you for working within the boundaries, each different form has a unique feel/sound that I think
can be used to embellish the message. Your refrain in the Kyrielle Sonnet proclaims the mystery
that energizes the Christian life!
RR
 
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18 - Lanturne
Another short, syllable-count Japanese form. It has five lines with syllable-counts of one, two, three, four and one. It is written with center justification, and ideally will have the shape of a Japanese lantern when complete.


let

the flame

given you

give out warm light.

Beam!

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19 - Limerick
A form of poetry, often humorous, in five-line, predominantly anapestic meter and with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme.

1 Samuel 5:3

There once was an idol called Dagon.
Who fell flat on his face with aplomb.
Off broke his fish head.
The priest's faces were red.
But they soon found some glue and carried on.


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