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Hook me in 20 words or less

Radagast

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Some of my favourites (without having read the whole thread):

At twenty past three, when every window in the BB Diner exploded outward, I was already running for my life.
A good action line! I want to know what happens next!

Daisy had been dead for years. But suddenly, a black dog ran by the window. My mother turned to me and said, "Go check the grave."
Macabre, but promising!

Y'know, waking up in Hell isn't that bad - providing you have a good cup of coffee.
Sounds like a day at work...

I hadn't meant to shoot the bird. I hadn't meant to even fire the gun. How was I supposed to know it'd send my whole world to hell? It was a sparrow, for crying out loud.
It's over 20 words, but it hooks me too. What's special about this sparrow?

Andrea looked nervously at the couple who had answered the door. "Hello, you don't know me. I'm Andrea, your daughter."
This also makes me curious. What's Andrea's story? What has her life been like? Will her parents want to know her?

But Stephen King is right: the adverb is not our friend. We should show, not tell. I think it would be better to have something like: 'Andrea trembled as a man and a woman answered the door. "You don't know me. I'm Andrea, your daughter."'

Or: 'Andrea's stomach knotted as she looked at the couple in the doorway. "Hello, you don't know me, but I'm your daughter Andrea."'
 
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Radagast

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Daisy had been dead for years. But suddenly, a black dog ran by the window. My mother turned to me and said, "Go check the grave."

Actually, I want to rewrite that one too, so it's even better:

'Daisy had been dead for years. I'd buried her myself, and her favourite bone with her. But when a large black dog ran by the window, my mother turned to me and said, "Go check the grave."'
 
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shirono

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A few opening lines from my stories, over 20 words, but hooking you with the first line ain't bad right?

[FONT=&quot]“No!” Raith said again, with a little more force and a lot more volume than he had the last ten times he said it. [/FONT]
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[FONT=&quot]Raith knew that he should really stop giving her ideas, it wasn’t healthy. [/FONT]
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[FONT=&quot]The two cloaked figures watched the bustle of the crowds leaving the castle commons at the end of the day. [/FONT]
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[FONT=&quot]The night was cold and Emily shivered as she pulled her jacket tighter around herself. [/FONT]
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The daughter of a French Duke in the 18th century couldn't possibly still be alive; the trouble is I am that daughter. It's the year 2008 and I'm still here.
 
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