The Christian Hero Story Formula Taught Christian Morality to Older Generations
The Christian Hero formula story, with its the King Arthur beginnings was a way to communicate Christian Morality to earlier generations of Americans, mostly ending before the coming of age of the Baby Boomers. This means that the Korean War Generation was the last American generation educated in Christian morality by the Hero Story formula. I am not talking about a story formula taught in Sunday School, but about popular narratives which had an influence upon culture. The Christian Hero Story was read as fiction and later viewed as films.
The American Image Culture replaced the Christian Hero story and came into opposition to the Cowboy Hero version of the Christian Hero Story in the fifties and soon after, and the celebrity with image began to replace the Christian Hero with his teaching of Christian Morality into the American Culture. However, there were TV shows in the fifties still making use of the Christian Hero Story Formula, like Gun Smoke and Rawhide.
The opposition to the Christian Hero story began in the U.S. before the time of the Counterculture and Marxist Transformational Political Correctness. Of course, political correctness opposes the Christian Hero even more than does the Image Culture. For Marxist political correctness, the Christian Hero Story Formula is a big part of that culture supporting Christianity and the Family which must be abolished in order for Marxist collectivism to dominate.
The Christian Hero Story Formula began from the use of the King Arthur material to create a Christian Hero Story Formula seen, for example, in Geoffrey of Monmouth's work. The King Arthur Christian Hero Story was translated into the Cowboy Hero Story Formula by the time of the early to mid 20th century. Then, the Cowboy Story Formula was overthrown as a contribution to American Culture during and after the fifties.
The Arthurian Christian Hero Story Formula may have been translated into the Cowboy Hero Story in part by the influence of the American Cavalier Tradition, for example in.the work of Walter Scott, which supported the Virginia Cavalier Culture. It is interesting that this strand of Christian Influence upon American and Western culture in the Christian Hero Story was opposed by another American Christian tradition, that of the New England Puritans.
See: AMERICA and HER COWBOYS
"Do Americans have a national epic (like Britain’s Beowulf, Spain’s Don Quixote or Egypt’s Story of Sinuhe)? Do Americans have ancient characters doing heroic deeds, like King Arthur and his Round-Table Knights?"
"But what Americans do have are stories—sometimes more legend than real—about the "Wild West" and the "American Frontier." Some of those stories originated when the nineteenth-century U.S. media spun tales about heroic cowboys fighting-off Indians and animals in the "Old West."
"With their reckless individualism, these cowboys drove cattle, braved all kinds of elements and sometimes got into serious trouble. When they did, fearless and heroic lawmen would take them down at high noon on a dirt-covered street in some western town."
The American Cowboy of Myth came out of the South Texas Cowboy or Gringo Vaquero of reality, more than out of the California version of the American adaptation of the large scale Mexican cattle handing tradition.
From about 1940 to 1960 one fourth of Hollywood films were Westerns. Many of these Western movies followed in part the formula of the Christian Hero Story, which is seen in some of the King Arthur myths. Yet Hollywood was wrecking the Christian Hero Story during this period.
In the Western Cowboy Hero Story there is always a clear and vigorous opposition between transgressive behavior by a villain and the defeat of that evil behavior by the Cowboy Hero.
The Western narrative was the chief American myth and for this reason Christian morality could be taught to people in our culture by the Western Story Formula.
In addition, in the Western hero story basic Christian morality could be taught to young people in America by this story formula because it made very clear, in great detail, the kinds of behavior which is against Christian morality and the rights of the individual (Isaiah 10: 1-2).
A formula story is one in which which types of evil - or transgressive behavior by villains - is repeated over and over in different settings and situations, and by different villains.. This teaches morality to readers and viewers.
The Range War Western Story formula could make readers and viewers clearly aware of the kinds of evil transgressive behavior which could be carried out by community insiders as immoral big ranchers, bankers, politicans or businessmen.
Among Western writers,Ernest Haycox developed the types of transgressive behavior carried out by the insider and respected villains, as in Chaffee of Roaring Horse (1929). Haycox also developed the formula actions and characterizations of the Cowboy Hero in the Range War Western.
There were some Range War Western Story Formula actions carried out by the Bureau of Land Management in the still ongoing Range War involving Cliven Bundy and his family. The Bundy Range War has moved into the federal courts.
The cowboy is a lone wolf, "El Lobo Solitario," "El brasadero en exilio." His myth came up the cattle trails from the land of thickets known as the Brasada, the brush country. It started back in the days of the Republic of Texas. Yet somehow the Christian Hero story migrated from its beginnings in the King Arthur myths made into hero stories to the American Cowboy. In the transition from noblemen and Cavaliers, the Christian hero became a common man, the American cowboy of reality and myth.
In many states on the Great Planes now, the independent rancher who grows range fed beef and his cowboy laborers are being phased out by a society and government hostile to their independent and self-reliant and sometimes eccentric ways. Corporate owned pen feeding of cattle for consumption is the replacement for the organic range fed beef of the independent rancher and cowboy.
The cowboy and rancher of reality in the late 19th century and early 20th century is interesting because his personality traits contrast more and more with those of people in the U.S. after about 1950 and especially after about 1970, and even more so in 2017. Many of the traits of the cowboy were just the opposite of those of many Americans now. He was too much of an individualist and too self-sufficient to be tolerated in the America of 2017.
"Cast a cold eye On life, on death. Horseman, pass by." "Under Ben Bulben" by William Butler Yeats
Reply http://theologyonline.com/private.php?do=newpm&forward=1&pmid=373286
The Christian Hero formula story, with its the King Arthur beginnings was a way to communicate Christian Morality to earlier generations of Americans, mostly ending before the coming of age of the Baby Boomers. This means that the Korean War Generation was the last American generation educated in Christian morality by the Hero Story formula. I am not talking about a story formula taught in Sunday School, but about popular narratives which had an influence upon culture. The Christian Hero Story was read as fiction and later viewed as films.
The American Image Culture replaced the Christian Hero story and came into opposition to the Cowboy Hero version of the Christian Hero Story in the fifties and soon after, and the celebrity with image began to replace the Christian Hero with his teaching of Christian Morality into the American Culture. However, there were TV shows in the fifties still making use of the Christian Hero Story Formula, like Gun Smoke and Rawhide.
The opposition to the Christian Hero story began in the U.S. before the time of the Counterculture and Marxist Transformational Political Correctness. Of course, political correctness opposes the Christian Hero even more than does the Image Culture. For Marxist political correctness, the Christian Hero Story Formula is a big part of that culture supporting Christianity and the Family which must be abolished in order for Marxist collectivism to dominate.
The Christian Hero Story Formula began from the use of the King Arthur material to create a Christian Hero Story Formula seen, for example, in Geoffrey of Monmouth's work. The King Arthur Christian Hero Story was translated into the Cowboy Hero Story Formula by the time of the early to mid 20th century. Then, the Cowboy Story Formula was overthrown as a contribution to American Culture during and after the fifties.
The Arthurian Christian Hero Story Formula may have been translated into the Cowboy Hero Story in part by the influence of the American Cavalier Tradition, for example in.the work of Walter Scott, which supported the Virginia Cavalier Culture. It is interesting that this strand of Christian Influence upon American and Western culture in the Christian Hero Story was opposed by another American Christian tradition, that of the New England Puritans.
See: AMERICA and HER COWBOYS
"Do Americans have a national epic (like Britain’s Beowulf, Spain’s Don Quixote or Egypt’s Story of Sinuhe)? Do Americans have ancient characters doing heroic deeds, like King Arthur and his Round-Table Knights?"
"But what Americans do have are stories—sometimes more legend than real—about the "Wild West" and the "American Frontier." Some of those stories originated when the nineteenth-century U.S. media spun tales about heroic cowboys fighting-off Indians and animals in the "Old West."
"With their reckless individualism, these cowboys drove cattle, braved all kinds of elements and sometimes got into serious trouble. When they did, fearless and heroic lawmen would take them down at high noon on a dirt-covered street in some western town."
The American Cowboy of Myth came out of the South Texas Cowboy or Gringo Vaquero of reality, more than out of the California version of the American adaptation of the large scale Mexican cattle handing tradition.
From about 1940 to 1960 one fourth of Hollywood films were Westerns. Many of these Western movies followed in part the formula of the Christian Hero Story, which is seen in some of the King Arthur myths. Yet Hollywood was wrecking the Christian Hero Story during this period.
In the Western Cowboy Hero Story there is always a clear and vigorous opposition between transgressive behavior by a villain and the defeat of that evil behavior by the Cowboy Hero.
The Western narrative was the chief American myth and for this reason Christian morality could be taught to people in our culture by the Western Story Formula.
In addition, in the Western hero story basic Christian morality could be taught to young people in America by this story formula because it made very clear, in great detail, the kinds of behavior which is against Christian morality and the rights of the individual (Isaiah 10: 1-2).
A formula story is one in which which types of evil - or transgressive behavior by villains - is repeated over and over in different settings and situations, and by different villains.. This teaches morality to readers and viewers.
The Range War Western Story formula could make readers and viewers clearly aware of the kinds of evil transgressive behavior which could be carried out by community insiders as immoral big ranchers, bankers, politicans or businessmen.
Among Western writers,Ernest Haycox developed the types of transgressive behavior carried out by the insider and respected villains, as in Chaffee of Roaring Horse (1929). Haycox also developed the formula actions and characterizations of the Cowboy Hero in the Range War Western.
There were some Range War Western Story Formula actions carried out by the Bureau of Land Management in the still ongoing Range War involving Cliven Bundy and his family. The Bundy Range War has moved into the federal courts.
The cowboy is a lone wolf, "El Lobo Solitario," "El brasadero en exilio." His myth came up the cattle trails from the land of thickets known as the Brasada, the brush country. It started back in the days of the Republic of Texas. Yet somehow the Christian Hero story migrated from its beginnings in the King Arthur myths made into hero stories to the American Cowboy. In the transition from noblemen and Cavaliers, the Christian hero became a common man, the American cowboy of reality and myth.
In many states on the Great Planes now, the independent rancher who grows range fed beef and his cowboy laborers are being phased out by a society and government hostile to their independent and self-reliant and sometimes eccentric ways. Corporate owned pen feeding of cattle for consumption is the replacement for the organic range fed beef of the independent rancher and cowboy.
The cowboy and rancher of reality in the late 19th century and early 20th century is interesting because his personality traits contrast more and more with those of people in the U.S. after about 1950 and especially after about 1970, and even more so in 2017. Many of the traits of the cowboy were just the opposite of those of many Americans now. He was too much of an individualist and too self-sufficient to be tolerated in the America of 2017.
"Cast a cold eye On life, on death. Horseman, pass by." "Under Ben Bulben" by William Butler Yeats
Reply http://theologyonline.com/private.php?do=newpm&forward=1&pmid=373286
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