- Aug 3, 2012
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A work must be fixed to some medium in order to be copyrighted. Thus, any band that has produced music professionally will have at some point recorded their work and thus it is copyrighted.
The point about "live performances" is that if an artist has, say, done nothing but performances--and has never so much as written down the words or melody, has never done a demo tape, has never even done a YouTube video on a cell phone--then that work is not copyrighted. It must have been fixed in a medium at some point to be copyrighted.
So say a street musician totally improvises a song on the street corner, and another person records it and later performs it himself for a YouTube recording. That second musician will own the copyright on that work.
I think @Aussie Pete is coming at it from the other direction- not that the original was only ever performed live (and thus, never copyrighted), but that the cover version was only ever performed live.
OK, I've heard a few performers say that they do not pay royalties for live performers. if the venue pays, that makes sense.
I overlooked your example of singing in church before, but it provides a good example. Churches are supposed to pay licensing fees - usually to CCLI - for the music they use in services regardless of whether those services get recorded or broadcast, though broadcasting/streaming does require extra fees AFAIK.
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