Victorinus, continued
Arrived thus at the opening of the Seals, Victorinus explains the four horses and riders of the first four Seals as indicating respectively the triumphant progress of the Gospel, begun from after Christ’s ascension, [68] and the wars, famines, [69] and pestilences, [70] which Christ said would precede his second coming: also the fifth Seal’s souls under the altar, as marking the continuous persecutions and martyrdoms of Christ’s saints; for whose consolation, till the last great day of retribution, white robes, or joys of the Holy Spirit, are given: the region under the brazen altar of vision figuring the place under-ground where the separate spirits rest; [71] while the place of the golden altar (as being that to which our offerings of prayer and praise are brought) [72] typified heaven. Further, the earthquake of the sixth Seal he makes to be the last persecution: [73] that wherein the darkening of the true doctrine to the unfaithful would answer to the eclipsed sun in the vision, and the bloodshed of martyr-saints to the moon like blood: the falling away of vain professors from the Church, under force of persecution, fulfilling the symbol of the falling stars from heaven; and the removal of the Church itself from public sight that of the rolling away of the figured firmament. [74] - In the sealing vision, Apoc. vii., next following, the four angels of the winds (the same as the four winds of Apoc. ix. 14, bound in the Euphrates [75] signified four nations, (nations being ruled over by angels,) who were not to transgress their limits till they should come in the last æra with the Antichrist; the Angel from the East meaning Elias; who would anticipate the times of Antichrist, turn the hearts of the fathers to the children, (i.e. of the Jews to the Gentile believers,) and convert to the faith both many of Israel, [76] and a great multitude of Gentiles: of all whom, now united in one as God’s elect, the white robes signified their washing in the blood of the Lamb, and subsequent preservation of the grace then given. [77] - In Apoc. viii. the half-hour’s silence figured the beginning of eternal rest; one half-hour only being mentioned, to signify the subject’s then breaking off. For chronological order is not followed in the Apocalypse: [78] but the Holy Spirit, when he has come to the chronological end, returns often, and repeats, by the way of supplement.
Next comes the vision of the incense-offering Angel. Victorinus supposes this incense-offering to depict the prayers of saints: (specially, on Antichrist’s reign approaching, the prayer that they may not enter into temptation

the Angel being figured, because Angels offer the prayers of the Church, as well as pour out wrath on Antichrist’s kingdom; which wrath was signified alike in the seven trumpets and seven vials, the one set of symbolizations supplying what was omitted in the other. [79] - As to the particular subjects of these Trumpets and Vials, he does not unfold it in detail. He only generally says of them, that they depict “either the ravages of plagues sent on the world, or the madness of Antichrist, or a diminishing of the peoples, or the variety and difference of the plagues, [80] or the hope of the saints’ kingdom, or the ruin of states, or the destruction of the great city, Babylon, - i.e. the Roman.” And just expounding, as he passes, the warning cry of the eagle flying in mid-heaven, after the fourth trumpet-woe, to mean the Holy Spirit’s warning voice to men by the mouth of the two prophets, against the wrath to come in the impending plagues, he so proceeds to the Angel vision of Apoc. x.
The first part of which vision he makes refer, as a parenthesis, to St. John personally. The Angel is explained to be Christ; the open book in his hand the Apocalypse revealed to John; his lion-like voice, that declaring that now only is the time of repentance and hope; the seven thunders the mysteries of the future spoken through the prophets by the divine septiform Spirit; which voices John was not to write, because, as an apostle, of higher functions than that of interpreting Scripture mysteries; an office this latter belonging rather to Church subordinate functionaries afterwards. [81] Further, the charge to eat the book, and preach again to peoples and tongues, Victorinus explains of St. John’s returning personally on Domitian’s death to Ephesus, and publishing the Apocalypse; [82] also his taking the measuring reed with which to measure the Apocalyptic temple and altar, of St. John’s further publishing his Gospel: [83] whereby, and by the creed laid down in it, [84] the orthodox and faithful were marked out and defined as true Church-worshippers; and heretics, like Valentinus, Ebion, and Cerinthus, as to be excluded from the Church.
On the two Apocalyptic Witnesses Victorinus supposes a passing, in the resumed figurations of the future, into the last hebdomad of the last times; [85] during the former 31/2 years of which Christ’s two witnesses, Elijah and Jeremiah, [86] would prophesy: - these witnesses to be killed in Jerusalem (called Sodom and Egypt) by the Beast from the abyss, Antichrist, at the commencement of his 31/2 years’ reign next succeeding, after many plagues inflicted on the world, answering to the fire out of the mouths in the symbol: but to rise again on the fourth day after; the fourth, not the third, so as not to equal Christ.
So he comes to the vision of the Dragon and Woman, Apoc. xii.; or rather to the concluding verse of Apoc. xi., about the temple appearing opened, and the ark appearing, which he connects with it: to the chronological retrogression in which, from the last times previously depicted, he calls especial notice. [87] For he construes the Woman to signify the Judæo-Christian Church of the Patriarchs, Prophets, and Apostles, [88] (like the sun glorious in hope of the resurrection, like the moon bright even when to man’s sight dark in death, and only waning to grow again,) travailing with desire of Christ’s birth out of the Jews’ nation, according to the promise. Then in Christ’s birth, resurrection, and ascension, in spite of the Dragon or Devil, he sees fulfilled the mystic child’s rapture to God’s throne: the Dragon’s color red being explained as that of a murderer from the beginning; the third of stars swept by his tail, as the third part of men, or rather of angels, seduced by him; and his seven heads and ten hors, as of the same significancy with the Beast’s seven heads and ten horns, of which more presently. - Then the time changes. [89] The woman fleeing into the desert is the Church, made up or inclusive of the 144,000, [90] now in simply Christian guise: being forced by the Dragon’s flood-like armies of persecution into mountains and deserts; and upheld in her flight by the two wings of the two witnesses. [91] The Dragon’s fall from heaven, or interdiction from there appearing as before, [92] is explained as following Elias’ 31/2 years of witnessing. [93] and being the beginning of Antichrist. - For he (the Dragon) then stood on the sand of the sea, [94] as if to evoke him: the Antichrist, accordantly with St. Paul’s prophecy to the Thessalonians, having to rise from hell. [95] As regarded the Beast, or Antichrist, his likeness to the leopard signified the variety of nations that would be in the kingdom; his seven heads both Rome’s seven hills, and also seven Roman Emperors; [96] viz. Galba, Otho, Vitellius, Vespasian, Titus, (which five had fallen at the time of the Apocalypse,) the sixth Domitian then reigning, the seventh Nerva, who was to continue but a short time, (for he reigned but one year and four months,) and the eighth Nero; who as a previous Roman Emperor, might be called one of (or of the same body with) the seven. [97] Of this Nero St. Paul spoke, when he said, “The mystery of iniquity doth already work,” for Nero was then reigning: and, having had his throat cut, and so his head wounded to death, he was to revive and re-appear as Antichrist. - Victorinus notes his Jewish as well as Roman connection. He would appear both under a different name, and in a different character from before. Professing before the Jews to be the Christ, with a view to gain them, and instead of patronizing idolatry, now inculcating the religion of the circumcision, he would by them be received as Christ: (a king and a Christ worthy of them!) moreover, whereas once most impure, now renouncing all desire of women, and so fulfilling Daniel’s prophecy. [98] - His number 666 is explained as some name of Greek numerals to that amount; and two solutions offered, veiled in a corrupt text, yet not I think undecipherable: [99] one, antemov, perhaps Victorinus’ own; the other, genshrikov, interpolated by some later copyist. [100] - Of his ally the False Prophet the two horns like a lamb’s signified his assuming the form of a just man; the fire from heaven that same which sorcerers seem to men’s eyes even now to evoke; the Beast’s image a golden statue of Antichrist: which image the False Prophet would get placed in the temple of Jerusalem, and from which Satan will utter oracles. - So will there be the abomination of desolation in the worship of idols instead of himself, and the introduction of heresy into Churches; [101] the desolation, because many men, previously stable, will by these false signs and portents be turned from the faith. - As to the ten kings, Victorinus says that they would have already received royal power, when Antichrist should either have set out from the East Romewards, or from Rome Eastwards; [102] and three of them would be eradicated by him, and the other seven become his subjects, and also the haters and burners of the harlot city, Rome.
The Commentary now hurries to a conclusion. Of the three angels of Apoc. xiv., flying in mid-heaven, the first (the same as in Apoc. vii.) is Elias, anticipating Antichrist by his preaching; the other two, other prophets associated with him. The earth’s harvest and vintage are meant of the nations destined to perish at Christ’s coming: the blood shed to the extent of 1600 (= 4 x 400) stadia, bloodshed in all the four parts of the world. The seven vials are the same seven judgments before signified under the Trumpets; and poured out on the contumacious, [insubordinates], after the Church’s retirement from the scene into the wilderness. [103] Standing on the glassy sea signifies standing firm in baptismal faith. The Woman sitting on many waters, and borne by the seven-headed ten-horned Beast, is the Babylon alike of the Apocalypse, Isaiah, and Ezekiel; viz. the city ROME seated on the Devil, as before explained, of Rome red with the blood of saints: her wickedness having been consummated by a Decree of the Senate, [104] and extending to the prohibition of all preaching of the gospel in all nations. Then Christ (answering to him that was figured on the White Horse with his armies) will come and take the kingdom; a kingdom extending from the river even to the world’s end: the greater part of the earth being cleansed introductorily to it; the millennium itself not ending it. All souls of the nations will next, and finally, be called to judgment. [105]
E B Elliott.
Mr Elliott gives copious references but they are mainly in Greek and Latin