blackwasp said:
First off, in the OP, there should have been a distinction between some of the bands. Bands like Chevelle and Switchfoot (among others) are on secular labels, play for a secular audience, and therefore are secular bands, regardless of whether the members of the group are christian or not.
Switchfoot's first 3 albums were on Christian labels, as was Chevelle's first. Neither fact matters however, if you listen to their music it has (at least in the case of Switchfoot) on obvious Christian message. Frankly, I'm surprised, though, it took someone this long to bring that up. Plumb, Orrico & 12 Stones could also be argued considered secular by your definition.
blackwasp said:
The problem with christian music is that it refuses to push the envelope. You will never, I repeat never, see a christian band start a rock revolution (think Beatles, Sabbath, Metallica, Guns n Roses, Alice in Chains, Green Day (though I despise pop-punk)).
I don't think this point can be refuted, at least without the "never." I'm very surprised by the number of people on this web site who claim that they are only interested in music if it's ORIGINAL. That is obviously not the norm as I will point out later.
blackwasp said:
Christian labels are not searching for bands that want to try something new and innovative.
Probably true, but
most secular labels are guilty of this as well. Otherwise how do you explain Nsync, Backstreet Boys, 98degrees and you can make this string in every genre. The goal of Christian music is to provide and alternative to the mainstream. The risk of going into unchartered territory is great enough for the BIG record lables, how do you think the public would take it with a Christian message?
blackwasp said:
So who foots the blame? Well the bands can't be the only ones to blame. Think of the typical person who listens to christian music. (Of course this is a generalization) Most people who are big on many CCM bands have very "genred" tastes (i.e. give me my punk and nothing else).
I would say that the opposite is true. Most CCM listeners have a wider variety of tastes AND don't care if it "sounds like" someone else as long as its another alternative.
blackwasp said:
When this is what the labels see the demand is for in the Christian market, they sweep up bands that are without talent and bands that enjoy riding another band's formula to success. If you really get down to it, how is Reliant K signed??? If there wasn't a christian market, would they have the talent and songwriting ability to compete against secular bands? I believe not.
Good point, only with respect to Relient K, however.
blackwasp said:
Also, think about your CCM bands. They can pretty much be classified into four categories: bubblegum pop, poser rock, superposer rock (death metal and the such), or crappy electronic influenced music. I think when you get down to the meat of the matter, you will realize that you cannot play "rock and roll" and sing about loving Jesus.
That just doesn't make sense. You can play rock and roll and sing about loving "Gloria" or "Sweet Child of Mine" or anyone else, why couldn't you do it with God.
blackwasp said:
In the same fashion, you cannot rap about being humble. Without bragging, rap isn't really rap.
Maybe
blackwasp said:
Without attitude, raw emotion, and connection with the audience, rock isn't rock. This is the reason why "God Metal" is a joke and always will be.
Why can't you have any of these in Christian music?
blackwasp said:
The CCM industry probably will never change. They make their money and satisfy the tone deaf audience they address.
As long as CCM pumps out the artists they do, this christian will weep for his brothers and sisters in Christ.
Unnecessary attack.
blackwasp said:
It steals music produced by the secular market,
imitating is not stealing (ask your typical "sampling" artist)
blackwasp said:
false
blackwasp said:
writes cookie-cutter "christian" lyrics that couldn't offend anyone,
false - this shows that you haven't listened to any lately
blackwasp said:
and then markets it to people who are afraid of the "evils" of secular music.
your opinion, and even if fact, so what?