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We're All Going To Die

theFijian

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If you are a music lover in the UK then please help the quest for putting real music back at the #1 spot this Christmas!

On December 10 Malcom Middleton is releasing We're all going to die in a bid to land the Christmas #1 spot.

He already has backing from some Radio 1 DJs!

So download it from iTunes or 7Digital or go to HMV or whatever but just make sure you buy it! There are few things better than sticking two fingers up to the pop establishment.
 

theFijian

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... but he can't sing ...

Exactly, just the antidote we need to X-Factor fakeness. I'd rather have someone without a pristine voice singing something which he means than listen to wannabes spout fake platitudes.
 
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ondaball

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... but he can't sing ...

Is dat Y "we're all gonna die"?? :scratch:

I thought it was about soundwaves as acoustic weapons research - google it

Or see page 14/18 of Playing With Fire by ace musicologist Alex Robertson

"The Whistle That Killed"

A scientist made a machine something like a giant referee's whistle

It was built so big as to produce an extremely low 'note' with a very strong vibration

When it was done, the intrepid inventor swithched it on & in an instant he was dead - his internal organs had been 'scrambled' ...


The Marshall Space Flight Center in USA a vibrations test lab that has a machine for generating very high sound pressure levels (SPLs) comparable to the sound level inside a rocket shuttle during launch

A music mag reported, "To give you an idea of what those SPLs are like, empty coke cans placed in the room will splinter into hundreds of pieces as they are hit with 170 decibels of white noise...

Such SPLs could easily kill a person by inducing haemorrhaging" ...


"Sick Building Syndrome" causes abnormally high sick-rates among the workforce in affected buildings

1 of its causes has been traced to the physical effects of low frequency sound from the air conditioning system..

The Pleasure Factor

Many musos...classical as well as rock, suffer from tinnitus - ringing noise in the ears, which is a result of damage to the ear caused by exposure to loud music..

High volume levels act as a mild drug, giving the listener a 'kick' in the form of a pleasure stimulant

"For music above @ 95 dB..an adrenaline rush, comparable to the energising effects of amphetamines.. all the more likely to become addictive..

To put that..95 dB in perspective, Heavy Rock gigs often peak @ about 140 dB



Just time to say that acoustic weapons research is to save both the cost & the bad publicity of 'shock & awe bombing'


Must go

Ian
 
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theFijian

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Is dat Y "we're all gonna die"?? :scratch:

I thought it was about soundwaves as acoustic weapons research - google it....


..errr right. Anyway, you should check oiut Malcolm's song "Fight Like the Night". It's catchy stuff
 
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theFijian

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I stopped listening or paying attention to mainstream drivel in the UK years ago. It is not worth it.

Well I guess that means that you don't listen to anything then cos Malcolm Middleton is not mainstream.
 
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ondaball

Guest
If you are a music lover in the UK then please help the quest for putting real music back at the #1 spot this Christmas!

On December 10 Malcom Middleton is releasing We're all going to die in a bid to land the Christmas #1 spot.

He already has backing from some Radio 1 DJs!

So download it from iTunes or 7Digital or go to HMV or whatever but just make sure you buy it! There are few things better than sticking two fingers up to the pop establishment.

Dude,

How do I get dat font & color? :p

Or...:idea:

if any of you artists wanna check my blog & recommend what font & color etc best express Ondaball offdawall outasite, right? (Google it) ;)

OK..OK..:doh:

ya don't need to - my blog did it @ 51 mins ago :clap:

Ian
 
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ondaball

Guest
... but he can't sing ...


Sounds like da google I recommended on page 1:-


RESEARCH ARCHIVE : Acoustic Trauma - Infrasound and Sonic Weapons

The following documents are an archive of all available material found online related to the above subject.

Further Information regarding related projects and research can be found <here>

Although the allegations related to the subject in several articles are questionable they have been included to provide a cohesive survey.

All content remains the copyright of the original authors...

www.schizophonia.com/archives/traumaArchive/index.html - Similar pages


Sound Proofed Institute of Research into Acoustic Weapons ...S.P.I.R.A.W.L.

(Sound Proofed Institute of Research into Acoustic Weapons Logistics) is a web documentary about the sonic landscape and the pioneering use ...

Scientific fact: Everything in the known universe has a resonant frequency. Humans can only hear a small range of these frequencies, from 20 –20,000 Hz. But there are many frequencies which exist outside our range of hearing that we are exposed to everyday...

The audible fields of sound are mapped out, managed and regulated in the same way as any physical territory. The inaudible frequencies, however, represent a free zone.

This free zone is now being staked out chaotically with an ethical disregard reminiscent of the way the American West was ‘won’.

We locate our documentary in this sonic landscape and go in search of the aural boundaries that are being quietly pioneered by military and civilian police forces through the use of sound weapons...

www.dictionaryofwar.org/en-dict/node/418. - Similar pages



Electromagnetic and Acoustic Weapons: Knowledge is Power

Posted Jul 06, 2007
wrench.jpg


There is no need to even mention to Skilluminati Research readers that your best bet is to learn about this stuff before it gets used against you. Here is a small but potent treasure trove of relevant, quality documentation:

Acoustic Weapons
Electromagnetic Weapons -- ESSENTIAL
Magnetic Levitation How-to
Illustrated Summary of Jose Delgado's "Physical Control of the Mind"
Directed Energy Weapons

For further documentation, we highly recommend The International Comittee on Offensive Microwave Weapons and their monster archive.

Spread the Research:
digg_url = 'http://www.skilluminati.com/research/entry/electromagnetic_and_acoustic_weapons_knowledge_is_power/'; digg_title= 'Electromagnetic and Acoustic Weapons: Knowledge is Power'; digg_skin = 'icon';

Looking for more information? Try these related articles.
Filed in: Future Tech
Next entry: Micheal Aquino and "Mindwar"
Previous Entry: Rand report on the "Networks and Netwars"

www.skilluminati.com/research/entry/electromagnetic_and_acoustic_weapons_knowledge_is_power/ - Similar pages



March 2002
Acoustic-Energy Research Hits Sour Note
by Roxana Tiron

Acoustic-energy weapons have intrigued military scientists ever since the Germans boasted about them during World War II. But after decades of research, such weapons have yet to be fielded.

The Joint Non-Lethal Weapons Directorate stopped funding acoustic-energy research, a program it has inherited from the Army. Nevertheless, there is some ongoing work on acoustic weapons at the Army’s Picatinny arsenal, in New Jersey...

www.nationaldefensemagazine.org/issues/2002/Mar/Acoustic-Energy.htm - Similar pages
 
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ondaball

Guest
..errr right. Anyway, you should check oiut Malcolm's song "Fight Like the Night". It's catchy stuff

Sounds ace, Fij - I'll see www.e-lyrics.net

(Did ya know that I was 3 years running in a champion martial arts team - & retired personally undefeated in tournament competition when I got saved?)

Love all the Rocky movies too

Altogether now...

123...

Risin' up

straight to the top

Had the guts, got the glory!!

Went the distance, now I'm not gonna stop

Just a man

& his will to survive

It's the Eye of the Tiger

It's the thrill of the fight

Matching up to the challenge of our rival

& the last known survivor makes his way in the night

& he's watching us all with the eye...

of the tiger!!!!!!!!!



Hearts on fire!!

Strong desire!!!

OOPS..

Must go!

Ian
 
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ondaball

Guest
Dude,

How do I get dat font & color? :p

Or...:idea:

if any of you artists wanna check my blog & recommend what font & color etc best express Ondaball offdawall outasite, right? (Google it) ;)

OK..OK..:doh:

ya don't need to my blog did it @ 51 mins ago :clap:

Ian


Yes..

I heard dat encore..

Altogether now..

123...

HELP!!!

I need somebody!!


HELP!!!


Not just anybody


HELP!!!


Ya know I need someone


HELP!!!


When I was younger, so much younger than today


I never needed anybody's HELP!!! in any way..






What would be my best colors & fonts guys?

Guess I best blog dat, eh?

Ian
 
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ondaball

Guest
Hey great to have you back Ian, in a different guise these days though eh!

Oh, man.. :ebil:

Ya didn't see the disasterous experiment with Impact font that I had to jetison, did ya? :swoon:

Anyway, having read thru @ 1.5 pages of thread menu in here, I reckon this is the right place to post this fascinating collage @ stadium arena sound system power..:cool:


PA watts power @ stadium arena gigs



PA and Foldback | The Who Equipment | Whotabs

..basic attempt to catalogue the Who’s pioneering innovations in the realm of sound reinforcement, including PA (“public address” or “power amplification”) and foldback (or monitoring). As such, this page started with me documenting all I know on the topic and have relied on you — Whotabs’ faithful readers with expertise in this field — to step forward and fill in the many gaps...

The Who, along with a select few peer bands in the ’60s, pioneered concert PA (“public address” or “power amplification”), basically as we know it today though at a much different scale. Not only were they well regarded as the “loudest band in rock and roll” throughout their career — even landing in the Guinness Book of World Records in 1976 — they also insisted on the highest-quality equipment and support talent to maintain and advance their exacting standards...

In some ways, The Who were “louder” in 1965 than they were at any other time. A lot of the dates that they played were small pubs and clubs, often in very cramped circumstances. There were no monitors in those days and the stage volume was all there was to fill out a hall, so anybody on the front row got blasted!

The stage sound was just staggering and much more exciting than it was in larger venues in later years...

1967–1968

The advent of better microphones, including Beyer and Shure, the
WEM (Watkins Electric Music) Audiomaster five-channel mixer and multiple WEM 100-watt transistor PA amplifiers chained together changed rock PA.

The Who, along with the Pink Floyd, Cream, the Move, etc., were early adopters...

1968_ok_pa.jpg

23 or 24 Aug. 1968, in Oklahoma, two 8x10 Marshall PA cabinets visible at front of stage...


[SIZE=-1]www.thewho.net/whotabs/equipment/equip-pa.htm - [/SIZE]Similar pages




Tip of the Pops Solar Powered Wheelbarrow Disco

[SIZE=-1]If you were at any of the gigs I’d love to hear from you please leave a comment or .... The system delivered about 40 watts of power from 8 pm to 3 am and ...[/SIZE]


[SIZE=-1]www.joimson.wordpress.com/ - Similar pages[/SIZE]




Pink Floyd and Company - Pink Floyd Articles and Reviews

[SIZE=-1]We would refine that mix between us in soundchecks before gigs, .... "The Heil has a tiny horn unit, and if you power it with a 100 Watt amp, ...[/SIZE]

On their "Momentary Lapse" tour of 1987-89, the Floyd performed 199 shows to a total worldwide audience of 5.5 million, despite their initial plan to simply promote the album with an 11 week trek.

Typically for Floyd, it was the largest production ever taken on the road at the time and featured the world's biggest outdoor stage, custom-built by Paul Staples. The proscenium alone was 85 foot high by 98 foot wide.

Transportation required four steel systems on the road at any one time, and 45 trucks were used to move the steelwork and equipment...

SOUTHERN FRIED SOUND

A new face among the Pink Floyd crew in 1987 was American front-of-house engineer Buford Jones whose experience in the sound reinforcement business began in 1971 as part of Showco's team in Dallas, Texas before he turned freelance in 1980. By the time of his introduction to the Floyd, his live mixing credits had included ZZ Top, Lynyrd Skynyrd, James Taylor, Linda Ronstadt, Jackson Browne, and David Bowie...

Jones may have worked with some of the biggest names in the world, but even he was not accustomed to working with a quad sound system in a stadium production.

During rehearsals in Toronto, it became clear to Gilmour that even though he had broad shoulders, the responsibilities he had set himself in pulling the show together were just too much to bear on his own. Inevitably, he called upon James Guthrie and Bob Ezrin to help smooth the way and offer their informed opinions. It was Guthrie who coached Jones as a newcomer to 'the Floyd way', taking him through the vital cues, fader rises, and dynamics of the mix...

It was something quite unique to Floyd. What you could achieve by panning an instrument around the room was amazing. You could actually shift the reverb of something into the center of the room or to the back. Those sorts of things were judgment calls that I would use to determine what I thought was exciting. You wouldn't have those opportunities with other artists...

"We had 136 input channels over three consoles, so that was a lot different to what I'd been used to. In addition to the personnel from MSI and Brit Row, Pink Floyd let me choose two people to help me with the engineering so that I could concentrate more on the musical elements of the mix and ensure a consistency from gig to gig. I had worked on several tours with assistants to whom I would delegate certain responsibilities. When we started out, I had James Geddes, a studio engineer for Jackson Browne, and Bob Hickey, who had mixed James Taylor and Linda Ronstadt. I hired Bobby to handle the drum mix for me, while James took control of the effects returns and quad tape returns. Their consoles dumped into mine and I would blend their levels into the rest of the mix."

KNEBWORTH '90

Following a year which saw the Floyd members individually guesting at friends' gigs and appearing on studio sessions, the band reassembled for a memorable one-off performance in front of 125,000 people at Knebworth on June 30, 1990, where they "headlined" above Paul McCartney, Phil Collins, Genesis, Dire Straits, Eric Clapton, Tears For Fears, Status Quo, Cliff Richard & The Shadows, and Robert Plant & Jimmy Page -- easily the greatest gathering of British stars since Live Aid...

The Brit Row PA for the occasion consisted of Turbosound TMS-3 cabinets, stacked eighty per side, ten wide and eight deep, and ...

[SIZE=-1]www.pinkfloyd-co.com/band/interviews/art-rev/art-sos4.html - [/SIZE]Similar pages



Mad-Eyes - Madonna Tours - The Confessions Tour

[SIZE=-1]Millenium Stadium, Cardiff, UK. August 01 August 03, Wembley Arena, London, UK. Italy, August 06 .... 400,000 Watts of power used for run of show nightly ...[/SIZE]

5000 Square Feet Size of Madonna's four stages (standard is 2600 square feet) ...

200 Tons in weight of entire show (equivalent to a battle ship) ...

70 Tons of equipment on top of main stage

24 Semi Trucks used to move equipment from city to city

2 Private Planes to transport

18 Vans and Cars to transport

5 Buses to transport ...


[SIZE=-1]www.mad-eyes.net/tours/confessions-tour/details.htm - [/SIZE]Similar pages




Mystic Rock: September 2006

Led Zeppelin first inspired Michael Eavis to organise the Glastonbury Festival after he saw the band perform an open air concert in 1970.

It has also been reported the rockers plan to return to New York's Madison Square Garden - where they played three historic sell-out concerts in 1973 - as part of the globetrotting tour.

Although the group has previously hinted at playing further shows together, there has still been no official announcement...

[SIZE=-1]It is a typical stadium arena, with 60000+ capacity on 3 sides, plus floor seating at a premium ... Charlie Watts held it together with aplomb throughout. ...[/SIZE]

[SIZE=-1]www.mysticrock.blogspot.com/2006_09_01_archive.html - Similar pages[/SIZE]


Ian :wave:
 
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ondaball

Guest
Exactly, just the antidote we need to X-Factor fakeness. I'd rather have someone without a pristine voice singing something which he means than listen to wannabes spout fake platitudes.



AH: historic Venice buildings damaged by Dave Gilmour soundcheck ...

David Gilmour: Night 30: Venice

[SIZE=-1]It is bordered by historic buildings, such as the Gothic Palazzo Ducale, ...... "David Gilmour's Venice shows, which were to be held in Piazza San Marco on ...

venice_blog.jpg


IMPORTANT ANNOUNCEMENT: BOTH VENICE SHOWS OFF

We can confirm with deep regret that, unfortunately, both concerts at the Piazza San Marco have had to be called off.

A structural defect was discovered in the scaffolding just before the sound check this evening, which has rendered the whole stage structure unsafe.

Our most sincere apologies to all those who were supposed to attend these shows this weekend...

[SIZE=-1]www.davidgilmour.musicblog.co.uk/2006/08/night_30_venice.html - Similar pages[/SIZE]





David Gilmour: August 2006 Archives

[SIZE=-1]Venice's most famous square welcomes David and his band later today - as well ... It is bordered by historic buildings, such as the Gothic Palazzo Ducale, ...[/SIZE]

'Comfortably Numb'

14_blog.jpg


As you may have already seen over on the Latest News page, or from the posts of several fans who wrote in the previous entry to share the good news, David's classic 'Comfortably Numb' solo has been voted the best guitar solo of all-time by listeners of UK radio station, Planet Rock.

It was up against some impressive competition, beating solos by the likes of Slash, Eddie Van Halen and Jimmy Page...

[SIZE=-1]www.davidgilmour.musicblog.co.uk/2006/08/ - Similar pages[/SIZE]
[SIZE=-1]More results from davidgilmour.musicblog.co.uk »[/SIZE]




BBC NEWS | Entertainment | Floyd star postpones Venice gigs

[SIZE=-1]Two Venice concerts by Pink Floyd star David Gilmour are rescheduled when the ... [/SIZE]

According to the Italian news agency ANSA, officials discovered that one of the columns supporting the stage was slightly angled, and therefore unable to hold the weight of the lights and other stage equipment...


Chaos

Gilmour's band, Pink Floyd, caused chaos when they played a televised concert in the square in 1989.

As many as 200,000 fans turned up - almost double the number authorities had planned for - with many climbing onto the balconies and roofs of historic buildings for a better view.
Damage was allegedly caused to columns of the Basilica and the Ducal Palace...

[SIZE=-1]www.news.bbc.co.uk/1/hi/entertainment/5249914.stm - Similar pages[/SIZE]



Must read further: there was definitely a report at the time that Dave's band was banned as folk saw cracks appear in old historic buildings during soundcheck..

maybe @ www.metro.co.uk archives?


"You searched for "historic Venice buildings damaged by Dave Gilmour soundcheck ". We have found 7808 articles on Metro.co.uk "


Maybe someone may wanna read that much...:cool:

but right now, I'm yawning...:swoon:

'Night all! :sleep:


Ian[/SIZE]
 
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theFijian

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uhoh, thank goodness for supply and demand

and thank goodness for consumerism- the only salvation of the music industry in the face of indie "artists" like this guy

seriously, yuck, this is awful stuff

You've got it the wrong way round, guys like this are the salvation of the music industry in the face of corporate factory-farmed pop blandness. Thank goodness for individuality!
 
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