The 50 Greatest Western Movies Ever Made A hard look at one of cinema’s oldest genres.

Michie

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America can only claim a few art forms as its own. Jazz, for sure. Comic books, certainly. It’s probably safe to add the Western to that list, too, even if — like jazz and comics — the Western has roots around the globe and has since been adopted in many lands.

The history of movie Westerns more or less begins with the end of the Old West itself. Westerns thrived in the silent era, and though the genre’s popularity has ebbed and flowed ever since — largely fading from view in the ’80s but enjoy several resurgences in succeeding decades — it’s never threatened to fade away. The Western is a vital genre with the habit of reinventing itself every few years that doubles as a way to talk about America’s history while reflecting on its present. A strand of violent, psychologically complex Westerns that appeared in the 1950s, for example, captures both changing attitudes toward the settlement of the West and the treatment of Native Americans while channeling the spirit of a country still recovering from a devastating World War. And while there are certain themes and elements that define the genre, it’s also proven to be flexible, capable of playing host to many different stories and an infinite variety of characters. In Paul Greengrass’s terrific new film News of the World, for instance, Tom Hanks plays a traveling newsreader whose attempt to return a girl to her family doubles as a tour of a country whose divisions look like clear roots to some of our current national troubles.

This list of the 50 greatest Westerns reflects that wide legacy from the very first entry, a film directed by a Hungarian and starring a Tasmanian. It’s been assembled, however, working from a fairly traditional definition of the Western: films set along the America frontier of the 19th and the first years of the 20th century. That means no modern Westerns, no stealth Westerns starring aged X-Men, and no space Westerns with blasters instead of pistols. (We did, however, make an exception for a certain comedy that concludes with its stars attending its own premiere.)

Continued below.
The 50 Greatest Western Movies Ever Made
 

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America can only claim a few art forms as its own. Jazz, for sure. Comic books, certainly. It’s probably safe to add the Western to that list, too, even if — like jazz and comics — the Western has roots around the globe and has since been adopted in many lands.
I was in a restaurant in Reynosa, Mexico that had pictures on the walls of Mexican western stars from the 1930's and 1940's. It was interesting to realize that Mexico had a strong tradition of westerns too. They never made it in the U.S. because they were in Spanish. Too bad, many of our "western" traditions originated in Mexico.
 
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Michie

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Behind a paywall. :(
50. Dodge City (1939)
49. The Sisters Brothers (2018)
48. Buck and the Preacher (1972)
47. Bad Company (1972)
46. Day of Anger (1967)
45. The Great Train Robbery(1903)
44. Broken Arrow (1950)
43. One-Eyed Jacks (1961)
42. Little Big Man (1970)
41. The Left Handed Gun (1958)
40.The Assassination of Jesse James by the Coward Robert Ford (2007)
39.The Shootist (1976)
38.Blazing Saddles (1974)

37. The Tall T (1957)
36.Django (1966)









 
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Michie

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50. Dodge City (1939)
49. The Sisters Brothers (2018)
48. Buck and the Preacher (1972)
47. Bad Company (1972)
46. Day of Anger (1967)
45. The Great Train Robbery(1903)
44. Broken Arrow (1950)
43. One-Eyed Jacks (1961)
42. Little Big Man (1970)
41. The Left Handed Gun (1958)
40.The Assassination of Jesse James by the Coward Robert Ford (2007)
39.The Shootist (1976)
38.Blazing Saddles (1974)

37. The Tall T (1957)
36.Django (1966)







35. The Magnificent Seven(1960)
34. Bend of the River (1952)
33. A Bullet for the General (1966)
32. Vera Cruz (1954)
31. Ride the High Country(1962)
30. The Shooting (1966)




 
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Michie

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29. The Outlaw Josey Wales(1976)
28. The Ox-Bow Incident (1943)
27. For a Few Dollars More(1965)
26. Winchester ’73 (1950)
25. True Grit (2010)
24. The Gunfighter (1950)
23. Dead Man (1995)
22. 7 Men From Now (1956)
21. A Fistful of Dollars (1964)
20. She Wore a Yellow Ribbon (1949)







 
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Michie

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19. Shane (1953)
18. 3:10 to Yuma (1957)
17. High Noon (1952)
16. Forty Guns (1957)
15. Johnny Guitar (1954)
14. My Darling Clementine(1946)
13. Butch Cassidy and the Sundance Kid (1969)
12. The Good, the Bad and the Ugly (1966)
11. The Man Who Shot Liberty Valance (1962)
10. Meek’s Cutoff (2010)








 
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I found it interesting and disturbing that several spagetti westerns made the list but Sergeant Rutledge did not. Come to think of it the only one on the list that jumped out at me as one making a strong social commentary or not glorifying the wild west was The Oxbow Incident.
 
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I was in a restaurant in Reynosa, Mexico that had pictures on the walls of Mexican western stars from the 1930's and 1940's. It was interesting to realize that Mexico had a strong tradition of westerns too. They never made it in the U.S. because they were in Spanish. Too bad, many of our "western" traditions originated in Mexico.

The subgenre of westerns, about Gold Rush especially, set in Canada (Klondike) and Alaska are called northerns or northwesterns; westerns set in the original colonies (Daniel Boone, J.F Cooper's Hawkeye, some Zane Grey) are called easterns. Perhaps Mexican subgenre westerns should be called southerns? :)

Then there are also, of course, the Italian spaghetti westerns and the Spanish paella westerns, the osterns or red westerns, made in the former Cold War Iron Curtain countries, and space westerns like the Firefly. Karl May is German, Blueberry is Franco-Belgian. Here in Finland, we have the wild Lapland frontier-borderland sheriffs and outlaws, Arctic cowboys and Gold Rush westerns -- maybe we should call them reindeer westerns or the Aurora westerns. :D

The western truly is an archetypal genre!
 
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Anyone who knows me here on CF is probably not terribly surprised that a) I am a big fan of westerns, so my list is long, and b) I tend to like the subversive, revisionist westerns most

1) Rio Bravo (okay, that's as traditional as it comes: three tough dudes and a problem, and the macho John Wayne)
2) Johnny Guitar (it's pretty feminist, you know)
3) The Ballad of Little Jo (1993)
4) Ride the High Country
5) Unforgiven (great because of Clint Eastwood's career in westerns and the "baggage" he brings to it; reportedly Eastwood waited for decades to be old and jaded enough to play Munny)
5) One-Eyed Jacks (subversive!)
6) The Big Country (a gun-shy hero and an impecile antihero and two strong women)
7) The Outlaw Josey Wales, High Plains Drifter, and the Pale Rider
8) Riders of the Purple Sage (1996 again, subversive, and with religion)
9) The Tall T (the original story by Elmore Leonard is a 101 how to write a proper western)
* The Magnificent Seven
* True Grit (both versions)
* 3:10 to Yuma (both versions)
* The Homesman
* High Noon
* Stagecoach
* The Searchers
* Bend of the River
* The Far County
* The Missing
* Broken Arrow
* River of No Return (classic story, fun and the one and only Marilyn Monroe)
* Dances with Wolves and Open Range
* High Sierra (I consider it a western film)
 
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Anyone who knows me here on CF is probably not terribly surprised that a) I am a big fan of westerns, so my list is long, and b) I tend to like the subversive, revisionist westerns most

1) Rio Bravo (okay, that's as traditional as it comes: three tough dudes and a problem, and the macho John Wayne)
2) Johnny Guitar (it's pretty feminist, you know)
3) The Ballad of Little Jo (1993)
4) Ride the High Country
5) Unforgiven (great because of Clint Eastwood's career in westerns and the "baggage" he brings to it; reportedly Eastwood waited for decades to be old and jaded enough to play Munny)
5) One-Eyed Jacks (subversive!)
6) The Big Country (a gun-shy hero and an impecile antihero and two strong women)
7) The Outlaw Josey Wales, High Plains Drifter, and the Pale Rider
8) Riders of the Purple Sage (1996 again, subversive, and with religion)
9) The Tall T (the original story by Elmore Leonard is a 101 how to write a proper western)
* The Magnificent Seven
* True Grit (both versions)
* 3:10 to Yuma (both versions)
* The Homesman
* High Noon
* Stagecoach
* The Searchers
* Bend of the River
* The Far County
* The Missing
* Broken Arrow
* River of No Return (classic story, fun and the one and only Marilyn Monroe)
* Dances with Wolves and Open Range
* High Sierra (I consider it a western film)
Open Range was awesome. I forgot about that one. “Men are gonna get killed here today, Sue, and I’m gonna kill ‘em.”
 
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