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Radiohead, Oasis

Nico

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i agree w/nadroj and the fijian on the definition of pop. it's more a description of a style that has a certain catchiness as is related to beat and melody and harmony combined all thogether. guitar or no guitar, self-written or not isn't really the qualifier there. i would classify backstreet boys and all those people as more bubble gum pop as to pop that i've heard in rock. and i would also say that oasis definitely wrote some songs that are without a doubt classified as pop.

i'm just curious as to how oasis is currently helping to sustain the rock world. i haven't heard of any new album of theirs in either the indie or mainstream world within the last 8 or so years.
 
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funyun

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Nico said:
i agree w/nadroj and the fijian on the definition of pop. it's more a description of a style that has a certain catchiness as is related to beat and melody and harmony combined all thogether. guitar or no guitar, self-written or not isn't really the qualifier there. i would classify backstreet boys and all those people as more bubble gum pop as to pop that i've heard in rock. and i would also say that oasis definitely wrote some songs that are without a doubt classified as pop.

Sorry if I really meant to imply that because you use instruments you aren't pop. That's not what I meant. I said it before and I'll say it again, and I don't think Nadroj really tore this down, but popular music, as in what is marketed, is different than what is normally called pop music. Most music out there in the mainstream is "popular music", but pop and rock and mutually exclusive terms in modern music. I reject this idea that because soemthing has a certain "catchy" melody that it can be categorized for that. I think There There by Radiohead is quite a catchy song, does that mean they are a pop band? I think Street Spirit is very effective at combining beat, melody, and harmony like you are describing. I mean, what does catchy mean anyway? Completely subjective.

Nico said:
i'm just curious as to how oasis is currently helping to sustain the rock world. i haven't heard of any new album of theirs in either the indie or mainstream world within the last 8 or so years.

Oasis' last album came out in 2002, and I think they are set to release another soemtime this year. Alot of what they do nowadays is virtually ignored compared to their earlier albums. They are no longer the big populists their anti-fans postulated them as being in the mid 90s, and their style is quite different from back then as well.

I think this guy on Amazon summed up America's attitude towards Oasis best:
There's no reason to hate oasis, it's just that people got so sick of hearing wonderwall, that they forced themselves to hate them. Now anything new that comes out is overshadowed in the one hit wonder **** that gets their 2 months of airplay and then fades.
 
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nadroj1985

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funyun said:
Sorry if I really meant to imply that because you use instruments you aren't pop. That's not what I meant. I said it before and I'll say it again, and I don't think Nadroj really tore this down, but popular music, as in what is marketed, is different than what is normally called pop music. Most music out there in the mainstream is "popular music", but pop and rock and mutually exclusive terms in modern music. I reject this diea that because something has a certain "catchy" melody that it can be categorized for that. I think There There by Radiohead is quite a catchy song, does that mean they are a pop band? I mean, what does catchy mean anyway? Completely subjective.

Well, the problem is, any useful categorization of music must be subjective in some senses. Objective categorizations (i.e. based on what instruments are used, for instance) are so obvious that they are useless for all intents and purposes.

This disagreement over what is pop and what is not is a semantics thing though, as are all arguments about labels. For instance, under your definitions the Beatles are probably rock music, whereas I look at them as the very definition of pop music. But they're just labels, nothing more.

And for the record, you probably should disregard what I say about Oasis ;) I'm not familiar with most of their music (I only own What's the Story Morning Glory, which I didn't particularly like). Most of the critics I respect are pretty critical of Oasis' later albums, but I often don't agree with them.
 
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theFijian

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funyun said:
Are you a musician? If so, you should know better, and I suggest you slap yourself for making an incorrect statement
If I deserve a slap then so do you for making the original comment about the White Stripes.

funyun said:
pop and rock and mutually exclusive terms in modern music
They are anything but!! have you never heard of any cross-over acts? Primal Scream ring any bells? The Prodigy? Primal Scream were a rock-and-roll outfit in the style of the Rolling Stones, then they release Screamadelica a full-on acid-house/rock crossover album (which is a must have for anyone's collection) produced by Andy Weatherall of Two Lone Swordsmen. And what do you know...all other kinds of artists got in on the act. The Prodigy used to be ostensibly only Liam Howlett and were techno but with Fat of the Land they introduced a pseudo-goth/metal style. So if you consider what these guys have done and what many others continue to achive by blending musical styles, putting pop and rock together is a cinch. I think the problem is you regard chart-pop as the only kind of pop, which it is not.
 
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Nico

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funyun said:
Oasis' last album came out in 2002, and I think they are set to release another soemtime this year. Alot of what they do nowadays is virtually ignored compared to their earlier albums. They are no longer the big populists their anti-fans postulated them as being in the mid 90s, and their style is quite different from back then as well.

I think this guy on Amazon summed up America's attitude towards Oasis best:
There's no reason to hate oasis, it's just that people got so sick of hearing wonderwall, that they forced themselves to hate them. Now anything new that comes out is overshadowed in the one hit wonder **** that gets their 2 months of airplay and then fades.


i actually knew that, but only b/c i looked it up. i guess my point (albeit not very strong) was that, if i or many haven't heard much of oasis since that album w/wonderwall--and i'm pretty current on espc. the indie/alternative rock scene; how are they to be described as substantially supportive of the rock scene? i guess i just never would have even thought to say oasis of all the other bands out there has been so influential; especialy when one compares them to radiohead. it seems to me that radiohead has had a more substantial impact on the music world than oasis; and not just speaking according to my own personal tastes
 
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funyun

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theFijian said:
If I deserve a slap then so do you for making the original comment about the White Stripes.

If you have ever learned a White Stripes song on the guitar, you'd agree with me that their songs are extremely simple. Oasis's songs are by no means complicated, but they are far more complex than your typical White Stripes song. It's occured to me, though, that Jack White perhaps keeps his songs so simply in order to stay flexible for live shows.

theFijian said:
They are anything but!! have you never heard of any cross-over acts? Primal Scream ring any bells? The Prodigy? Primal Scream were a rock-and-roll outfit in the style of the Rolling Stones, then they release Screamadelica a full-on acid-house/rock crossover album (which is a must have for anyone's collection) produced by Andy Weatherall of Two Lone Swordsmen. And what do you know...all other kinds of artists got in on the act. The Prodigy used to be ostensibly only Liam Howlett and were techno but with Fat of the Land they introduced a pseudo-goth/metal style. So if you consider what these guys have done and what many others continue to achive by blending musical styles, putting pop and rock together is a cinch. I think the problem is you regard chart-pop as the only kind of pop, which it is not.

Chart pop is pop. Chart pop is not "popular music". They are different terms, as I have said before. And I never said that hybrid categories don't exist.
 
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funyun

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Nico said:
i actually knew that, but only b/c i looked it up. i guess my point (albeit not very strong) was that, if i or many haven't heard much of oasis since that album w/wonderwall--and i'm pretty current on espc. the indie/alternative rock scene; how are they to be described as substantially supportive of the rock scene? i guess i just never would have even thought to say oasis of all the other bands out there has been so influential; especialy when one compares them to radiohead. it seems to me that radiohead has had a more substantial impact on the music world than oasis; and not just speaking according to my own personal tastes

That wasn't the comparison I was making. I never said the "rock scene", I said rock music. The comparison I was making was not about marketability of the products, but about who is writing their own original music, who is hearkening back to classic rock while at the same time carving out their own distinct legacy, who is consistantly making good music, and influencing their listeners, some of whom will be later generations of musicians. And I'd say Oasis has been extremely influential, especially in Britian. In America we don't see it much, usually cuz the only airplay any of their stuff gets here is Wonderwall (which isn't even that great of a song anyway) and Champagne Supernova, and they tend to be seen as one hit wonders here. We really aren't exposed to Oasis very much in America. Overall, I'd say that Radiohead has been more influential than Oasis (I never said otherwise), because they are more experimental and ground-breaking.

BTW, Nico, is your screen name named after Nico from early Velvet Underground?
 
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nadroj1985

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I'd like to know in what ways Oasis has been very influential, out of curiosity. Like I said, I haven't heard much of their stuff, but what I have heard wasn't really forward-thinking at all. So have they changed significantly since What's the Story?
 
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funyun

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nadroj1985 said:
I'd like to know in what ways Oasis has been very influential, out of curiosity. Like I said, I haven't heard much of their stuff, but what I have heard wasn't really forward-thinking at all. So have they changed significantly since What's the Story?

Can you first give me an objective definition of "forward thinking"?
 
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theFijian

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funyun said:
Chart pop is pop.

That's right chart pop is pop, but not all pop is chart pop. I think that's what I already said. 'Pop' is merely a contraction of the word 'popular'.

funyun said:
Chart pop is not "popular music". They are different terms, as I have said before.


What does that mean?? "Chart pop is not popular music" If gets in the charts it's obviously popular with someone.

funyun said:
And I never said that hybrid categories don't exist.
What you said was "pop and rock are musically exclusive terms in modern music", and the difference between these two statements is.....??? I'm really not sure why you have this aversion to the term 'pop', it comes in many shapes and forms. Something that the Super Furry Animals (who had definately written pop-tunes) would be fathoms apart from anything you'd hear from a boyband.
 
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funyun

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theFijian said:
That's right chart pop is pop, but not all pop is chart pop. I think that's what I already said. 'Pop' is merely a contraction of the word 'popular'.

Obviously, semantically speaking.

theFijian said:
What does that mean?? "Chart pop is not popular music" If gets in the charts it's obviously popular with someone.

You keep going back and froth from "pop music has a certain style" to "pop music is equal to the common term popular music, ie songs that get played, get airtime, gat on the charts, are well known in popular culture etc." What I'm telling you is that the former doesn't exist any more than a category called As, or songs which contain the chord A Major in them. The latter does exist in a very trivial sense, but basically everything falls into that category with the exception of very indipendent music.

theFijian said:
What you said was "pop and rock are musically exclusive terms in modern music", and the difference between these two statements is.....??? I'm really not sure why you have this aversion to the term 'pop', it comes in many shapes and forms. Something that the Super Furry Animals (who had definately written pop-tunes) would be fathoms apart from anything you'd hear from a boyband.

I have an aversion to the term "pop" music because it has no definite, or blurry, for that matter, limits. At least for broad subjective labels like rock there are certain nuances most people agree on. Saying "pop music is pop cuz it's catchy" is ridiculous, because "catchy" doesn't mean anything. I bet there's someone out there who thinks clanging pots and pans together chaotically sounds rythmic and "catchy"-- does that make it pop music by a universal standard?
 
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nadroj1985

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funyun said:
I have an aversion to the term "pop" music because it has no definite, or blurry, for that matter, limits. At least for broad subjective labels like rock there are certain nuances most people agree on. Saying "pop music is pop cuz it's catchy" is ridiculous, because "catchy" doesn't mean anything. I bet there's someone out there who thinks clanging pots and pans together chaotically sounds rythmic and "catchy"-- does that make it pop music by a universal standard?

No. It might make it pop music by that person's standard, though, if they define pop as Andy does. Once again, any objective categorization for music is obvious enough to not be worth introducing.

Besides, we've got to remember the point of categorization: convenience. There is nothing more to it than that; to what other uses could it be put? This is probably a lesson many critics would do well to learn (note: I'm not referring to you here, just gettin' on the old soapbox), because many tend to evaluate a piece of music based on the label it is given. If labels really told us what a piece of music was like, then you could be sure the music was worthless.

Oh, and what are the nuances of rock music that people agree on? I find it about as nebulous as the "pop" label. I mean, if anyone from Belle and Sebastian to Faust to Yo La Tengo to Camper van Beethoven can all be described as "rock," then it seems to me that the definitions aren't too universal.
 
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funyun

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nadroj1985 said:
No. It might make it pop music by that person's standard, though, if they define pop as Andy does. Once again, any objective categorization for music is obvious enough to not be worth introducing.

Besides, we've got to remember the point of categorization: convenience. There is nothing more to it than that; to what other uses could it be put? This is probably a lesson many critics would do well to learn (note: I'm not referring to you here, just gettin' on the old soapbox), because many tend to evaluate a piece of music based on the label it is given. If labels really told us what a piece of music was like, then you could be sure the music was worthless.

Actually that is exactly what I am doing-- following my own labels and not the one given. I refuse to allow myself to label soemthing based on the "catchiness" of its melody. I am a very categorical person. I have to categorize things just ebcause that's the kind of person I am. I also absolutely agree with you, it is for convenience and it's all subjective.

So what I'm saying is: why should we follow this idea that pop music is what companies tell us it is? Why should we follow the categories they set out for us? I hate the terms progressive rock, yet these are constantly slapped on bands like Jethro Tull, Pink Floyd, the Grateful Dead. I personally reject that category.

I also reject the category sometimes given to bands like Green Day-- "punk". In my book punk means what it originally meant: bands formed mostly at the end of the 70's like the Sex Pistols or The Clash who tried to reinvent rock to get away from disco and arena rock. To me, Green Day and other "punk" bands are just alternative, another very, very broad term in everyday speech. I also tend to categorize on a song by song basis, though I think a band can have a definite category. An easy example: the Radiohead song Life In a Glass House is quite jazzy (reminds me of New Orleans in fact), but I think the band on the whole is most assuredly rock.

But I dislike "pop" most of all because everyone seems to use it without knowing what it means. Whereas I classify based on musical evolution, progression format (like for blues), influence, style, patterns, and to a point, instruments, people who use the term "pop" across many categories use it to categorize based on some undefined variable loosely translated as "catchiness" or something to that effect, as yall ahve demonstarted in this thread. Heresy to me, and a slap in the face to the idea of convenient organization.

Oasis has never written a pop song in their career. Neither has Radiohead. Either that or all the songs I like by both bands are pop songs because all the songs I like by them fit that undefined variable resembling melody, beat, and catchiness.
 
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nadroj1985

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funyun said:
Actually that is exactly what I am doing-- following my own labels and not the one given. I refuse to allow myself to label soemthing based on the "catchiness" of its melody. I am a very categorical person. I have to categorize things just ebcause that's the kind of person I am. I also absolutely agree with you, it is for convenience and it's all subjective.

So what I'm saying is: why should we follow this idea that pop music is what companies tell us it is? Why should we follow the categories they set out for us? I hate the terms progressive rock, yet these are constantly slapped on bands like Jethro Tull, Pink Floyd, the Grateful Dead. I personally reject that category.

I also reject the category sometimes given to bands like Green Day-- "punk". In my book punk means what it originally meant: bands formed mostly at the end of the 70's like the Sex Pistols or The Clash who tried to reinvent rock to get away from disco and arena rock. To me, Green Day and other "punk" bands are just alternative, another very, very broad term in everyday speech.

OK, these last two paragraphs display particularly well the confusion with labels. Why do you care that Jethro Tull et al are called progressive rock, if not because prog has a certain negative connotation, or because it also encompasses bands you don't like? But as soon as you fall prey to negative connotations, you are taking labels further than they are meant to go. It's the same with Green Day and punk. Labels should never, ever be involved in the value judgment of a piece of art.

But I dislike "pop" most of all because everyone seems to use it without knowing what it means.

But you don't know what it means either ;) No one does. It's a subjective concept. It doesn't mean anything other than what it means to the person using it.

Whereas I classify based on musical evolution, progression format (like for blues), influence, style, patterns, and to a point, instruments, people who use the term "pop" across many categories use it to categorize based on some undefined variable loosely translated as "catchiness" or something to that effect, as yall ahve demonstarted in this thread. Heresy to me, and a slap in the face to the idea of convenient organization.

Or just a different subjective opinion. And, in fact, I wonder very much whether categorization's contribution to convenience is worth its tendency to lead to the reducing of music to words used to describe it. The latter is a damn good way of killing off perhaps the only virtue of music. It would be good if we could give up trying to categorize music, IMO.

Oasis has never written a pop song in their career. Neither has Radiohead. Either that or all the songs I like by both bands are pop songs because all the songs I like by them fit that undefined variable resembling melody, beat, and catchiness.

Precisely.
 
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theFijian

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I know what, why don't we all just make up our own labelling system so that when we try to discuss music we have no idea what everyone else is talking about and get irate when people disagree with us.

Oasis has never written a pop song in their career
I think Noel would disagree with you.
 
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nadroj1985

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theFijian said:
I know what, why don't we all just make up our own labelling system so that when we try to discuss music we have no idea what everyone else is talking about and get irate when people disagree with us.

You know, maybe we should just do away with the categories. They do much more harm than good, it seems.

Edit: *nadroj wonders when blackwasp will add his two cents*

Yeah, I see you up there, and I just know you disagree! :)
 
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funyun

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theFijian said:
I know what, why don't we all just make up our own labelling system so that when we try to discuss music we have no idea what everyone else is talking about and get irate when people disagree with us.

Sounds like the way it already is. I'm sure Nadroj would agree with me.

theFijian said:
I think Noel would disagree with you.

I don't care what Noel thinks. Just cuz I like the music he writes doesn't mean I value his opinion on anything. Even, no, especially since he writes it himself. I write my own music and I'll be honest with you: I don't know what it is. Some would call it soft rock, some would call it just rock, some might call it blues or a blues-hybrid, and some may even call it country or folkish.
 
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blackwasp

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nadroj1985 said:
Edit: *nadroj wonders when blackwasp will add his two cents*
Haha, I have been following this thread and have thought about posting, but it is sometimes more fun to just watch the spectacle.

I think it would be accurate to call Radiohead and Oasis pop music. Although some bands are easily categorized (or at least I think), some bands may fall into multiple categories. I would call Radiohead progressive or alternative rock, but would not correct someone who said that they were pop. All genres in a certain sense are merely a subgenre of pop.

Let's go back to the argument earlier about Radiohead and Oasis being the best thing going for music. Although my idea of the White Stripes being pivotal was shot down by some, Modest Mouse was not addressed. Is anyone arguing that Oasis is currently having a bigger impact on music than MM?
 
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