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Excerpt from Protestantism Revealed in the True Structuring of the Revelation found here.
Hardy breaks with the traditional historicists’ interpretation of chapters 4-5, which they see as a first-century phenomenon, but then he reverts to their view that the seven seals represent phenomena commencing with the first century. He continually breaks the linear narration with each set of septets: the seven seals, seven trumpets, and even the seven vials. In order to break with the traditionalists’ view of the throne scene in chapters 4-5 Hardy follows the developmental guideline in chapter 4:1,
Hardy deems Christ’s trumpet-like voice relating the “things which must be hereafter” as a developmental guideline that pertains strictly to the throne scene but not to the phenomena of the seven seals, trumpets, or vials.
Nevertheless, there is more extraordinary evidence to maintain that the developmental guideline does not pertain strictly to the throne scene but to what follows up to the last trumpet in chapter 11, Christ’s return. Only then, in chapter 12, is there a break in the linear narration to affirm recapitulation. The symbolism and narration of the judgment in Revelation 6-11 correspond to the last and highest manifestation of God’s judgment. As stated in the previous work, the four horse riders and the fifth seal led to the phenomenon of the last trumpet, which parallels the pattern of God’s judgments upon His people by their enemies, their obtaining mercy, and the punishment of their enemies in the Old Testament. Theologian Ernst Wilhelm Hengstenberg noted the same convergence concerning the book of Joel and Amos, and specifically God’s locust army,
The narrative and symbolism in Revelation 6-11 parallel the pattern of God’s judgments upon his people by their enemies, their obtaining mercy, and the punishment of their enemies prophesied in the Old Testament. In this precedent, the trial or judgment upon God’s covenant people is illustrated as an army of locusts. Hengstenberg comments further on this trial by the locust in his thesis on Joel,
The trial by the locust is God’s highest and last judgment upon his people and represents the Day of the Lord conveyed in all the symbolism that we see in Revelation 6-11.
In support of this trial, God does nothing before he reveals it to the prophets (Amos 2:7), which we see in the commendation to the church of Philadelphia and warning to the rest of the world.
The symbolism of the seals commences with the four horse-riders that represent God’s locust army on the Day of the Lord according to Joel 2:4.
The fire that devourers before the locusts is indicative of the Day of the Lord.
The trial by “fire” on the Day of the Lord is of the same nature that Peter conveys: the fire is indicative of suffering adversity and not a literal conflagration.
The Day of the Lord also comes unexpected, as a thief in the night, as 1 Peter 4:310 states, above. Again, God does nothing before he reveals it to the prophets (Amos 2:7), which we seen in the warning to the church of Sardis.
The locust army is also illustrated to come as a thief in the night.
There is tremendous evidence that the developmental guideline in Revelation 4:1 does not pertain strictly to the throne scene but to what follows up to the last trumpet in chapter 11, Christ’s return. The narrative and symbolism in Revelation 6-11 parallel the pattern of God’s judgments upon his people by their enemies, their obtaining mercy, and the punishment of their enemies prophesied in the Old Testament. A great deal of the evidence is delt with in the publication, Thy Kingdom Come: Re-evaluation the Historicist’s Interpretation of the Revelation.4 However, it is not within the scope of this paper to convey all of the evidence. This paper aims to reveal the Protestant place in the church’s history and the ramifications on the structuring of the Revelation.
[1] Frank W. Hardy, Ph.D., “Historicism and the Judgment A Study of Revelation 4-5 and 19a,” Historicism.org, (August 8, 2006, Modified April 15, 2010), 2, 3. http://www.historicism.org/Documents/Lecture1Rev4-5.pdf
[2] Ernst Wilhelm Hengstenberg, Christology of the Old Testament, Vol. 1 (Edinburgh: T. & T. Clark, 1871) 320.
[3] Ibid.
[4]Marsue and Jerry Huerta, Thy Kingdom Come: Re-evaluating the Historicist's Interpretation of the Revelation, https://www.amazon.com/Thy-Kingdom-...rpretation/dp/1637673981/ref=tmm_pap_swatch_0
Hardy breaks with the traditional historicists’ interpretation of chapters 4-5, which they see as a first-century phenomenon, but then he reverts to their view that the seven seals represent phenomena commencing with the first century. He continually breaks the linear narration with each set of septets: the seven seals, seven trumpets, and even the seven vials. In order to break with the traditionalists’ view of the throne scene in chapters 4-5 Hardy follows the developmental guideline in chapter 4:1,
In the same way, when Christ says, “Come up here, and I will show you what must take place after this” (Rev 4:1), He is not taking us back to an earlier age – to the first century for example. “Come up here” is a transition not from one time to another, but from one place to another. The events John sees in heaven are just beginning. It is the start of a long process.1
Hardy deems Christ’s trumpet-like voice relating the “things which must be hereafter” as a developmental guideline that pertains strictly to the throne scene but not to the phenomena of the seven seals, trumpets, or vials.
After this I looked, and, behold, a door was opened in heaven: and the first voice which I heard was as it were of a trumpet talking with me; which said, Come up hither, and I will shew thee things which must be hereafter. (Revelation 4:1)
Nevertheless, there is more extraordinary evidence to maintain that the developmental guideline does not pertain strictly to the throne scene but to what follows up to the last trumpet in chapter 11, Christ’s return. Only then, in chapter 12, is there a break in the linear narration to affirm recapitulation. The symbolism and narration of the judgment in Revelation 6-11 correspond to the last and highest manifestation of God’s judgment. As stated in the previous work, the four horse riders and the fifth seal led to the phenomenon of the last trumpet, which parallels the pattern of God’s judgments upon His people by their enemies, their obtaining mercy, and the punishment of their enemies in the Old Testament. Theologian Ernst Wilhelm Hengstenberg noted the same convergence concerning the book of Joel and Amos, and specifically God’s locust army,
The whole announcement of punishment and judgment upon the heathen nations has sense and meaning, only when, in the preceding context, there has been mention made of the crime which they committed against the Lord and His people. In that case, we have before us the three main subjects of prophecy,—God's judgments upon His people by heathen enemies, their obtaining mercy, and the punishment of the enemies. At the very beginning of chap. iv. (iii.) the sufferings of Israel, described in chap. i. and ii., and the judgment upon the heathen, are brought into the closest connection. According to chap. iv.1, 2, the gathering of the Gentiles is to take place at a time when the Lord will return to the captivity of Judah and Jerusalem, i.e., according to the constant usus loquendi (compare my Commentary on Psalm 14:7), when He will grant them, mercy, and deliver them from their misery.[1] But that this misery can be none other than that described in chap. i. and ii. appears simply from the fact, that this has been declared to be the close of all the judgments of God.2
The narrative and symbolism in Revelation 6-11 parallel the pattern of God’s judgments upon his people by their enemies, their obtaining mercy, and the punishment of their enemies prophesied in the Old Testament. In this precedent, the trial or judgment upon God’s covenant people is illustrated as an army of locusts. Hengstenberg comments further on this trial by the locust in his thesis on Joel,
Chap. ii.2 is to be considered as indicating the reason which induced Joel to choose this figurative representation. The words, "There hath not been anything the like from eternity, neither may there be any more after it, even to the years of all generations," are borrowed, almost verbally, from Exodus 10:14. The prophet thereby indicates that he transfers the past, in its individual definiteness, to the future, which bears a substantial resemblance to it. What was then said of the plague of locusts especially, is here applied to the calamity thereby prefigured. From among all the judgments upon the Covenant-people (for these alone are spoken of), this judgment is the highest and the last; and such the prophet could say, only if the whole sum of divine judgments, up to their consummation, represented itself to his inner vision under the image of the devastation by locusts.3
The trial by the locust is God’s highest and last judgment upon his people and represents the Day of the Lord conveyed in all the symbolism that we see in Revelation 6-11.
In support of this trial, God does nothing before he reveals it to the prophets (Amos 2:7), which we see in the commendation to the church of Philadelphia and warning to the rest of the world.
Because thou hast kept the word of my patience, I also will keep thee from the hour of temptation, which shall come upon all the world, to try them that dwell upon the earth (Revelation 3:10)
The symbolism of the seals commences with the four horse-riders that represent God’s locust army on the Day of the Lord according to Joel 2:4.
And I saw, and behold a white horse: and he that sat on him had a bow… And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth… And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand… And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. (Revelation 6:2, 4, 5, 8)
Blow ye the trumpet in Zion, and sound an alarm in my holy mountain: let all the inhabitants of the land tremble: for the day of the LORD cometh, for it is nigh at hand; A day of darkness and of gloominess, a day of clouds and of thick darkness, as the morning spread upon the mountains: a great people and a strong; there hath not been ever the like, neither shall be any more after it, even to the years of many generations. A fire devoureth before them; and behind them a flame burneth: the land is as the garden of Eden before them, and behind them a desolate wilderness; yea, and nothing shall escape them. The appearance of them is as the appearance of horses; and as horsemen, so shall they run. (Joel 2:1-4)
The fire that devourers before the locusts is indicative of the Day of the Lord.
But the day of the Lord will come as a thief in the night; in the which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up. (2 Peter 3:10)
The trial by “fire” on the Day of the Lord is of the same nature that Peter conveys: the fire is indicative of suffering adversity and not a literal conflagration.
Beloved, think it not strange concerning the fiery trial which is to try you, as though some strange thing happened unto you: But rejoice, inasmuch as ye are partakers of Christ's sufferings; that, when his glory shall be revealed, ye may be glad also with exceeding joy. (1 Peter 4:12-13)
The Day of the Lord also comes unexpected, as a thief in the night, as 1 Peter 4:310 states, above. Again, God does nothing before he reveals it to the prophets (Amos 2:7), which we seen in the warning to the church of Sardis.
And unto the angel of the church in Sardis write… Remember therefore how thou hast received and heard, and hold fast, and repent. If therefore thou shalt not watch, I will come on thee as a thief, and thou shalt not know what hour I will come upon thee. (Revelation 3:1, 3)
The locust army is also illustrated to come as a thief in the night.
They shall run to and fro in the city; they shall run upon the wall, they shall climb up upon the houses; they shall enter in at the windows like a thief. (Joel 2:9)
There is tremendous evidence that the developmental guideline in Revelation 4:1 does not pertain strictly to the throne scene but to what follows up to the last trumpet in chapter 11, Christ’s return. The narrative and symbolism in Revelation 6-11 parallel the pattern of God’s judgments upon his people by their enemies, their obtaining mercy, and the punishment of their enemies prophesied in the Old Testament. A great deal of the evidence is delt with in the publication, Thy Kingdom Come: Re-evaluation the Historicist’s Interpretation of the Revelation.4 However, it is not within the scope of this paper to convey all of the evidence. This paper aims to reveal the Protestant place in the church’s history and the ramifications on the structuring of the Revelation.
[1] Frank W. Hardy, Ph.D., “Historicism and the Judgment A Study of Revelation 4-5 and 19a,” Historicism.org, (August 8, 2006, Modified April 15, 2010), 2, 3. http://www.historicism.org/Documents/Lecture1Rev4-5.pdf
[2] Ernst Wilhelm Hengstenberg, Christology of the Old Testament, Vol. 1 (Edinburgh: T. & T. Clark, 1871) 320.
[3] Ibid.
[4]Marsue and Jerry Huerta, Thy Kingdom Come: Re-evaluating the Historicist's Interpretation of the Revelation, https://www.amazon.com/Thy-Kingdom-...rpretation/dp/1637673981/ref=tmm_pap_swatch_0
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