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Sammy-San

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What is your evidence for this claim?

People say Michael Jackson was that word and they also said he wasnt a pedophile in the strict biological sense. Scientific American wrote an article about Michael Jackson, I dont wanna discuss the details because its strange.
 
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Paidiske

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People say Michael Jackson was that word and they also said he wasnt a pedophile in the strict biological sense. Scientific American wrote an article about Michael Jackson, I dont wanna discuss the details because its strange.

That would in no way establish a meaning of arsenokoites involving women or girls.
 
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Sammy-San

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What is your evidence for this claim?

Someone I was talking to about politics says he doesn't think the girls should be able to sue Epstein because they what they were doing and in the past they would be considered adults. I think he was referring to the ancient Greek practice of pederasty.
 
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Sammy-San

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That would in no way establish a meaning of arsenokoites involving women or girls.
Someone told me a michael jackson joke saying that he wasnt just a pedophile he was also a gay pedophile. Thats what I meant by he fit the definition of that Greek word.
 
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Paidiske

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By default it involves other forms of homosexuality.

Sam, you can't just invent meanings that weren't there for the author/s and original audiences. Ancient people had very different ideas and ways of thinking about sexuality than we do, and very different words for expressing those ideas. You can't fold modern ideas into their language by "default."
 
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hedrick

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That word also referred to improper relationships between men and girls, or women and girls.
We can only guess, but that's not a guess I've heard scholars suggest.

Incidentally, I have a caution. That word is followed by one that literally means "soft". Before the gay battles it used to be translated effeminate. Now conservative translations are claiming that arsenokoitai means the active partner and this word the passive partner in same-gender sex. I know of no basis for this, and it risks making Paul guilty of blaming the victim.

In the 1st Cent, it was considered immoral, and sometimes illegal, for a free adult man to be the receptive partner ("bottom"). That was expected to be an adolescent or a slave. If Paul is actually condemning the receptive partner, he's condemning the victim. Many of Paul's converts were probably slaves. Some of them would have experienced this, and many would have been threatened with it. I certainly hope Paul wouldn't have condemned them. I recommend more traditional translations such as effeminate, unless you think Paul didn't accept the role of consent in sexual ethics.
 
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Sammy-San

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Because people likely prefer not to stigmatize things that are not within a person's control regarding their behavior (the whole, gay people can be gay, they just can't act on it distinction to seem gay-friendly). I don't believe, but if my dad wanted to be an elder at the church he goes to (not remotely sure he's that involved, but let's go with hypothetical) and that rule applied, that'd be unfair.

And as for the problems of gluttony or drunkenness, that's assuming that someone who has that kind of flaw cannot deal with it and have to be prohibited from leadership initially. Even the prohibition of someone that is being sexually responsible and is only different from a heterosexual person in that they are in a committed faithful relationship with a person of the same sex seems unfair because you're judging based on similar superficial traits and not on on traits that would be a matter of human fallibility in general
Hollywood’s Gay Double Standard: Why So Many Actresses Can Come Out, But Young Actors Stay in the Closet
There’s never been a better time to be gay in Hollywood. “Moonlight” won Best Picture the same year Kristen Stewart told millions of people on “Saturday Night Live” that she’s “like, so gay dude.” Now in its 10th season, “RuPaul’s Drag Race” boasts two Emmy nominations and ever-increasing ratings. The “Roseanne” reboot has a gender-nonconforming child, and “Love, Simon,” the first major studio film about a gay teenager, is playing in 2,402 theaters nationwide. It seems everywhere you look, progress is slowly doing its thing.

So why are so many actors still in the closet?

This week delivered a stark reminder of the real state of affairs, when James Ivory gave a no-holds-barred interview in The Guardian lamenting the lack of full-frontal male nudity in “Call Me By Your Name,” the gay awards film of last year, which earned the Hollywood legend his first Oscar for Best Adapted Screenplay. The same story also noted how Ivory kept his 44-year romantic relationship with producing partner Ismail Merchant a secret — albeit an open one.


Surely such secrecy is a thing of the past, right? In a post-Call Me By Your Name” world (which is also a post-“Carol” and post-“Moonlight” world), why would anyone feel pressure to hide their sexuality in order to get work in Hollywood?

Well.

“A lot of people advise you not to do it. They tell you flat out — ‘Don’t do it,’” said “Westworld” actress Evan Rachel Wood, who came out publicly as bisexual in 2011. “They don’t want you to be less desirable to men. Because that sells tickets and that helps your career.”

“Star Trek” actor John Cho is straight, but played Billy Eichner’s boyfriend in “Difficult People,” as well as the latest iteration of Sulu in “Star Trek,” who is revealed as gay in the third installment. In an interview, Cho told IndieWire that he knows of one actor who “is not particularly in the closet, if you get my drift,” but is not out in the press. “I think he doesn’t want to … talk about that for 80 percent of each interview,” said Cho. “It’s natural, the attention, but I think this person would rather talk about the film. And heterosexual actors are afforded a much greater degree of privacy.”

A top-level talent manager who spoke on condition of anonymity put it in blunter terms. “It’s all about perception. They want to believe that the lead guy is <Staff Edit> the lead woman,” he said. “If a studio is backing a film with a ton of money … they want everyone who is buying tickets to believe that that’s in fact the case. Sadly, if we know that in real life the lead guy is screwing around with another guy, the fear is that it may hurt ticket sales.”

The same logic does not apply to straight actors, like “Call Me by Your Name” stars Armie Hammer and Timothee Chalamet, for whom playing gay (albeit in a prestigious film) actually bolstered their careers. Loose-lipped though he was, Ivory did not elaborate on the reason “Call Me by Your Name” skimped on the skimpiness, other than to call <Staff Edit> on the assertion by director Luca Guadagnino that it was a “conscious aesthetic decision.”
But plenty of actors cut to the chase. “You see a lot of heterosexual actors playing queer characters on screen, but you don’t see that many queer actors playing straight people on screen,” said Lola Kirke, whose new movie, “Gemini,” has both explicit queer themes and nuanced undertones. The contemporary noir casts Kirke as an unwitting Philip Marlowe on the run after the death of her employer and friend, a prominent actress played by Zoë Kravitz, who must hide her sexuality from the paparazzi.

Kirke’s star has been steadily on the rise since she starred opposite Greta Gerwig in 2015’s “Mistress America,” but even she acknowledges that actors have very little power. “I am still lucky to get a job. It’s not entirely easy,” Kirke said. “So I think that’s why people might obscure certain parts of who they are, because it’s a privilege to be able to be recognized for what you do. Even if what you do is within a system that is extremely messed up, it can be tricky to be navigate if you overthrow the system or participate in it.”

Others try to rationalize that process. “As a producer, as someone who’s creating a role for TV, they’re going to want to have their lead actor, or actress believably play the role,” said the talent manager, who is openly gay. “Personally, I don’t blame them for that.”

With “Westworld” gearing up as HBO’s new “Game of Thrones,” Wood has weathered potential career hits, though she has had more prominent relationships with men than with women. “Nothing happened that people told me was going to happen,” she said.

There is a recent plethora of buzzy young actresses proudly stating their queerness, whether it be with much fanfare (Ellen Page’s HRC speech), or a slow trickle of glaring hints leading up to a giant middle finger to the president on “Saturday Night Live” (Stewart). Sasha Lane, Kate McKinnon, and Samira Wiley are just a few whose queerness has not hindered, and quite possibly has helped, their careers.

“I think it pertains mainly to young male, romantic leads,” said the manager. “Those are the roles that are written. That’s what’s out there. If the public is not going to buy you in those roles, if producers are not going to choose you in those roles, if you’re not being bought in those roles, what’s out there? That’s one of the hurdles that hasn’t been addressed yet.”

In that case, the solution may be to write fewer heterosexual romances altogether — which might not be a bad thing for actresses, straight or gay, as Hollywood attempts to reckon with its history of sexualizing women. It might lead to better movies, too.

The problem lies more heavily with young men; there are plenty of out gay character actors and comedians. Zachary Quinto, Alan Cumming, and Neil Patrick Harris have made no secret of being gay, but they either waited until later in life to come out, or did not reach the height of their fame until later in life.





“It hasn’t hurt some older character actors. You have actors for whom it’s like an open secret that they’re gay, but it hasn’t hurt their careers,” the manager said. “If you’re not established in the industry, which tends to be most young people, you [want to] make sure you’re not pigeonholed into certain roles, and into certain stereotypes. As you get older, as you get more established … roles open up. There are more parts [than just] the young hunk who’s the male romantic lead.”

Greg Berlanti, who directed “Love, Simon” and is pretty much single-handedly responsible for the proliferation of gay supporting characters on television, has been around long enough to be more optimistic. “When I would cast people in gay roles, there were so many conversations about it 10, 15 years ago. You’d have to talk to their agent, and you’d have to talk to them … There was a feeling that it would label an actor,” he said. “Those are not the kinds of conversations people are having now.”

Wood, who is as outspoken in real life as renegade “Westworld” cyborg Dolores, regrets nothing about coming out: “You might be leaving one community behind,” she said, “but you’re getting embraced by another.”
 
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Confused-by-christianity

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We can only guess, but that's not a guess I've heard scholars suggest.

Incidentally, I have a caution. That word is followed by one that literally means "soft". Before the gay battles it used to be translated effeminate. Now conservative translations are claiming that arsenokoitai means the active partner and this word the passive partner in same-gender sex. I know of no basis for this, and it risks making Paul guilty of blaming the victim.

In the 1st Cent, it was considered immoral, and sometimes illegal, for a free adult man to be the receptive partner ("bottom"). That was expected to be an adolescent or a slave. If Paul is actually condemning the receptive partner, he's condemning the victim. Many of Paul's converts were probably slaves. Some of them would have experienced this, and many would have been threatened with it. I certainly hope Paul wouldn't have condemned them. I recommend more traditional translations such as effeminate, unless you think Paul didn't accept the role of consent in sexual ethics.
Good reply. I do like reading your inputs.
 
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muichimotsu

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Hollywood’s Gay Double Standard: Why So Many Actresses Can Come Out, But Young Actors Stay in the Closet
There’s never been a better time to be gay in Hollywood. “Moonlight” won Best Picture the same year Kristen Stewart told millions of people on “Saturday Night Live” that she’s “like, so gay dude.” Now in its 10th season, “RuPaul’s Drag Race” boasts two Emmy nominations and ever-increasing ratings. The “Roseanne” reboot has a gender-nonconforming child, and “Love, Simon,” the first major studio film about a gay teenager, is playing in 2,402 theaters nationwide. It seems everywhere you look, progress is slowly doing its thing.

So why are so many actors still in the closet?

This week delivered a stark reminder of the real state of affairs, when James Ivory gave a no-holds-barred interview in The Guardian lamenting the lack of full-frontal male nudity in “Call Me By Your Name,” the gay awards film of last year, which earned the Hollywood legend his first Oscar for Best Adapted Screenplay. The same story also noted how Ivory kept his 44-year romantic relationship with producing partner Ismail Merchant a secret — albeit an open one.


Surely such secrecy is a thing of the past, right? In a post-Call Me By Your Name” world (which is also a post-“Carol” and post-“Moonlight” world), why would anyone feel pressure to hide their sexuality in order to get work in Hollywood?

Well.

“A lot of people advise you not to do it. They tell you flat out — ‘Don’t do it,’” said “Westworld” actress Evan Rachel Wood, who came out publicly as bisexual in 2011. “They don’t want you to be less desirable to men. Because that sells tickets and that helps your career.”

“Star Trek” actor John Cho is straight, but played Billy Eichner’s boyfriend in “Difficult People,” as well as the latest iteration of Sulu in “Star Trek,” who is revealed as gay in the third installment. In an interview, Cho told IndieWire that he knows of one actor who “is not particularly in the closet, if you get my drift,” but is not out in the press. “I think he doesn’t want to … talk about that for 80 percent of each interview,” said Cho. “It’s natural, the attention, but I think this person would rather talk about the film. And heterosexual actors are afforded a much greater degree of privacy.”

A top-level talent manager who spoke on condition of anonymity put it in blunter terms. “It’s all about perception. They want to believe that the lead guy is <Staff Edit> the lead woman,” he said. “If a studio is backing a film with a ton of money … they want everyone who is buying tickets to believe that that’s in fact the case. Sadly, if we know that in real life the lead guy is screwing around with another guy, the fear is that it may hurt ticket sales.”

The same logic does not apply to straight actors, like “Call Me by Your Name” stars Armie Hammer and Timothee Chalamet, for whom playing gay (albeit in a prestigious film) actually bolstered their careers. Loose-lipped though he was, Ivory did not elaborate on the reason “Call Me by Your Name” skimped on the skimpiness, other than to call <Staff Edit> on the assertion by director Luca Guadagnino that it was a “conscious aesthetic decision.”
But plenty of actors cut to the chase. “You see a lot of heterosexual actors playing queer characters on screen, but you don’t see that many queer actors playing straight people on screen,” said Lola Kirke, whose new movie, “Gemini,” has both explicit queer themes and nuanced undertones. The contemporary noir casts Kirke as an unwitting Philip Marlowe on the run after the death of her employer and friend, a prominent actress played by Zoë Kravitz, who must hide her sexuality from the paparazzi.

Kirke’s star has been steadily on the rise since she starred opposite Greta Gerwig in 2015’s “Mistress America,” but even she acknowledges that actors have very little power. “I am still lucky to get a job. It’s not entirely easy,” Kirke said. “So I think that’s why people might obscure certain parts of who they are, because it’s a privilege to be able to be recognized for what you do. Even if what you do is within a system that is extremely messed up, it can be tricky to be navigate if you overthrow the system or participate in it.”

Others try to rationalize that process. “As a producer, as someone who’s creating a role for TV, they’re going to want to have their lead actor, or actress believably play the role,” said the talent manager, who is openly gay. “Personally, I don’t blame them for that.”

With “Westworld” gearing up as HBO’s new “Game of Thrones,” Wood has weathered potential career hits, though she has had more prominent relationships with men than with women. “Nothing happened that people told me was going to happen,” she said.

There is a recent plethora of buzzy young actresses proudly stating their queerness, whether it be with much fanfare (Ellen Page’s HRC speech), or a slow trickle of glaring hints leading up to a giant middle finger to the president on “Saturday Night Live” (Stewart). Sasha Lane, Kate McKinnon, and Samira Wiley are just a few whose queerness has not hindered, and quite possibly has helped, their careers.

“I think it pertains mainly to young male, romantic leads,” said the manager. “Those are the roles that are written. That’s what’s out there. If the public is not going to buy you in those roles, if producers are not going to choose you in those roles, if you’re not being bought in those roles, what’s out there? That’s one of the hurdles that hasn’t been addressed yet.”

In that case, the solution may be to write fewer heterosexual romances altogether — which might not be a bad thing for actresses, straight or gay, as Hollywood attempts to reckon with its history of sexualizing women. It might lead to better movies, too.

The problem lies more heavily with young men; there are plenty of out gay character actors and comedians. Zachary Quinto, Alan Cumming, and Neil Patrick Harris have made no secret of being gay, but they either waited until later in life to come out, or did not reach the height of their fame until later in life.





“It hasn’t hurt some older character actors. You have actors for whom it’s like an open secret that they’re gay, but it hasn’t hurt their careers,” the manager said. “If you’re not established in the industry, which tends to be most young people, you [want to] make sure you’re not pigeonholed into certain roles, and into certain stereotypes. As you get older, as you get more established … roles open up. There are more parts [than just] the young hunk who’s the male romantic lead.”

Greg Berlanti, who directed “Love, Simon” and is pretty much single-handedly responsible for the proliferation of gay supporting characters on television, has been around long enough to be more optimistic. “When I would cast people in gay roles, there were so many conversations about it 10, 15 years ago. You’d have to talk to their agent, and you’d have to talk to them … There was a feeling that it would label an actor,” he said. “Those are not the kinds of conversations people are having now.”

Wood, who is as outspoken in real life as renegade “Westworld” cyborg Dolores, regrets nothing about coming out: “You might be leaving one community behind,” she said, “but you’re getting embraced by another.”

Points about trends and sexuality aside, gender identity is a separate issue from sexuality, so the article misses the point by conflating the two issues or forgets to keep the focus, much as it is trying to be in pointing out issues
 
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muichimotsu

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That word also referred to improper relationships between men and girls, or women and girls.
The word was more often translated as pederasty in pre 1950s German and other non English translations of the Bible, we have evidence of this from archivists and scholars you can find
 
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muichimotsu

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marriage means their bodies belong to one another.
fornication is not comparable but in a way its a form of abuse since fornication involves people who arent husband and wife-and people who got in trouble for abuse scandals touched people who werent their spouse.
marriage existed before state institutions and certain benefits.
Fornication violates trust, but it is not immoral because of the nature of sex involved, only the quality of the relationships involved (violating fidelity to one's spouse)

Matrimony existed before state institutions, marriage is arguably more modern in the contract implications, though it's still needed reform (women being able to actually own property and divorce, etc)
 
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muichimotsu

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Sexual orientation might not be a sin but the behavior is.
Even if it is, which isn't universally agreed upon by Biblical scholars in the first place, let alone Jewish scholars (who would know the text more familiarly om the majority of the bludgeon verses (2-3 from the OT by contrast), I don't think you realize how little people necessarily care about that when discussing morality, because sin is a religious concept that entails particular ideas that aren't agreed upon fundamentally
 
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Sammy-San

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Fornication violates trust, but it is not immoral because of the nature of sex involved, only the quality of the relationships involved (violating fidelity to one's spouse)

Matrimony existed before state institutions, marriage is arguably more modern in the contract implications, though it's still needed reform (women being able to actually own property and divorce, etc)

How does fornication violate the respect of ones spouse if neither are married? Adultrey is not fornication in the normal sense of the term.

Someone said marriage was an asset sharing agreement and someone else said it existed before Christianity and Judaism. I believe marriage is something God put in peoples hearts.
 
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Sammy-San

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The word was more often translated as pederasty in pre 1950s German and other non English translations of the Bible, we have evidence of this from archivists and scholars you can find
There were people in ancient Greece who loved the same gender for life and were in equal relationships. The Bible doesnt just say homosexuality is wrong in the context of pedophilia and pederasty.
 
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Sammy-San

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Points about trends and sexuality aside, gender identity is a separate issue from sexuality, so the article misses the point by conflating the two issues or forgets to keep the focus, much as it is trying to be in pointing out issues

Gender exists so that people could recognize who could be their spouse. There are minute details that reveal a persons face is male or female. Females have a flower like symmetry, males a steel like symmetry.

The fact homosexuality is trendy for females and not males (at least not to the same degree) shows in females its probably more of a choice.
 
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Sammy-San

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??? Can you refrase?

Lesbians and bisexuals probably more so than male homosexuals choose to be gay. I think the Romans insinsuates that lesbiansm is worse than male homosexuality because males usually have stronger sex drives, which insinuates its not genetic, its confused women confusing sisterhood with wifehood. There are other explanations like that verse is speaking in general men sexually sin more, but genetic studies show lesbianism is more of a choice or at least are neutral on that stance.
 
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