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Great writing

Godlovesmetwo

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I'd love to read a thread of extracts from great writing, great literature. Chat about them of course.
Call me a snob but I like the classics. Dustyevsky, Tolstoy, Balzac, Dickens. I mean these writers were Christian influenced anyway. Just some paragraphs max. Not too long. I really like it when a writer subtely captures pomposity for instance. Capturing human beings in all their less obvious flaws.
I will come back to this thread to quote my own.
 

Godlovesmetwo

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"As a law student Ilyich has done things which had before that, seemed to him vile and at the time had made him feel disgusted with himself: but later on when he saw that such conduct was practised by people of high standing and not considered wrong by them, he came not exactly to regard those actions of his as all right but simply to forget them entirely or not be at all troubled by their recollection."
 
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Hamlet7768

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I swear this isn't vanity, but both of my picks for this are by men named Robert. The first is from Robert E Howard. Specifically, his early Conan yarn "The Tower of the Elephant," and the Cimmerian's encounter with a devilishly clever arachnid guardian:

He was in the center of the room now, going stooped forward, head thrust out warily, sword advanced, when again death struck at him soundlessly. A flying shadow that swept across the gleaming floor was his only warning, and his instinctive sidelong leap all that saved his life. He had a flashing glimpse of a hairy black horror that swung past him with a clashing of frothing fangs, and something splashed on his bare shoulder that burned like drops of liquid hellfire. Springing back, sword high, he saw the horror strike the floor, wheel and scuttle toward him with appalling speed—a gigantic black spider, such as men see only in nightmare dreams.

It was as large as a pig, and its eight thick hairy legs drove its ogreish body over the floor at headlong pace; its four evilly gleaming eyes shone with a horrible intelligence, and its fangs dripped venom that Conan knew, from the burning of his shoulder where only a few drops had splashed as the thing struck and missed, was laden with swift death. This was the killer that had dropped from its perch in the middle of the ceiling on a strand of its web, on the neck of the Nemedian. Fools that they were not to have suspected that the upper chambers would be guarded as well as the lower!

These thoughts flashed briefly through Conan's mind as the monster rushed. He leaped high, and it passed beneath him, wheeled and charged back. This time he evaded its rush with a sidewise leap, and struck back like a cat. His sword severed one of the hairy legs, and again he barely saved himself as the monstrosity swerved at him, fangs clicking fiendishly. But the creature did not press the pursuit; turning, it scuttled across the crystal floor and ran up the wall to the ceiling, where it crouched for an instant, glaring down at him with its fiendish red eyes. Then without warning it launched itself through space, trailing a strand of slimy grayish stuff.

Conan stepped back to avoid the hurtling body—then ducked frantically, just in time to escape being snared by the flying web-rope. He saw the monster's intent and sprang toward the door, but it was quicker, and a sticky strand cast across the door made him a prisoner. He dared not try to cut it with his sword; he knew the stuff would cling to the blade, and before he could shake it loose, the fiend would be sinking its fangs into his back.

Then began a desperate game, the wits and quickness of the man matched against the fiendish craft and speed of the giant spider. It no longer scuttled across the floor in a direct charge, or swung its body through the air at him. It raced about the ceiling and the walls, seeking to snare him in the long loops of sticky gray web-strands, which it flung with a devilish accuracy. These strands were thick as ropes, and Conan knew that once they were coiled about him, his desperate strength would not be enough to tear him free before the monster struck.

All over the chamber went on that devil's game, in utter silence except for the quick breathing of the man, the low scuff of his bare feet on the shining floor, the castanet rattle of the monstrosity's fangs. The gray strands lay in coils on the floor; they were looped along the walls; they overlaid the jewel-chests and silken couches, and hung in dusky festoons from the jeweled ceiling. Conan's steel-trap quickness of eye and muscle had kept him untouched, though the sticky loops had passed him so close they rasped his naked hide. He knew he could not always avoid them; he not only had to watch the strands swinging from the ceiling, but to keep his eye on the floor, lest he trip in the coils that lay there. Sooner or later a gummy loop would writhe about him, python-like, and then, wrapped like a cocoon, he would lie at the monster's mercy.

The spider raced across the chamber floor, the gray rope waving out behind it. Conan leaped high, clearing a couch—with a quick wheel the fiend ran up the wall, and the strand, leaping off the floor like a live thing, whipped about the Cimmerian's ankle. He caught himself on his hands as he fell, jerking frantically at the web which held him like a pliant vise, or the coil of a python. The hairy devil was racing down the wall to complete its capture. Stung to frenzy, Conan caught up a jewel chest and hurled it with all his strength. It was a move toe monster was not expecting. Full in the midst of the branching black legs the massive missile struck, smashing against the wall with a muffled sickening crunch. Blood and greenish slime spattered, and the shattered mass fell with the burst gem-chest to the floor. The crushed black body lay among the flaming riot of jewels that spilled over it; the hairy legs moved aimlessly, the dying eyes glittered redly among the twinkling gems.

It's a long quote, but MAN does it flow. Howard had a gift for writing action.

My second is much more contemplative, from Robert Hugh Benson's seminal dystopia Lord of the World:

Then he hid his face in his hands, drew a couple of long breaths, and set to work.

He began, as his custom was in mental prayer, by a deliberate act of self-exclusion from the world of sense. Under the image of sinking beneath a surface he forced himself downwards and inwards, till the peal of the organ, the shuffle of footsteps, the rigidity of the chair-back beneath his wrists–all seemed apart and external, and he was left a single person with a beating heart, an intellect that suggested image after image, and emotions that were too languid to stir themselves. Then he made his second descent, renounced all that he possessed and was, and became conscious that even the body was left behind, and that his mind and heart, awed by the Presence in which they found themselves, clung close and obedient to the will which was their lord and protector. He drew another long breath, or two, as he felt that Presence surge about him; he repeated a few mechanical words, and sank to that peace which follows the relinquishment of thought.

There he rested for a while. Far above him sounded the ecstatic music, the cry of trumpets and the shrilling of the flutes; but they were as insignificant street-noises to one who was falling asleep. He was within the veil of things now, beyond the barriers of sense and reflection, in that secret place to which he had learned the road by endless effort, in that strange region where realities are evident, where perceptions go to and fro with the swiftness of light, where the swaying will catches now this, now that act, moulds it and speeds it; where all things meet, where truth is known and handled and tasted, where God Immanent is one with God Transcendent, where the meaning of the external world is evident through its inner side, and the Church and its mysteries are seen from within a haze of glory.

So he lay a few moments, absorbing and resting.

Then he aroused himself to consciousness and began to speak.

I've never read such a beautiful description of contemplative prayer.
 
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Alice in Wonderland by Lewis Carol
The conversation with the Cheshire Cat


So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. `If it had grown up,' she said to herself, `it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.' And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, `if one only knew the right way to change them--' when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.

The Cat only grinned when it saw Alice. It looked good- natured, she thought: still it had VERY long claws and a great many teeth, so she felt that it ought to be treated with respect.
`Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. `Come, it's pleased so far,' thought Alice, and she went on.
`Would you tell me, please, which way I ought to go from here?'
`That depends a good deal on where you want to get to,' said the Cat.
`I don't much care where--' said Alice.
`Then it doesn't matter which way you go,' said the Cat.
`--so long as I get SOMEWHERE,' Alice added as an explanation.
`Oh, you're sure to do that,' said the Cat, `if you only walk long enough.'
Alice felt that this could not be denied, so she tried another question.
`What sort of people live about here?'
`In THAT direction,' the Cat said, waving its right paw round, `lives a Hatter: and in THAT direction,' waving the other paw, `lives a March Hare. Visit either you like: they're both mad.'
'But I don't want to go among mad people,' Alice remarked.
`Oh, you can't help that,' said the Cat: `we're all mad here. I'm mad. You're mad.'
`How do you know I'm mad?' said Alice.
`You must be,' said the Cat, `or you wouldn't have come here.'
Alice didn't think that proved it at all; however, she went on `And how do you know that you're mad?'
`To begin with,' said the Cat, `a dog's not mad. You grant that?'
`I suppose so,' said Alice.
`Well, then,' the Cat went on, `you see, a dog growls when it's angry, and wags its tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.'
`I call it purring, not growling,' said Alice.
 
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