Heyas,
I don't frequent this forum often, but I am now all ears. I would like to hear from all those who believe Genesis is a figurative/poetic/story/mythical telling of Creation, and what in Genesis makes you believe that.?
So, one more time, what (in Genesis) leads you to believe that it is a figurative story?
All the best,
Digit
Edit: I should have said this initially, but if you can quote scripture along with what you are referring to, that would also be of immense help, and I would appreciate it. Thanks kindly in advance for any such efforts.![]()
Let's start with the first creation account in Gen 1:1-2:4a (It ends with the phrase "These are the generations of the heavens and the earth, when they were created" The rest of the verse is the beginning of the second creation account. This is often obscured in translations which run the whole verse together into one sentence.)
1. This first account is a song. It was written to be sung in worship. Some word choices appear to have been made to meet metrical requirements.
(Some will object that it is not typical Hebrew poetry which is characterized by parallelism and chiasmus. That is true, but an atypical composition does not mean it is not poetry. It can simply mean the author is trying out a new form of the art.)
2. It is crafted around a seven-day week highlighting the Sabbath which was important in the theology of the writer. Later in the Torah, the same writer refers back to this story to justify the command to observe the sabbath.
3. The creation is organized thematically into two groups of creative events. Each group corresponds to the two characteristics of the primitive earth as stated in Gen. 1:2 "formless" "empty"
The first group (Days 1-3) produce form: time (Day/Night), separation of heaven and earth (Firmament), separation of earth and water. The second group (Days 4-6) fill each of these realms: lights for the day and night (4, 1) , sea creatures for the water and birds that fly in the firmament of heaven (5, 2) and lastly terrestrial animals including humanity (6, 3)
This imposes a tight literary structure on the account of creation that is not seen in any study of creation itself.
4. It is a response to similar creation accounts told in the pagan cosmologies familiar to the Hebrews. It retells these familiar cosmologies in a monotheistic framework that asserts God's sovereignty over all creation, rather than deifying parts of creation itself. It even follows the same order of creation as that of the pagan myths--beginning with primeval chaos, then the structure of order, then the particulars of specific creations.
Now for the second creation account: this is even more obviously literary. It has all the characteristics of the literary form we call "myth". (Please note, that "myth" used to designate a type of literature does not imply "false". That is a different use of the word.)
The whole is filled with symbols: the symbolic trees, the figure of the tempter as a talking snake, the reference to a man who is never named in the story but simply called Man (Adam) and to a woman whom he calls by an equally symbolic name.
In ancient cultures myth filled some of the role we now assign to science, in that it offered "explanations" of various observations.
Just so, this story answers such questions as:
Why do snakes have no legs?
Why is farming such hard work?
Why do women experience labour pains?
Why are there two sexes?
Why do we marry?
Why do we die?
A full study of all the mythological elements and how they formed the world-view of ancient Israel is beyond the scope of a forum posting.
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