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In about 42 BC, Virgil the great Roman poet, wrote his fourth Eclogue. This was a bucolic poem about the countryside.
This poem is a prophecy of the birth of a boy-king, attributed to the Sybil of Cumae (a renowned Roman prophetess). This boy will banish fear, cause a new golden age, a new age of Justice. It has lions lying down with lambs. The disappearance of the serpent and poisons, etc.
Cryptically, it ends that his parents have "not smiled", and deemed "not worthy of board or bed".
Traditionally, this was seen as a prophecy of Christ, understandably. By Augustine and Lactantius, throughout the mediaeval period and up to as late as Pope in the 18th century. This is for instance why Virgil was chosen as Dante's guide through Hell and Purgatory in the Divine Comedy.
Its ending attributed to the fact that Christ is to suffer, and had no bed to be born in, nor would find peace in His life.
Now is this Prophecy? Many moderns argue that its supposed Christian and Messianic parts are only artefacts. That we are reading something in here that is not necessarily there. They argue it is about Augustus or a child of Augustus and Scribonia - unlikely as it predates the Principate, and is dedicated to Pollio. Others argue it is a panegyric for a child of Marc Anthony and Octavia, or about one of Pollio's boys, or about the Second Triumvirate, or Virgil's own poetic art.
All of this I find dubious. The Romans believed in prophecy. They accorded great honour to the Sibylline books. Why not take it in its obvious sense? Its Isaiah elements also appear quite stark, to such an extent that some argue Virgil was influenced by eastern Messianism and the book of Isaiah itself. Virgil was a provincial from Cisalpine Gaul (northern Italy, today), and while he studied in Rome, it is silly to think that Jewish thought would be known to him. The Jews were a backwater race in the Mediterranean of the time, not as important as they would subsequently become (which is why some moderns dismiss Isaiah as a source for much of the imagery, and assume an independent Western derivation). But the agreement is there, so perhaps they do have a Common Source, just a different one entirely?
No, I think calling this a prophecy of Christ makes quite a lot of sense. It fits the wording very well (although there is a lot of Pagan imagery, but of course Virgil was a Pagan poet), and nicely explains the congruence with Isaiah. It is certainly a far better explanation thereof than the secular ones I have read. The only reason to discount it, I think, is to ignore the idea that prophecy might exist, or that a Roman source is clearly looking to Christ.
This poem is a prophecy of the birth of a boy-king, attributed to the Sybil of Cumae (a renowned Roman prophetess). This boy will banish fear, cause a new golden age, a new age of Justice. It has lions lying down with lambs. The disappearance of the serpent and poisons, etc.
Cryptically, it ends that his parents have "not smiled", and deemed "not worthy of board or bed".
Traditionally, this was seen as a prophecy of Christ, understandably. By Augustine and Lactantius, throughout the mediaeval period and up to as late as Pope in the 18th century. This is for instance why Virgil was chosen as Dante's guide through Hell and Purgatory in the Divine Comedy.
Its ending attributed to the fact that Christ is to suffer, and had no bed to be born in, nor would find peace in His life.
Now is this Prophecy? Many moderns argue that its supposed Christian and Messianic parts are only artefacts. That we are reading something in here that is not necessarily there. They argue it is about Augustus or a child of Augustus and Scribonia - unlikely as it predates the Principate, and is dedicated to Pollio. Others argue it is a panegyric for a child of Marc Anthony and Octavia, or about one of Pollio's boys, or about the Second Triumvirate, or Virgil's own poetic art.
All of this I find dubious. The Romans believed in prophecy. They accorded great honour to the Sibylline books. Why not take it in its obvious sense? Its Isaiah elements also appear quite stark, to such an extent that some argue Virgil was influenced by eastern Messianism and the book of Isaiah itself. Virgil was a provincial from Cisalpine Gaul (northern Italy, today), and while he studied in Rome, it is silly to think that Jewish thought would be known to him. The Jews were a backwater race in the Mediterranean of the time, not as important as they would subsequently become (which is why some moderns dismiss Isaiah as a source for much of the imagery, and assume an independent Western derivation). But the agreement is there, so perhaps they do have a Common Source, just a different one entirely?
No, I think calling this a prophecy of Christ makes quite a lot of sense. It fits the wording very well (although there is a lot of Pagan imagery, but of course Virgil was a Pagan poet), and nicely explains the congruence with Isaiah. It is certainly a far better explanation thereof than the secular ones I have read. The only reason to discount it, I think, is to ignore the idea that prophecy might exist, or that a Roman source is clearly looking to Christ.