How would you rank the demand, from greatest to least, when it comes to acoustic vs electric vs bass guitar?I am no longer in the worship music scene, but at our church there has never seemed to be a shortage of keyboardists or guitarists. Maybe we're just lucky?
I have no idea.How would you rank the demand, from greatest to least, when it comes to acoustic vs electric vs bass guitar?
How would you rank the demand, from greatest to least, when it comes to acoustic vs electric vs bass guitar?
You must not consider someone to be a musician unless they can sight-read a part immediately.It's the one role you can hand to a non-musician and have a glimmer of hope that they might be proficient in only a few days.
I wouldn't say that, not as a general rule, but for the bass guitar part, I find that as an electric guitarist I can sight-read bass parts immediately for most songs. Classical songs, like the old Christmas hymns are another matter, but the contemporary stuff is usually around three or four chords, only, and for the bass guitar part that can mean three or four notes, only, if one sticks to the root notes for simplicity. I use power chords to get at the tonic and dominant notes if I need syncopation, and that's enough to get by in a pinch. Walking between notes/chords is a little more advanced and requires some understanding of scales, but it isn't wholly necessary.You must not consider someone to be a musician unless they can sight-read a part immediately.
I understand the importance of bass, and you make that case, but I don't see how the importance of it makes it not the simplest to learn.Oh, and Bass is absolutely NOT the simplest guitar to learn...I'd rather play without keys/lead guitar EVERY SINGLE DAY than without drums or bass. But that's me.
No, not only playing root. Mostly playing root. If the bassist isn't doing that, then it's not being played right. Also, the bassist shouldn't be getting too fancy (1 to 2 times the complexity of the rhythm). If he played like a lead, then he'd ruin the song.If you are only playing the root, then yes, super easy, super boring.
Not if you want to play hymns, and play them correctly.Learn about 6 to 8 chord shapes, slap a capo on and Bob's your uncle.
If you're doing that, then you're technically not playing lead. There's a reason they call them "lead lines." Melody lines don't lead into a song.Same with lead - if you are only playing the melody, easy and boring.
No, not only playing root. Mostly playing root. If the bassist isn't doing that, then it's not being played right. Also, the bassist shouldn't be getting too fancy (1 to 2 times the complexity of the rhythm). If he played like a lead, then he'd ruin the song.
Not if you want to play hymns, and play them correctly.
That brings to mind some people I've worked with who overuse the capo (rhythm), mainly on hymns. I'd be playing lead. Here I am, playing along all of the nuanced chords that flood the sheet of music, and the leader boils it down to basic chords and a capo. It makes me sound like I was the one who played the wrong note.
Anyway, I appreciate that you're attempting to compare the best bassist with the worst of the other two, but I'm not talking about performers. I'm talking about roles. I'm looking at the number of things going on at once for each player, and the rate of playing relative to the pace of the music. In terms of complexity, the bassist is supposed to have the simplest role. If that's not the case, then he's muddling the music.
That's not just my own opinion. I also learned it from reading up on the subject. I had to, because I'm just a beginner, myself.