djconklin
Moderate SDA
I noticed that even Dr. Veltman referred to hearsay that was circulating in his day
Such as?
Incidentally, I believe Ellen White to be a legalist who did a poor job of portraying the magnificent doctrine of justification by faith.
Actually, she taught righteousness by faith--see Jones and Waggoner on the issue. She never taught that we can be saved by our own works.
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Two good books to read:
1) Macfarlane, Robert Original Copy: Plagiarism and Originality in Nineteenth-Century Literature. (OUP, 2007).
[A must read book by anyone interested in the plagiarism question. He shows how various authors during the period 1859-1900 wrestled with what it meant to be an original author, the questions of originality and plagiarism were examined. The extreme views of originality were rejected, as were the plagiarism hunters who didn't understand that some borrowing was always necessary for communication. The number of weekly rose from 300 in 1800 to 6,000 in 1900.]
2) Edwards, W. A. Plagiarism: An Essay on Good and Bad Borrowing. (1933).
"... The practice of Homer, Sophocles, Bach, Burns, and Molière [and Shakespeare] forces us to realize that borrowing may be the foundation of great art, that the mere fact of borrowing in itself tells us nothing. We must go further and ask what use has been made of the borrowed material ..." (pg. 6). "And before we decide that a poet or dramatist is thieving we had better make sure that he is not using a contemporary common-place or convention" (pg. 65). [In EGW's case the kind of study that Dr. Veltman recommended would tell us if she had violated the conventions of her day.] "Source-hunters are usually too easily satisfied" (pg. 82). [This is because they are typically novices in the field of literature (see Pollock's remark about "tyro's") and haven't thought things through as to the various possibilities.] "They seem to have little understanding of how poets may borrow without forfeiting their integrity" (pg. 83). "... those public nuisances who read contemporary encyclopedias ... in order "to be curious in cavilling and propounding captious questions, thereby to show the singularity of their wisedomes"" (pgs. 102-3). "When an artist can so "translate" and transform his borrowings we must revise our notions of borrowing, and admit that all borrowing cannot be condemned. On the contrary, there are times when it leads to achievements of the highest order" (pg. 113). Montaigne: "I make others say what I am not able to say so well myself" (pg. 117).
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