Yes, it is basic tips, especially 1-4. I was once working under a choreographer, and was having the hardest time because everything I had to propose was bad. (I couldn't walk right: too theatrical, too fast, too strange, hands move too much, etc.) But it was a good exercise in humility and trust. I know the choreographer felt it, even if he was a bit fustrated.
Another girl on the team was dissillusioned with how slow the rehersals were going (we could have done twice as much in a given time) and she was dillusioned with how we were filming ourselves on video before we had enough time to reherse. She told the choreographer this, in no uncertain terms. The choreographer went on vacation and for a whole month was hunted by what he felt was miss-trust on her part! So he decided he couldn't work with her.
Observing him, I noticed how important it was to give him time to think out what needed to be thought out. When ever I dissagreed with him on something, I just had to be quiet and do as asked, sooner or later he saw his mistake, and did better with out needing a word from me. I was always satisfied in the end.
At one point though, we needed to break his trust: On the pre-show night, the chorreographer wanted us girls to wear these flowery green dresses that if you spun, you could see our underwear (even worse--usually thongs because we were dancers). So we got together and were very firm in our decision. Nobody wanted to be alone in this. So the choreographer, for whom a beautiful girl ment a girl in a beautiful dress and long flowing hair, was made to see that the girls felt differently. So he agreed that we wear something more modern
I have a tip for you--if you are in a dance group, designate one person to be head producer: that is, the person who has to worry about calling everybody, organizing rehersals, contact with the pastors or secretaries if you reherse at churches, maneges the details. It is best if this person isn't the choreographer. Trust me, it can get so difficult to organize rehersals when you know that your artistic success is based on how diciplined you are in calling everyone. If somebodyelse takes care of it, it's a load off your sholders.
This is advice I haven't been able to follow yet in my projects because I haven't found anybody who enjoys managing and organizing. So so far, most of my projects have fallen in the dump. I wouldn't mind being the manager-producer, but haven't found anybody willing to do a choreography in which I do this function. This is one of my personal pains.