I've seen quite a few details of the symbolism and some very specific things that point to Christianity, but nothing as interesting as this one:
That started me searching, and I was surprised at just how much material there was which concurs with it:
A Christian Outlook on Masonic Symbolism
Christ spoke in parables, using rich symbolism to get across the messages that He hoped to convey. Sometimes those listening had a difficult time understanding the wisdom that Christ was imparting, but in the end the message seemed to get across, although the Apostles sometimes needed a little prompting to get the full effect. Symbolism is one of the oldest, most perfect ways to explain a principle. What it all comes down to is that a picture is worth a thousand words. In a nutshell, symbolism is a picture of an idea. This picture forms in our mind, allowing us to break down and analyze each of the individual parts of the image without having to muddle through pages and pages of endless text, hoping to glean the best parts out, those most pertinant to our lives.[The first image in this series is concerning the Rough and Perfect Ashlars. I would not hope to claim the wisdom of this imagery, but rather to explain it in brief here. The Masonic scholar who presented these notions was William Leslie Wilmshurst, a devoutly Christian Mason who used scripture in his books to bring great depth of understanding. I'll explain it from my own understanding and experience.
Ashlars are building stones, much like bricks, that are used to build walls and castles. These building stones are solid and sturdy, and make up much of the structures in the Holy Land. King Solomon's Temple would have been built of such stones. They are a reminder to Masons as to the state of the soul as we enter the world, rough and unworked. An ashlar is not ready for use in building until it has been honed into a perfect ashlar.
The Rough Ashlar is a stone, raw in its form. As we first come into the world, we are in a raw form, in a state of being outside of the Father in Sin. If we were to exist outside of God, we would always be in that rough state, never becoming more than we are, and never finding our place eternally with Him. Once we accept Christ into our lives, His Grace helps us to chip away those rough edges. As we grow in our faith closer to Him, we eventually become the Perfect Ashlar, a stone devoid of fault. How can we be in this perfect state, you might ask? It is only through the Blood of Christ who washes away the roughness. When we pass to that Eternal Kingdom, the House not made with hands, our stone is added with the rest to build God's new Jerusalem, as explained in Scripture.
Moreover, the Perfect Ashlar holds a beautiful secret. One might say that any imagery can be placed in a Christian light if you look hard enough, but the Ashlar gives up its greatest secret to those who would look. "Ask and it shall be given unto you, seek and ye shall find." (Luke 11:9) As with anything in Masonry, the Perfect Ashlar is on the square. It is a perfect cube, equidistant in its points. If you unfold this cube and lay the sides out as a flat, two dimensional object, you see the truth of the Perfect Ashlar. It forms a Cross. Not only a Cross, but the Cross, that of Christ himself. The Ashlar teaches that if we are to be a part of God's Eternal Kingdom, it must be done through the Cross, for it is only through Calvary's Cross that we can leave our Rough, sinful states behind and attain the Grace of Salvation.--David Will, The Real Secret of Freemasonry, Responses to "anti-Masonic" groups,
That started me searching, and I was surprised at just how much material there was which concurs with it:
Ashlar:
A cube and a three-dimensional representation of the Christian cross. When Peter Solomon´s ring is put into the circumpunct in the cube and turned 33 degrees, the cube changes into a cross. (From Dan Brown's website discussion of his most recent book)
The Lost Symbol background
Man, when purified and elevated by devotion and right living, is typified by the cube, and in another school of thought, by the figure which is formed by unfolding the sides of the cube. If a cardboard model be formed of such a cube and the sides unfolded and laid flat they will assume the form of the cross, where it will be noticed that four squares form the vertical part of the cross and three the horizontal, thus giving that highly significant combination of the three and four which we have before referred to. (The American Tyler-Keystone, Vol. 24, p. 163.)
Let us next take one very beautiful instance of double meaning in Masonic symbolism--the perfect ashlar. As appertaining to the Senior Warden, it is the symbol of that human perfection, which, not having attained, we press towards. But has the Worshipful Master no cubic stone? Indeed he has, though not visible in the Lodge for the Brethren to moralise upon. It is the perfect ashlar unfolded. Cut a piece of stiff paper so that it will fold without any overlapping into a hollow cube. You have thereby fashioned a Cross, my Brother, the age-long symbol of sacrifice. The perfect ashlar can be opened in no other way. (W. Henry Topley and W.W. Covey-Crump, The Craft and the Royal Arch, p. 26-27)
When the Perfect Cube is opened out we have six squares in the form of a cross. (George M. Martin, British Masonic Miscellany, Part 2, p. 80)
In today's newspaper is a puzzle which, for my purposes, shows the connection between The Mind - as portrayed as a box or cube - and Jesus, or the Christ Consciousness. See how the cube, when layed out flat, becomes the Cross - the symbol of Christ:
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--From "Seeing is Believing," blogsite, from 6/9/2006
Seeing Is Believing - Chapter 18-7
The EA, you will remember, found and worked upon a stone rough, as it was taken from the quarry, and he fashioned it into an ASHLAR, which, although still rough and unfinished, was still a recognisable CUBE, the ROUGH ASHLAR."
The F.C. took this rough ashlar and still further smoothed and prepared it, so that it presented itself to us as a perfect cube, the "PERFECT ASHLAR."
In the M.M. degree we find no specific stone, yet the Perfect Ashlar appears, and is seen to be sacrificed - opened out, so that its six faces, lying flat, form for us the shape of a Latin Cross, as the basis of our o ... g .... or c .... n. (J.R. Cleland, "The Craft Journey: A Discussion of Some of its Finger-Posts and Milestones," Part 7 http://98.15.203.119/ebooks/Grimoires%20and%20Magick%20Related/(digimob)%20Student%20of%20the%20Occult%20Mega-Torrent%20%232.1%20(A%20-%20G)/Freemasonry/Dormer%20Masonic%20Study%20Circle/37%20-%20The%20Craft%20Journey%20Part%207%20Conclusion.txt )
Our Craft still perpetuates the ancient 'Tau' - Cross on every Master's apron, whilst the secret of the Cross is concealed behind our working tools, the Square, Level and Plumbrule, which form a cross when placed together in a certain way. All these ideas are summed up in a phrase of the great Christian initiate (Thomas a Kempis): 'So bear thy cross that one day it may bear thee,' the Masonic equivalent of which is the charge given to every E.A. Mason that from the 'foundation' of his natural personality he shall proceed to erect a 'superstructure' perfect in all its parts and honourable to the builder." ("The Perfect Ashlar and The Living Stone," by W. L. Wilmshurst.)
Brethren will remember the symbolical significance of the first of these solids as explained in the lecture on the First T.B. In the Craft the stone of true die or square is the symbol of mature manhood "after a life well spent in acts of piety and virtue." It has a correspondence with the other symbol just mentioned, the interlaced triangles, for whereas this has twelve points and six lines, the cube has twelve lines, or edges, and six surfaces. The cube is such that its sides coincide with three planes at right-angles; it is the first of the Platonic solids to which this applies. The cube is thus in its structure triadic, and is a peculiarly apt symbol for the human personality with its threefold nature, hand, heart, and head; intellect, will, And feelings; thought, actions, and desires; body, soul, and spirit. To apply this idea still further, consider on a point of a cube. From it radiate three lines, which correspond to the components of the triads just mentioned. In the rough ashlar these are rough and irregular. By the exercise of the three Working Tools, a straight-edge, a chisel (also represented by a line), and a gavel (represented by two lines at right angles), the rough material is wrought into due form and the perfection of the whole brought into manifestation. So in the individual, the material is rough, albeit sound, stone; else he would not have been accepted as a candidate, but by the exercise of the Working Tools of the personality, purified thought, action, and desire, the individual is wrought into due form and the hidden Master brought to light. This can be exemplified by opening the perfect cube up into the form of a Cross, when the hidden man of the heart, represented by the middle square, will be seen surrounded by the other five perfect squares, which correspond to the five purified senses. (F. V. Mataraly, "The Spiritual Significance of Some of Our Symbols," Lodge of Living Stones #4957)
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