In fact, there seems to be depressing and predictable theme.
They are basically recycled low-budget, effects-minimal, weakly politically correct disaster movies.
Typical script. Misunderstood, put-upon, unbelieved young female researcher / astronomer sees meteorite. Rejected by complacent middle-aged white protestant ango-saxon male director / general so has to round up sympathetic black male / chinese female to crash secret establishment guarded by thick WASP truncheon-toting guards and miraculously set off (one-chance only) rocket which saves world with minutes to spare.
Apart from the dire scripts (which often involve zombies), does the Western World really have a terminal death wish? Is God speaking a warning to a civilisation that has rejected the gospel of grace in Jesus and never reads the Bible?
When I was in Asia, the idea of films depicting the catastrophic destruction of the capital city would have been regarded as treasonable and neurotic.
They are basically recycled low-budget, effects-minimal, weakly politically correct disaster movies.
Typical script. Misunderstood, put-upon, unbelieved young female researcher / astronomer sees meteorite. Rejected by complacent middle-aged white protestant ango-saxon male director / general so has to round up sympathetic black male / chinese female to crash secret establishment guarded by thick WASP truncheon-toting guards and miraculously set off (one-chance only) rocket which saves world with minutes to spare.
Apart from the dire scripts (which often involve zombies), does the Western World really have a terminal death wish? Is God speaking a warning to a civilisation that has rejected the gospel of grace in Jesus and never reads the Bible?
When I was in Asia, the idea of films depicting the catastrophic destruction of the capital city would have been regarded as treasonable and neurotic.