- Aug 6, 2017
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According to the History Channel documentary The Universe - season 7 - episode 10, the pagan Roman emperors utilized Astronomical knowledge in constructing monuments, like Augustus' Ars Paca (Altar of Peace) and Hadrian's Pantheon, so as to generate visually spectacular plays of sunlight & shadow to awe the populace.
For example, the oculus in the roof of the Pantheon admits a spotlight beam of sunlight, which would bathe the emperor's grand entrance on the 21st of April, the traditional founding date of Rome. And Augustus carefully positioned an Egyptian obelisk to cast a shadow which would, every Ides of March, penetrate up the entrance steps of the Ars Paca and into the interior of the monument (as seen from the south) so as to "impregnate" (my words) the circular shadow, of some sort of ball positioned atop the obelisk, to be exactly framed by the edges of the back window of the altar (as seen from the north).
Hadrian also employed similar lighting tricks in his opulent villa, such that spotlight beams of sunlight would highlight statues of the Egyptian goddess Isis on certain days, whilst the shadow from yet another Egyptian obelisk would touch upon another statue of (Hadrian's homosexual lover Antinuous depicted as) the Egyptian god Osiris, on the anniversary of Antinuous' drowning in the Nile river (under suspicious circumstances).
Nero used sunlight to create striking contrasts of light & shadow in his famous octagonal room, the probable inspiration for Hadrian's later & larger Pantheon.
To the uneducated, the pagan Roman emperors would have appeared to command the heavenly bodies to mark momentous anniversaries of pagan imperial history (cp. Rev 19:20).
For example, the oculus in the roof of the Pantheon admits a spotlight beam of sunlight, which would bathe the emperor's grand entrance on the 21st of April, the traditional founding date of Rome. And Augustus carefully positioned an Egyptian obelisk to cast a shadow which would, every Ides of March, penetrate up the entrance steps of the Ars Paca and into the interior of the monument (as seen from the south) so as to "impregnate" (my words) the circular shadow, of some sort of ball positioned atop the obelisk, to be exactly framed by the edges of the back window of the altar (as seen from the north).
Hadrian also employed similar lighting tricks in his opulent villa, such that spotlight beams of sunlight would highlight statues of the Egyptian goddess Isis on certain days, whilst the shadow from yet another Egyptian obelisk would touch upon another statue of (Hadrian's homosexual lover Antinuous depicted as) the Egyptian god Osiris, on the anniversary of Antinuous' drowning in the Nile river (under suspicious circumstances).
Nero used sunlight to create striking contrasts of light & shadow in his famous octagonal room, the probable inspiration for Hadrian's later & larger Pantheon.
To the uneducated, the pagan Roman emperors would have appeared to command the heavenly bodies to mark momentous anniversaries of pagan imperial history (cp. Rev 19:20).