Notre Dame Cathedral’s New Interior Design Unveiled

Michie

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The minimalist and modern style of the new liturgical furnishings aims for a ‘noble simplicity,’ but has drawn criticism from art experts and Catholic observers.

The Archdiocese of Paris has unveiled plans for the new interior of Notre Dame de Paris Cathedral, which was heavily damaged by fire in 2019.

While the cathedral is set to reopen Dec. 8, 2024, as initially announced, the Archbishop of Paris, Laurent Ulrich, has revealed the names of the two candidates chosen to create the new liturgical furnishings — including the altar, tabernacle, cathedra, ambo and baptistery, as well as the chairs for the faithful.

This decision, made public on June 23, followed two consultation phases launched last October and January, at the end of which five artists’ projects (out of 69 submissions) were selected by the archdiocese’s artistic committee.

The Archbishop of Paris had called on candidates to strive for “noble simplicity” in their artistic expression, asking that “the works presented be respectful of the place, its history, its strong symbolism constituted by the mission it has fulfilled over the centuries” — but also, that they respect “the spirit of the Catholic liturgy, according to the meanings and norms established following the Second Vatican Council.”

Continued below.
 

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The minimalist and modern style of the new liturgical furnishings aims for a ‘noble simplicity,’ but has drawn criticism from art experts and Catholic observers.

The Archdiocese of Paris has unveiled plans for the new interior of Notre Dame de Paris Cathedral, which was heavily damaged by fire in 2019.

While the cathedral is set to reopen Dec. 8, 2024, as initially announced, the Archbishop of Paris, Laurent Ulrich, has revealed the names of the two candidates chosen to create the new liturgical furnishings — including the altar, tabernacle, cathedra, ambo and baptistery, as well as the chairs for the faithful.

This decision, made public on June 23, followed two consultation phases launched last October and January, at the end of which five artists’ projects (out of 69 submissions) were selected by the archdiocese’s artistic committee.

The Archbishop of Paris had called on candidates to strive for “noble simplicity” in their artistic expression, asking that “the works presented be respectful of the place, its history, its strong symbolism constituted by the mission it has fulfilled over the centuries” — but also, that they respect “the spirit of the Catholic liturgy, according to the meanings and norms established following the Second Vatican Council.”

Continued below.

Thankfully there are no rainbow flags.

When the temple was standing the Jewish priests would collect up and examine the wood to be used for the fire on the altar. Sometimes they would split it open to make sure there were no insects inside it that would defile the sacrifice. Maybe the Archbishop should appoint someone to examine the new furnishings of the cathedral if you know what I mean.
 
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