- Feb 5, 2002
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Some people seem to missing this crucial point. So I’m going to make it before I go a little – just a little – deeper into the movie.
You can pick out any number of themes from Barbie– and this is one of the film’s weaknesses: too many underdeveloped ideas – but this seems to me to be the central one:
Barbie leaves her plastic, idealized world behind and embraces the limits, fragility and inevitability of death that is real life – and so should you, dear viewer.
Let’s recap:
(Not a recap of the entire plot, just those points on this trajectory…)
The film begins with a startling scene, a clear evocation of Kubrick’s 2001: little girls playing on a beach with baby dolls, startled by the appearance of a monolith, out of which strides a huge, Margo Robbie presenting as the original, black-and-white striped suited Barbie, smiling, confident, beautiful. The little girls smash their baby dolls and give themselves over to Her.
Continued below.
You can pick out any number of themes from Barbie– and this is one of the film’s weaknesses: too many underdeveloped ideas – but this seems to me to be the central one:
Barbie leaves her plastic, idealized world behind and embraces the limits, fragility and inevitability of death that is real life – and so should you, dear viewer.
Let’s recap:
(Not a recap of the entire plot, just those points on this trajectory…)
The film begins with a startling scene, a clear evocation of Kubrick’s 2001: little girls playing on a beach with baby dolls, startled by the appearance of a monolith, out of which strides a huge, Margo Robbie presenting as the original, black-and-white striped suited Barbie, smiling, confident, beautiful. The little girls smash their baby dolls and give themselves over to Her.
Continued below.
Leaving Barbieland
Barbie left Barbieland. Some people seem to missing this crucial point. So I’m going to make it before I go a little – just a little – deeper into the movie. You can pick ou…
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