http://themovieblog.com/2007/econom...e-the-money-goes-and-why-it-costs-us-so-much/
Theatres only keep about 25% of the ticket price (that's like $2-$3 per ticket). So to them, that's basically nothing. They can not depend on that amount to keep operating.
Do you honestly not realize how substantial 25% of revenue is for a business? It's ludicrous to categorize it as "basically nothing" when it categorically is not. At the ArcLight Cinema near where I live (Los Angeles) tickets for adults are $16.50, so 25% of that would be around $4.13. If only the occasional thief with an entitlement complex snuck in to watch movies without purchasing tickets the loss of revenue wouldn't be substantial, but such people aren't that unique so the loss isn't as negligible. Even for lower cost theaters, if it was only $3 dollars per ticket that still would tangibly impact the financial health of the business because it would add up. I'm betting that many of the thieves who sneak into movies are also too cheap to buy anything from the overpriced concession stand, so they are not contributing anything to that portion of the operational revenue either. Loss of revenue to theaters also leads to them raising the ticket prices and even reducing the hours of staff or laying them off. It's not the ArcLight executives who personally feel the crunch but the theater employees earning minimum wage. Yes, movie tickets are expensive. So are many other luxuries in life that are not necessities. If you cannot afford to buy the ticket, you don't go to the theater. It's a recreational pursuit, not a life necessity.
The filmmakers and industry as a whole are also impacted by lost revenue at the box office that is due either to people not purchasing tickets or pirating. As I wrote in my very first post, it's not the A-list stars or the Steven Spielbergs and Scott Rudins of the industry who are palpably impacted. Last summer I worked for the independent movie production arm of a major studio, and even though it was attached its operational budget was determined by the box office success of its own films. Every week details about the revenue from every single theater in the world playing each and every movie was received and analyzed. The same also happens with the studio films, but the impact from the box office revenue for lower budget films is more intensely felt. The industry as a whole has indeed suffered from piracy, both in the United States and abroad. Based on facts, The Guardian estimated that up to a quarter a million jobs were at risk due to copyright infringements in the United Kingdom alone.
And no, they don't pay for the right to use the screen. They OWN the screen. The theatre company wouldn't build it if they had to also pay to use the screen. It's outright ownership. They use the screens to sell popcorn.

You completely and rather comically misunderstood what I meant by that, haha. No, they aren't renting screens. They are however paying for the right to screen the movie.
All big budget films - everyone gets paid first, except the studio, they get paid based on ticket sales. If a movie bombs, the actors/designers/animators/sound effects still get paid (they wouldn't work for free, not for companies like Universal/Marvel/Fox/LionsGate). All actors get paid before filming is finished, regardless of how well the movie does in the box office. That's why you hear of Box Office Bombs. The studio didn't make enough to cover the costs of production, which includes payroll.
Jim Carrey, for example, demands $20 million per movie, yet, some of his movies have flopped. He still gets the money but the studio ends up recording a shortfall.
Only very few actors have the ability to ask for a percentage with Harrison Ford being the most famous example of receiving like..one tenth of one percent of all Star Wars revenue. Jack Nickelson being the only other example receiving royalties based on Batman movies. Other than that, most actors get paid for the movie and that's it, not royalties.
Major actors may take a pay cut to star in an indie film if they like the script enough, but that's the exception, not the rule.
Not everything playing in theaters or being pirated is a big budget film. Many of the films distributed through indie houses like Fox Searchlight and Sony Classics were made on a shoestring budget with the above-the-line crew taking substantially reduced salaries and then receiving a percentage of the box office gross. Again though, it's the below-the-line workers and those who are on the bottom to halfway up the ladder at the studios and working in the industry in contract jobs who are the most impacted by loss of revenue that is detrimental to the industry. You keep referencing the 1 percenters who do not constitute the majority of the film industry.
Those 'anti-piracy' commercials that ran a few years ago, showing carpenters and costume designers say they won't get paid if someone downloads a movie? yeah, lies. They get paid either way. It's just pulling at your heart strings.
Nope. You might think it was all lies because that's what you wish to think, but the facts prove you wrong. Copyright infringements have a systematic and sometimes insidious impact on the industry, so it's not like when you pirate a film a temp on the Paramount lot loses her job or a guy working on the construction crew for a film is fired, but it's not victimless either. To again repeat myself, there's been a mass exodus of filmmaking from Los Angeles to other areas that are more affordable shooting locations, and that has led to many people with less glamorous but vitally necessary jobs losing out. Pirating is not the only reason, but it is a contributing factor because it has indeed impacted the financial health of the industry. Carpenters and set designers can only get paid when they're offered jobs. When less films are made, or when they are made out of state and out of country and you have a family you cannot just abandon for a few months, it has a very real impact. Do you have any idea how prevalent unemployment is in the entertainment industry? Most of the below-the-line crew working on productions are perpetually looking for work because their job only lasts as long as the production does.
http://articles.latimes.com/2014/mar/01/business/la-fi-ct-oscars-hollywood-unemployment-20140225
Again, why do you think the industry invested so heavily in SOPA if piracy only has a minimal impact? Why did Ari Emmanuel make it a battle he's passionately fought?
Yes, piracy can actually have some benefits as highlighted by some posters here but to act like it's entirely benign and victimless is being willfully obtuse.