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Any one else sick of hearing about nirvana?

BlackLamb

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I tend to see stuff about Nirvana in music magazines and such, and I have friends that love them, but I don't hear people talk about them endlessly. In fact, I'm a fan, Kurt used to be something of a hero.

If they do get endless praise, well, I think they deserve it (musically speaking). Most of their songs do something for me emotionally, kind of like having someone take hold of your heart and hold on, and most bands don't have that constant effect on me. Really, I think Nirvana is the only one. It's probably because I turned towards his music when I went through some bad depression myself. It may sound cheesy, but it's true
Sure Kurt was a major screw up, but he really was something special. Just because people talk about them so much doesn't mean it's not true. I don't hear people complain about how the Beatles were overrated.
 
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nadroj1985

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BlackLamb said:
Sure Kurt was a major screw up, but he really was something special. Just because people talk about them so much doesn't mean it's not true. I don't hear people complain about how the Beatles were overrated.

You don't?

Hi, I'm nadroj I think the Beatles are overrated.





Seriously, though, I've said before and I'll say again that Nirvana are the Beatles of our generation- both bands simply copped their sound from more revolutionary artists (Chuck Berry and a lot of others for the Beatles, Soundgarden and others for Nirvana) and wrote really good melodies into that sound. What happened? They blew up, because they made a new sound palatable through the prettiness of the melodies that accompanied the sound. This makes people happy, because they can be "in" on the next big thing, without really ever caring about anything but the melodies, which is all they ever really cared about before with the last big thing.

And, of course, Nirvana and the Beatles eventually got credit for inventing that sound, because they were the only ones anyone that wasn't in the know ever listened to.
 
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blackwasp

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Come now Jordan, isn't this a bit of a generalization?

The Beatles definitely had their influences, but they didn't cop much from Chuck Berry, and their music was pretty revolutionary. I still think that everyone was pretty much following The Beatles lead until the mid-late 60s (with the exception of Dylan).

I do agree with you regarding melodies, although I think Nirvana really did get bigger than the other Seattle bands thanks to "Smells Like Teen Spirit". The attitude in that song was perfectly timed.

However, I don't think that the instrumentation can be ignored. The Beatles were great musicians who had a pretty good variety in their recordings. Although Cobain's guitar playing wasn't anything special, it played in perfectly with the sound. Plus, Grohl pretty much perfected the snare build-up before the chorus, and Krist wrote some amazing bass lines.
 
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nadroj1985

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blackwasp said:
Come now Jordan, isn't this a bit of a generalization?

No, not at all. It is the gospel truth, as is everything I say. You should know that by now, Jacob.


Oh, Chuck Berry's not the only one, he's just the most obvious starter of that rock sound that most of the Beatles' tunes are placed in. And, the Beatles only started in 1962; granted 62-65 aside from Dylan is not the greatest era of rock music, but then if you'll notice, the Beatles albums from this era are (how do I put this nicely?) not good. The only Beatles albums worth anything were released in the late 60s, when there were plenty of bands not following the Beatles' lead. (IMHO, of course)

I do agree with you regarding melodies, although I think Nirvana really did get bigger than the other Seattle bands thanks to "Smells Like Teen Spirit". The attitude in that song was perfectly timed.

Yeah, my claim is a bit of an oversimplification. I still think the main force was Cobain's greatness as a melodist; any number of other songs could have burst them into fame, too; "Lithium" certainly could have.

However, I don't think that the instrumentation can be ignored. The Beatles were great musicians who had a pretty good variety in their recordings.

Meh, not really, IMO. I don't know what to say here other than "I disagree."

Although Cobain's guitar playing wasn't anything special, it played in perfectly with the sound. Plus, Grohl pretty much perfected the snare build-up before the chorus, and Krist wrote some amazing bass lines.

Fairly true; but I'm just saying the melody is the prime factor.
 
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blackwasp

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nadroj1985 said:
No, not at all. It is the gospel truth, as is everything I say. You should know that by now, Jacob.




1962 might be a good starting point, but it could be argued that The Beatles came to be even earlier. I think The Beatles achieved alot in their early days. "She Loves You" was pretty progressive, and it was released in 1963. Rubber Soul and "Ticket to Ride" were released in 1965. I think that Revolver is one of the most impressive albums of all time, released in 1966. Normally I think it is trivial to argue over a few months, but I can't think of any great music that stretches back that early in the '60s (with the exception of Dylan, of course, but his sound was much different). My favorite Beatles songs are normally from the late '60s, when I agree that there were plenty of bands making great music. IIRC, The Velvet Underground didn't hit the scene until 1967, although the songs may have been in place earlier (I think The Doors released their first album around the same time). If I'm missing anyone else who made a difference (with the exception of The Who, The Stones, The Beach Boys, etc., who I think were impacted by and came after The Beatles) let me know. I could very well be mistaken.


nadroj1985 said:
Yeah, my claim is a bit of an oversimplification. I still think the main force was Cobain's greatness as a melodist; any number of other songs could have burst them into fame, too; "Lithium" certainly could have.

Most definitely. Although it could very well be argued that the melodies of other grunge bands were as good, if not better.


nadroj1985 said:
Meh, not really, IMO. I don't know what to say here other than "I disagree."

Most of it is probably a difference in tastes, but in The Beatles defense, they did bring alot of new sounds to pop and rock (the sitar is the first that comes to mind).


nadroj1985 said:
Fairly true; but I'm just saying the melody is the prime factor.

I can agree with that.


Although early Beatles tunes can get old, I find it easier to dismiss it as growth. I think it is better for a band to end climactically (as The Beatles did with their later albums, and Nirvana did with "In Utero") than for a band to fizzle as The VU somewhat did with their last two albums. This isn't meant to be a stab at The VU, since I do like alot of their songs more than The Beatles best numbers, but a simple comparison.
 
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nadroj1985

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blackwasp said:
1962 might be a good starting point, but it could be argued that The Beatles came to be even earlier. I think The Beatles achieved alot in their early days. "She Loves You" was pretty progressive, and it was released in 1963.

How was it progressive, in your opinion?

Rubber Soul and "Ticket to Ride" were released in 1965.

"Ticket to Ride" is a nice little single; I like it. Rubber Soul has a few standout tracks, but I could take it or leave it for the most part. But either way, I don't see anything especially "important" or "revolutionary" in this music.

I think that Revolver is one of the most impressive albums of all time, released in 1966.

Bah, well you know I disagree with you on this one. Aside from "Tomorrow Never Knows," which I would admit is a pretty neat slice of psychedelia, and maybe even ahead of its time, the rest of it is sometimes good (Eleanor Rigby), sometimes bad (Doctor Robert), and sometimes ugly (Yellow Submarine ). Impressive? Not from my perspective.

Normally I think it is trivial to argue over a few months, but I can't think of any great music that stretches back that early in the '60s (with the exception of Dylan, of course, but his sound was much different).

Well, this whole thing is trivial We still have fun with it, though. Ultimately the problem that we inevitably run into is that, whatever the reason, you think the Beatles' music is great and I don't.


Yeah, 1967 is really the pivotal year; The Doors, The Velvets, Captain Beefheart, Jefferson Airplane, and a lot of others had their first albums in '67.

If I'm missing anyone else who made a difference (with the exception of The Who, The Stones, The Beach Boys, etc., who I think were impacted by and came after The Beatles) let me know. I could very well be mistaken.

Well, it depends on what we're defining rock and what we're leaving out. You could mention Woody Guthrie, or surf music a la the Trashmen and others, or girl groups. The early 60s are the time of transition; rock has just been created, and it doesn't have a specific identity yet. That's why this is so tough to talk about.

Most definitely. Although it could very well be argued that the melodies of other grunge bands were as good, if not better.

Could be. I think the main thing is that Nirvana's melodies were more generally accessible.

Most of it is probably a difference in tastes, but in The Beatles defense, they did bring alot of new sounds to pop and rock (the sitar is the first that comes to mind).

I don't know; most of the Beatles "experiments" with guitar feedback, trumpet sections, noise collage, and Eastern music always come off to me like gimmicks, like they just throw them in there to show they can. Rarely do the experiments sound as natural for them as when they are in their milieu -- the pure pop.


I don't care either way, to be honest. Growing is not inherently better than fading away, to me. *shrugs*
 
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blackwasp

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nadroj1985 said:
How was it progressive, in your opinion?

For the time, I think it was a lot more agressive than other rock numbers. Even Chuck Berry's tunes seem to be recorded in a laid back fashion. "She Loves You" seems to burst out from the hook. This is probably just my perception though.

nadroj1985 said:
"Ticket to Ride" is a nice little single; I like it. Rubber Soul has a few standout tracks, but I could take it or leave it for the most part. But either way, I don't see anything especially "important" or "revolutionary" in this music.

I think the most important part is that Rubber Soul is considered by many to be the first consummate album.


I think that Revolver contains some great pop numbers ("For No One", "Here, There, and Everywhere") and some more progressive tunes ("Eleanor Rigby", "I'm Only Sleeping", "Got to Get You Into My Life", etc.) I think that Dr. Robert (and a few others) are pretty lame, but that's just my opinion (well, I guess all of it is).

nadroj1985 said:
Well, this whole thing is trivial We still have fun with it, though. Ultimately the problem that we inevitably run into is that, whatever the reason, you think the Beatles' music is great and I don't.

Yes, but my feelings for bands are always changing. I'm not nearly as into The Beatles as I once was. However, I think they are often over-hyped or under-hyped.

nadroj1985 said:
Yeah, 1967 is really the pivotal year; The Doors, The Velvets, Captain Beefheart, Jefferson Airplane, and a lot of others had their first albums in '67.

To quote Radiohead, "I wish it was the sixties".


Perhaps.

nadroj1985 said:
Could be. I think the main thing is that Nirvana's melodies were more generally accessible.

Meaning they received more airplay?


I can see this. I think George was guiltier than the other Beatles. After a while, his sitar songs seem repetitive.


I guess I did wear out this thread.
 
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cjedick

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Links234 said:
YES. Their music was never any good in the first place.

Oh man. I found this thread a little late, I admit. But I think you guys are not giving enough credit to Nirvana. You have to give it a chance. I used to hate Nirvana. But now it's one of my favorite bands. Despite Kurt's infamous screaming/shreeking, a lot of Nirvana tunes contain well-crafted, even catchy melodies. The lyrics are a mix of sarcasm and humor. I think what Nirvana did was original and noteworthy.

Just because Kurt's death brought even more "In Bloom" fans, does not mean that what he did was not good.

I would recommend a few listens to "In Utero" and "Unplugged" for any person new to Nirvana. It will grow on you...hopefully.
 
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blackwasp

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cjedick said:
Many of Nirvana's best tunes do not receive ANY airplay. At least not where I live.

Umm...you live 1/2 a mile from me. I'm pretty sure I've heard "Lithium", "Heart Shaped Box", and the unplugged cover of "Lake of Fire" frequently on the radio. Although some good ones are out of the rotation, what songs of theirs are really getting dissed?
 
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fieldy

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I couldn't agree more. Kurt Cobain was really an amazing songwriter.
 
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cjedick

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Actually, I was talking about a 380 mile drive from here where I live in the summer--since I don't listen to the radio here. Though, I agree "Lithium" and "Heart-Shaped Box" are great, I think there are many more excellent Nirvana tunes that DON'T get played. In Cleveland, I rarely hear Nirvana on the radio. When I do, I get quite excited.

Dissed? Well, you didn't mention...School, Blew, Breed, Sliver, Polly, Been a Son, Smells Like Teen Spirit, Rape Me, Dumb, Serve the Servants, Pennyroyal Tea, All Apologies, Aneurysm, Dive...to name some of the better radio-friendly tunes that you didn't mention. I'm sure that "Teen Spirit" and "Apologies" get played every now and then in Cleveland...but not much more Nirvana material gets aired.
 
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12volt_man

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Honestly? I could put a cat in a trashcan and beat it with a stick and make better music than Nirvana.
 
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