- Nov 26, 2019
- 11,181
- 5,708
- 49
- Country
- United States
- Faith
- Generic Orthodox Christian
- Marital Status
- Celibate
I like a good liturgy. And leading a service as a reader or deacon is a real test of skill. Readers, subdeacons and deacons who serve in those offices permanently deserve enormous credit, along with choir directors, and organists in churches which use the organ, which I believe is traditional in most Lutheran lands except perhaps for some rural, remote places in Scandinavia.*Thanks, you are most kind!
*I think among Sami people, for example, organs were not always available, and the Norwegian stave churches and traditional round churches one finds in the periphery of Scania, in Bornholm and Gotland, which have stunning iconography, to my knowledge do not have them.
By the way, a lot of Scandinavian Lutheran churches have a model ship hung from the ceiling in the west end of the nave pointed towards East, with the national flag, an elegant example of the numerous iconographic depictions of the Church as the Ark of Salvation, which I really love.
However, organ music is where Lutheran liturgy really hit something of an artistic home run with the Swedish composer Buxtehude whose work inspired Johann Sebastian Bach, whose liturgical compositions, especially his work as Thomaskantor at the Thomaskirche in Leipzig, which also included the neighboring Nicholaskirche, which has a gorgeous organ, so there are three splendid organs today in the two churches Bach was in charge of, the Barchorgel, which is tuned to match the pre-ISO A=440 Hz tuning of the organ when Bach was alive (I visited this with a relative when it was under construction over 20 years ago, and we purchased a tuning fork, A = 466 Hz; this is actually a problem with a lot of Baroque music, in that the tuning was not standardized and we often do not hear the music tuned as the composer intended), the grand 19th century Sauerorgel, both in the Thomaskirche, and then an incredibly beautiful sonorous instrument in the Nicholaskirche. The Thomaskirche also still has the boys‘ choir.
This progression from Buxtehude to Bach then led to Bach’s sons JC Bach and CPE Bach inspiring a whole generation of European composers, including Mozart, so the benefits were not constrained to Lutheranism but spread throughout the Christian church, like St. Ignatius and his dream-inspired antiphonal singing, and St. Ambrose introducing that to the Western Church in 386 AD while holding a vigil to keep the Arians from taking over a church the usually pro-Orthodox Emperor Theodosius intended to give them, to the Byzantine and Syrian co-development of the eight tone system (I don’t want to speculate who originated it, because even if we traced the history back to Pagan music it is well known the Greeks were intellectually influenced by the Babylonians and other pan-Syrian civilizations of the Levant and Mesopotamia), and Pope St. Gregory I introducing that into the Western church, and the later Renaissance advances in polyphony and tonality.
Last edited:
Upvote
0