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Media Framing of the First Female Archbishop of the Anglican Church

Michie

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The Church of England made history on October 3 by naming Sarah Mullally, 63, as the first woman to hold the post of Archbishop of Canterbury, a landmark decision in the Church’s 1,400-year history. A former Bishop of London and nurse by profession, Archbishop-designate Mullally’s elevation to the highest seat in the Anglican Communion has sparked both celebration and reflection, not least among scholars of media and politics.

The announcement has not only marked a historic moment for the Anglican Church but also revealed how different media institutions frame the intersection of faith, gender, and modernity. The varying portrayals of Mullally’s appointment across global outlets, from The Guardian and BBC to CNN, Associated Press, and Deutsche Welle (DW) demonstrate how the same event can be interpreted through distinct ideological and cultural lenses.

Breaking the “Stained-Glass Ceiling”

The Associated Press (AP) chose to frame Mullally’s appointment as a moment of rupture with ecclesiastical tradition, describing it as “shattering a stained-glass ceiling.” Quoting George Gross, an expert on monarchy and religion at King’s College London, AP noted, “If you can have a female prime minister and a female monarch, why can’t you have a female archbishop?” Yet this framing, while rhetorically effective, reveals an implicit conflation between the secular and the sacred spheres, a logical fallacy from the perspective of political theology, which upholds the distinction between church and state.

The AP’s additional portrayal of Mullally as “first among equals” subtly reinforces the notion of measured progress within a hierarchical institution, acknowledging both the historic nature of the decision and the ongoing resistance within traditionalist circles.

“Renewal and Hope” or “Bitterly Contested Equality”?

Continued below.
 

RamiC

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