MacDonald may point out some tenuous comparisons, but there are a wealth of similarities between Mark and Homer that have convinced many that Homer was an inspiration to Mark. (See
Review by Richard Carrier of Dennis MacDonald's 'The Homeric Epics and the Gospel of Mark' )
Well, as always with your use of the word "many", that brings up the question of who the "many" are. How many of these "many" can you name?
On the issue of the actual reliability of MacDonald's book, it looks like you've punted. You admit that much of what MacDonald says is "tenuous" but then insist that there are "a wealth of similarities" and link to a review by Richard Carrier, which proudly trumpets a lot of the issues that you have already admitted to be tenuous. So what exactly is not tenuous? What exactly is the convincing evidence that Mark copied Homer or was even familiar with Homer?
Let's look at the first specific points that Carrier brings up.
Richard Carrier said:
MacDonald points out how Mark is the harshest evangelist in his treatment of the disciples, while the others sometimes go out of their way to omit or alter this disparagement when they borrow from Mark. Why were the disciples such embarrassing nitwits, "greedy, cowardly, potentially treacherous, and above all foolish" (p. 20)? As history, it is hardly credible. As a play on Homer, it makes perfect sense: for the companions of Odysseus were exactly like this. Homer cleverly employed the ineptitudes of the crew to highlight the virtues of Odysseus, making him appear even more the hero, enhancing his "wisdom, courage, and self-control" (p. 23). MacDonald briefly explores five other general similarities between the two "entourages" in chapter 3, including the fact that in the one story we have sailors, while in the other, fishermen-who do a lot of going about in boats, even though the vast majority of Judaea is dry land.
But where exactly in the Gospel of Mark are all the disciples depicted as "greedy, cowardly, potentially treacherous, and above all foolish"? I can think of nothing that justifies Carrier's statement to that effect. And where exactly in the Odyssey does Homer say that the companions of Odysseus were "exactly like this"? Indeed, all of the companions of Odysseus in the Odyssey end up dead, rather different from what happens to the disciples in Mark. So this "similarity" is not a similarity at all. The treatments of the disciples in Mark and the companions of Odysseus have absolutely
nothing in common. It is pure dishonesty on the part of MacDonald and Carrier to suggest that they do.
Next up:
Richard Carrier said:
Chief among these similarities is the comparison between Peter and Eurylochus. Both spoke on behalf of all the followers, both challenged the "doomsday predictions" of their master to their own peril, both were accused by their leader of being under the influence of an evil demon, and both "broke their vows to the hero in the face of suffering"-in effect, both "represent[ed] the craven attitude toward life" (p. 22-3).
Actually Eurylochus was never accused by his leader of being under the influence of an evil demon. That's another flat-out falsehood. Likewise, where in the Odysses would I go to find Eurylochus "challenging the doomsday predictions of his master"? I don't recall any such thing ever happening. This looks like another fiction on the part of Carrier and MacDonald. As for the idea that Peter "spoke on behalf of all the followers", I see little evidence that he did so consistently in Mark's gospel. For the few times that he did, it's only logical that in any group there's one person who sometimes speaks for all. You might as well draw similarities from the fact that Peter and Eurylochus both spoke with their mouths.
Richar Carrier said:
Both works begin by summoning their own Muse: Homer, the Muse herself; Mark, the Prophet Isaiah.
Where exactly does Mark "summon" the Prophet Isaiah?
Richard Carrier said:
both involve an inordinate amount of events and travel at sea
As I've already pointed out, Mark's "inordinate amount of events and travel at sea" is actually a couple short paragraphs on a lake. You seem to have accepted that this particular comparison is absurd, so I won't hammer on that point any further.
Richard Carrier said:
In both stories, the son's patrimony is confirmed by a god in the form of a bird, and this confirmation prepares the hero to face an enemy in the very next scene: Telemachus, the suitors; Jesus, Satan.
To draw any similarity between the scene of Odysseus confronting the suitors and Jesus being tempted by Satan strains credibility way past the breaking point. In the first scene, there a bloodbath that lasts for several pages. In the second, the devil offers Jesus three temptations and Jesus rejects them. Carrier thinks these are similar because they involved facing an enemy, but doesn't almost
any scene in any narrative involve an enemy? You might as well say that there's an inescapable connection between the temptations of Jesus and Sherlock Holmes wrestling with Moriarity atop the waterfall. Those two scenes have a lot more similarity then the two that Carrier is talking about here.
Richard Carrier said:
Why do the chief priests need Judas to identify Jesus in order to arrest him? This makes absolutely no sense, since many of their number had debated him in person, and his face, after a triumphal entry and a violent tirade in the temple square, could hardly have been more public. But MacDonald's theory that Judas is a type of Melanthius solves this puzzle: Melanthius is the servant who betrays Odysseus and even fetches arms for the suitors to fight Odysseus-just as Judas brings armed guards to arrest Jesus-and since none of the suitors knew Odysseus, it required Melanthius to finally identify him. MacDonald also develops several points of comparison between the suitors and the Jewish authorities. Thus, this theme of "recognition" stayed in the story even at the cost of self-contradiction. Of note is the fact that Homer names Melanthius with a literary point in mind: for his name means "The Black One," whereas Mark seems to be maligning the Jews by associating Melanthius with Judas, whose name is simply "Judah," i.e. the kingdom of the Jews, after which the Jews as a people, and the region of Judaea, were named.
But what on earth does he mean when he says "Melanthius ... even fetches arms for the suitors to fight Odysseus-just as Odyssues brings armed guards to arrest Jesus"? Obviously bringing weapons is a different thing from being part of an angry mob. And Melanthius has a name meaning "the Black One" while Judas means "Judah". I'm afraid I don't see any similarity there. Besides those points, Melanthius and Judas are different in virtually every point. Judas was a disciple throughout, Melanthius a late arrival in the Odyssey. Judas is motivated by greed, Melanthius not. And so forth.
Richard Carrier said:
But if Barabbas is understood as the type of Irus, Odysseus' panhandling competitor in the hall of the suitors, the story makes sense as a clever fiction. Both Irus and Barabbas were scoundrels, both were competing with the story's hero for the attention of the enemy (the suitors in one case, the Jews in the other), and both are symbolic of the enemy's culpability.
The claim that both these characters were "scoundrels" is meaningless. That word is so vague that it could apply to any character who's viewed negatively. In specifics, there is absolutely nothing in common between Irus and Barabbas. And how is Barabbas "competing for the attention of the enemy"? As for "both are symbolic of the enemy's culpability", one could argue that any bad guy in any work is symbolic of the bad guys as a whole. That means nothing.
If you would like to read a thorough, point-by-point debukning of MacDonald's entire book, I recommend the following:
Homeric Epics and the Gospel of Mark -- a critical examination
However, I think the ball's in your court now. Do you still believe that MacDonald is an honest scholar and that there's anything meaningful in the claim that Mark was influenced by Homer? We've looked at the first seven specific claims in Carrier's review here and what do we see? Half of what MacDonald and Carrier say is flatly false. The other half is pointing out similarities so vague that they could be used to tie together almost any two works that you care to name. So if you want to defend this thesis, please tell me exactly what evidence you think to be convincing.