- Apr 20, 2004
- 2,810
- 52
- Country
- United States
- Gender
- Male
- Faith
- Reformed
- Marital Status
- Married
- Politics
- US-Others
Just thought some of you folks might get a kick out of this, via the Music Library Association listserv:
> >> The Mozart Effect, redux
A new report now says that the Mozart effect is a fraud. For you hip urban professionals: playing Mozart for your designer baby will not improve his IQ or help him get into that exclusive pre-school. He'll just have to be admitted to Harvard some other way.
Of course, we're all better off for listening to Mozart purely for the pleasure of it. However, one wonders that if playing Mozart sonatas for little Hillary or Jason could boost their intelligence, what would happen if other composers
were played in their developmental time?
LISZT EFFECT: Child speaks rapidly and extravagantly, but never really says anything important.
BRUCKNER EFFECT: Child speaks very slowly and repeats himself frequently. Gains reputation for profundity.
WAGNER EFFECT: Child becomes a megalomaniac. May eventually marry his sister.
MAHLER EFFECT: Child continually screams - at great
length and volume - that he's dying.
SCHOENBERG EFFECT: Child never repeats a word until he's used all the other words in his vocabulary. Sometimes talks backwards. Eventually, people stop listening to him. Child blames them for their inability to understand him.
IVES EFFECT: the child develops a remarkable ability to carry on several separate conversations at once.
GLASS EFFECT: the child tends to repeat himself over and over and over and over and over and over and over and over and over and over and over and over and over again.
STRAVINSKY EFFECT: the child is prone to savage, guttural and profane outbursts that often lead to fighting and pandemonium in the preschool.
BRAHMS EFFECT: the child is able to speak beautifully as long as his sentence contain a multiple of three words (3, 6, 9, 12, etc). However, his sentences containing 2, 4, and 8 are strangely uninspired.
BABBITT EFFECT: Child gibbers nonsense all the time. Eventually, people stop listening to him. Child doesn't care because all his playmates think he's cool.
DEBUSSY EFFECT: Child murmurs and mumbles in a sensuous vocabulary that seems to go nowhere, with occasional spouts of fireworks and jazz puppetry.
BACH EFFECT: Child speaks in structurally perfect multiple voices, forwards, backwards, upside-down, augmented and diminished, solely for the glory of God.
BERLIOZ EFFECT: Child becomes a brilliant colorist, a drug addict, a stalker, and a worthless spouse.
ORFF EFFECT: the child delights in saying naughty things that no one notices because they are too busy arguing about the real middle high German Latin pronunciation.
AND THEN OF COURSE, THE CAGE EFFECT -- CHILD SAYS NOTHING FOR
4 MINUTES, 33 SECONDS. PREFERRED BY 9 OUT OF 10 CLASSROOM TEACHERS.
> >> The Mozart Effect, redux
A new report now says that the Mozart effect is a fraud. For you hip urban professionals: playing Mozart for your designer baby will not improve his IQ or help him get into that exclusive pre-school. He'll just have to be admitted to Harvard some other way.
Of course, we're all better off for listening to Mozart purely for the pleasure of it. However, one wonders that if playing Mozart sonatas for little Hillary or Jason could boost their intelligence, what would happen if other composers
were played in their developmental time?
LISZT EFFECT: Child speaks rapidly and extravagantly, but never really says anything important.
BRUCKNER EFFECT: Child speaks very slowly and repeats himself frequently. Gains reputation for profundity.
WAGNER EFFECT: Child becomes a megalomaniac. May eventually marry his sister.
MAHLER EFFECT: Child continually screams - at great
length and volume - that he's dying.
SCHOENBERG EFFECT: Child never repeats a word until he's used all the other words in his vocabulary. Sometimes talks backwards. Eventually, people stop listening to him. Child blames them for their inability to understand him.
IVES EFFECT: the child develops a remarkable ability to carry on several separate conversations at once.
GLASS EFFECT: the child tends to repeat himself over and over and over and over and over and over and over and over and over and over and over and over and over again.
STRAVINSKY EFFECT: the child is prone to savage, guttural and profane outbursts that often lead to fighting and pandemonium in the preschool.
BRAHMS EFFECT: the child is able to speak beautifully as long as his sentence contain a multiple of three words (3, 6, 9, 12, etc). However, his sentences containing 2, 4, and 8 are strangely uninspired.
BABBITT EFFECT: Child gibbers nonsense all the time. Eventually, people stop listening to him. Child doesn't care because all his playmates think he's cool.
DEBUSSY EFFECT: Child murmurs and mumbles in a sensuous vocabulary that seems to go nowhere, with occasional spouts of fireworks and jazz puppetry.
BACH EFFECT: Child speaks in structurally perfect multiple voices, forwards, backwards, upside-down, augmented and diminished, solely for the glory of God.
BERLIOZ EFFECT: Child becomes a brilliant colorist, a drug addict, a stalker, and a worthless spouse.
ORFF EFFECT: the child delights in saying naughty things that no one notices because they are too busy arguing about the real middle high German Latin pronunciation.
AND THEN OF COURSE, THE CAGE EFFECT -- CHILD SAYS NOTHING FOR
4 MINUTES, 33 SECONDS. PREFERRED BY 9 OUT OF 10 CLASSROOM TEACHERS.
