Faceless Nativity scene on Brussels’ Grand Place sparks international controversy

A new Nativity scene featuring faceless cloth figures installed on Brussels’ historic Grand Place — and the theft of the infant Jesus — have ignited fierce debate across Europe, with critics calling it an erasure of Christian tradition and supporters defending it as inclusive art.

The traditional wooden figurines have been replaced with forms made from recycled textiles, with faces consisting only of patchwork fabric in beige and brown tones. Artist Victoria-Maria Geyer crafted the Nativity figures out of cloth with no identifying facial features.

The installation, titled “Fabrics of the Nativity,” was selected through a call for proposals after city officials said the previous wooden Nativity had become too deteriorated to use. The dean of Sts. Michael and Gudula Cathedral was involved in the search for a new project and approved it, according to both municipal and church sources.

The installation drew immediate criticism on social media. Belgian national team soccer player Thomas Meunier triggered widespread reaction on X with his comment: “We’ve hit rock bottom... and we keep digging,” a post that was shared thousands of times.

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