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Recently, I was reading some of the hymns from the Midnight Office of the Byzantine Rite, and the following one from the third tone of the Sunday octoechos particularly caught my attention:
In days of old, Elijah ordered that water be poured three times over the wood and the sacrifice; thus, he manifested a symbol of the Three Hypostases of the one and divine Lordship.
This is a commentary on a passage from 1 Kings 18, in which the prophet Elijah challenges 450 prophets of the pagan God Baal to a contest on Mount Carmel. Each side prepares a bull on an altar without lighting a fire:
Then Elias bade the people come near; and when they were standing close to him, he began repairing the altar of the Lord, which was broken down. Twelve stones he took, one for each tribe that sprang from the sons of Jacob, to whom the divine voice gave the surname of Israel; and with these stones he built up the altar again, calling on the Lord's name as he did it. Then he made a trench around the altar of some two furrows breadth; piled the wood high, cut the bull into joints, and laid these on the wood. Now, he said, fill four buckets with water, and pour it over victim and wood alike. And again he bade them do it, and when they had finished a third time. The water was running all around the altar, and the trench he had dug for it was full. (1 Kings 18, 30-35)
He then calls on their god to send flames from heaven to consume the sacrifice. Elijah, needless to say, prevails, calling upon God who consumes altar, bull and water with fire.
Here are examples of artistic depictions of this scene that I found. There weren’t many to choose from, so this is pretty much all of them!
Continued below.
www.newliturgicalmovement.org
In days of old, Elijah ordered that water be poured three times over the wood and the sacrifice; thus, he manifested a symbol of the Three Hypostases of the one and divine Lordship.
This is a commentary on a passage from 1 Kings 18, in which the prophet Elijah challenges 450 prophets of the pagan God Baal to a contest on Mount Carmel. Each side prepares a bull on an altar without lighting a fire:
Then Elias bade the people come near; and when they were standing close to him, he began repairing the altar of the Lord, which was broken down. Twelve stones he took, one for each tribe that sprang from the sons of Jacob, to whom the divine voice gave the surname of Israel; and with these stones he built up the altar again, calling on the Lord's name as he did it. Then he made a trench around the altar of some two furrows breadth; piled the wood high, cut the bull into joints, and laid these on the wood. Now, he said, fill four buckets with water, and pour it over victim and wood alike. And again he bade them do it, and when they had finished a third time. The water was running all around the altar, and the trench he had dug for it was full. (1 Kings 18, 30-35)
He then calls on their god to send flames from heaven to consume the sacrifice. Elijah, needless to say, prevails, calling upon God who consumes altar, bull and water with fire.
Here are examples of artistic depictions of this scene that I found. There weren’t many to choose from, so this is pretty much all of them!
Continued below.
New Liturgical Movement
Sacred liturgy and liturgical arts. Liturgical history and theology. The movements for the Usus Antiquior and Reform of the Reform.
