- Feb 5, 2002
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By Fr. Dwight Longenecker
A friend of mine used to quip, “When you’re talking about Christian music it’s pretty safe to substitute ‘bad’ for ‘Christian’.
Who hasn’t had to endure a Christian rock band or sit through a worship with some aging trendy strumming a guitar and inflicting folk music or light rock on everyone?
Why is it that so often Christian music is so awful? I think there are a couple of reasons. The first is that the musicians and their audience mistake a worthy message for talent. Then they get a martyr complex if they’re criticized. “You’re obviously not very spiritual if you can’t enjoy my music! The second problem is that the audience are often either totally uncritical or they haven’t the ability to criticize intelligently. Too often the audience actually like the junk that is being dished up. The third factor is that market forces are usually not in play. Market forces often have a surprisingly sharp and salutary critical effect. Market forces weed out the junk, but in the Christian market they’re doing it for love, not money, so no one is telling them to get off the stage ’cause it won’t sell.
These are all the practical problems. There is, however, a deeper problem. Christian popular music is almost always pretty bad, but the problem with most “Christian” music is that it is secular music with Christian words. In any decent art style and substance are supposed to match up. The meaning and the media are supposed to harmonize.
Most “Christian” music is taken from the secular world. Whether it is the music of Broadway musicals, Country Western, Las Vegas ballad crooners, or light rock, or heavy rock-and-roll, it’s secular, not sacred. When you then add sacred words to the secular music there is a natural disconnect. That’s why so much Christian music (even when it is well-written and well-performed) doesn’t really work. Oh sure, people might like it. They might even have nice feelings about Jesus by listening to it, but the secular music was designed to produce certain types of feelings, and why should those warm sentimental feelings or hard emotional feelings be linked with worship?
Continued below.
theimaginativeconservative.org
Most “Christian” music is taken from the secular world. People might have nice feelings about Jesus by listening to it, but the secular music was designed to produce certain types of feelings, and why should those warm sentimental feelings or hard emotional feelings be linked with worship?

A friend of mine used to quip, “When you’re talking about Christian music it’s pretty safe to substitute ‘bad’ for ‘Christian’.
Who hasn’t had to endure a Christian rock band or sit through a worship with some aging trendy strumming a guitar and inflicting folk music or light rock on everyone?
Why is it that so often Christian music is so awful? I think there are a couple of reasons. The first is that the musicians and their audience mistake a worthy message for talent. Then they get a martyr complex if they’re criticized. “You’re obviously not very spiritual if you can’t enjoy my music! The second problem is that the audience are often either totally uncritical or they haven’t the ability to criticize intelligently. Too often the audience actually like the junk that is being dished up. The third factor is that market forces are usually not in play. Market forces often have a surprisingly sharp and salutary critical effect. Market forces weed out the junk, but in the Christian market they’re doing it for love, not money, so no one is telling them to get off the stage ’cause it won’t sell.
These are all the practical problems. There is, however, a deeper problem. Christian popular music is almost always pretty bad, but the problem with most “Christian” music is that it is secular music with Christian words. In any decent art style and substance are supposed to match up. The meaning and the media are supposed to harmonize.
Most “Christian” music is taken from the secular world. Whether it is the music of Broadway musicals, Country Western, Las Vegas ballad crooners, or light rock, or heavy rock-and-roll, it’s secular, not sacred. When you then add sacred words to the secular music there is a natural disconnect. That’s why so much Christian music (even when it is well-written and well-performed) doesn’t really work. Oh sure, people might like it. They might even have nice feelings about Jesus by listening to it, but the secular music was designed to produce certain types of feelings, and why should those warm sentimental feelings or hard emotional feelings be linked with worship?
Continued below.

Why Is “Christian” Music So Awful?
Most “Christian” music is taken from the secular world. People might have nice feelings about Jesus by listening to it, but the secular music was designed to produce certain types of feelings, and why should those warm sentimental feelings or hard emotional feelings be linked with worship...
