Vatican exhibits Raphael’s legacy with the reopening of the Hall of Constantine

After a decade of painstaking restoration, the imposing Hall of Constantine in the Vatican’s Apostolic Palace, which houses Raphael’s masterpiece depicting Constantine’s victory over Maxentius at the Milvian Bridge, has been returned to its original splendor.

This space, the largest of the well-known Raphael Rooms, was partially closed to the public in 2015 due to delicate conservation work that ultimately culminated in a result described as “exemplary” by Vatican Museums.

“In a way, we have rewritten the history of art,” explained Barbara Jatta, director of the Vatican Museums, during a June 26 presentation to the press held at the Vatican Museums. She was joined by Fabrizio Biferali, supervisor of the art department for the 15th and 16th centuries; Fabio Piacentini and Francesca Persegati from the Painting and Wooden Materials Restoration Laboratory; and Fabio Morresi, head of the Scientific Research Office, who emphasized the scientific, technical, and symbolic value of a project that has brought to light revolutionary discoveries about the techniques and methods of the Renaissance master.

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