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While there is no conclusive proof that the Shroud was ever identified at any point in history as the Grail, there are many intriguing connections between the two.
There have been not a few attempts to identify the elusive Holy Grail as not just the Shroud of Turin itself but also its reliquary casket. But in just a cursory glance into the deep depths of Arthurian lore, we can see how the quest for the Holy Grail is fulfilled not so much in the artifact of the Shroud, but in what it represents: the body and blood of the Lamb of God.
Although Pope Urban IV decreed the Feast of Corpus Christi in 1264, it was slow to gain traction throughout Christendom. Urban’s own devotion to both the corporal and Eucharistic body of the Lord is evidenced in the popular story of his coming into possession of what is known today as the Holy Face of Laon, after Urban (then still Archdeacon Pantaleon of Laon Cathedral) sent the icon to his sister, Abbess Sibylle at Montreuil-les-Dames, in July 1249. The inscription is in late-first-millennium Slavonic: “The image of the Lord on the sudarium-shroud.” Pantaleon is said to have urged his sister in his accompanying letter to look upon it “like the holy Veronica, as its true image and likeness.”
Continued below.
www.ncregister.com
There have been not a few attempts to identify the elusive Holy Grail as not just the Shroud of Turin itself but also its reliquary casket. But in just a cursory glance into the deep depths of Arthurian lore, we can see how the quest for the Holy Grail is fulfilled not so much in the artifact of the Shroud, but in what it represents: the body and blood of the Lamb of God.
Although Pope Urban IV decreed the Feast of Corpus Christi in 1264, it was slow to gain traction throughout Christendom. Urban’s own devotion to both the corporal and Eucharistic body of the Lord is evidenced in the popular story of his coming into possession of what is known today as the Holy Face of Laon, after Urban (then still Archdeacon Pantaleon of Laon Cathedral) sent the icon to his sister, Abbess Sibylle at Montreuil-les-Dames, in July 1249. The inscription is in late-first-millennium Slavonic: “The image of the Lord on the sudarium-shroud.” Pantaleon is said to have urged his sister in his accompanying letter to look upon it “like the holy Veronica, as its true image and likeness.”
Continued below.
Is the Shroud of Turin the Holy Grail?
While there is no conclusive proof that the Shroud was ever identified at any point in history as the Grail, there are many intriguing connections between the two.
