I don't have time to discuss this, but I couldn't help but post some quotes from this fascinating article about a medical illustrator who was commissioned to create "artist's conceptions" of Lucy, neanderthals, and other so-called "tranisitionals."
This ought to lend some real credibility to all the pretty pictures and plastic/clay models you evolutionists in Barney-land love to post here as "evidence" of evolution.
I'm hoping some disgruntled evolutionist will eventually ask an artist to make textbook illustrations look like we all evovled from the tooth fairy. I can't wait to see those pictures show up here with claims that we creationists are ignorant and uneducated if we don't agree that these transitionals clearly constitute evidence for common ancestry with the tooth fairy. Now if only you can claim the tooth fairy is an invertebrate, you'll finally have some evidence to present from 99.9% of the fossil record.
http://www.creationists.org/ervin.html
This ought to lend some real credibility to all the pretty pictures and plastic/clay models you evolutionists in Barney-land love to post here as "evidence" of evolution.
I'm hoping some disgruntled evolutionist will eventually ask an artist to make textbook illustrations look like we all evovled from the tooth fairy. I can't wait to see those pictures show up here with claims that we creationists are ignorant and uneducated if we don't agree that these transitionals clearly constitute evidence for common ancestry with the tooth fairy. Now if only you can claim the tooth fairy is an invertebrate, you'll finally have some evidence to present from 99.9% of the fossil record.
http://www.creationists.org/ervin.html
"With this Australopithecus I was told to re-create something that was a big "maybe", and then make it look believable." He originally drew this Australopithecus as too human-like for the book's authors. "I was told to make he more ape-like, or more "transitional" in appearance", he said. "I had been given a cast of a skull, and I was shown some drawings the artists had done of "Lucy", and was asked to improve on these to make them look more transitional. I had to make some things up, while keeping the anatomical bones intact, like the temple bone and other features which are standard.
Ron points out that the soft parts of a body, such as lips, nose, skin colour, and hair, are impossible to re-create with certainty from bones. He was asked to alter his picture of "Lucy" to conform with the evolutionary transitional creature which the biology
textbooks authors wanted. "I added more body hair, and did another sketch. "No", they said, "she"s got to have more this and more that." I just kept adding and subtracting until I got what they wanted." Although Ron produced the drawing which the authors and publisher wanted, he did get his own subtle comment into it for fun.
"To give her an "attitude", I had her carrying a big stick. She is looking right out at you, and to me she is saying the same thing as so many modern-day women - "I walk softly and carry a big stick!" The whole evolutionary thing is just like illustrating fiction anyway. It has to be "made up", because there"s no fact to it. He said this is something he wants to emphasize to students in particular. "They can't believe everything they see in textbooks, because it"s not always the truth."
Ron was also asked to re-create a Neanderthal man. He said he had been told that if a Neanderthal was walking down Main Street in a three-piece suit he wouldn't even be noticed. "So that"s the way I started to do the drawing. There's nothing that says it looks like this or it looks like that. As a matter of fact, the drawing I did of Neanderthal man had a pretty good likeness to a fellow who goes to my church. We all remarked, "Wow, he looks like one of our guys.""