Your view is the traditional historicist view, which doesn’t hold up under scrutiny. In Revelation 4:1, John receives visions of future events after hearing Christ's trumpet-like voice,
After this I looked, and, behold, a door was opened in heaven: and the first voice which I heard was as it were of a trumpet talking with me; which said, Come up hither, and I will shew thee things which must be hereafter. (Revelation 4:1)
As I stated concerning Revelation 17, John is taken to the future to see events from the perspective of the time of the last church era, symbolized by the church in Laodicea. All the letters in chapters 2 and 3 start with Christ’s trumpet-like voice, just like the blowing of the trumpets upon the new moons beginning every month between the spring and autumnal festivals. The symbolism maintains Revelation 4:1 represents the antitype of Rosh Hashanah, the festival of the trumpets, and the horse riders represent the last judgment or trial upon the Church by God’s locust army, revealed in Joel,
Blow ye the trumpet in Zion, and sound an alarm in my holy mountain: let all the inhabitants of the land tremble: for the day of the LORD cometh, for it is nigh at hand… a great people and a strong; there hath not been ever the like, neither shall be any more after it, even to the years of many generations. A fire devoureth before them; and behind them a flame burneth: the land is as the garden of Eden before them, and behind them a desolate wilderness; yea, and nothing shall escape them. The appearance of them is as the appearance of horses; and as horsemen, so shall they run. (Joel 2:1-4)
Verse 25 affirms the horsemen are God’s locust army sent by God on the antitypical day of Rosh Hashanah to punish His people because of their apostasy. The relief commences with His people’s repentance in Joel 2:15, the antitypical Day of Atonement,
Blow the trumpet in Zion, sanctify a fast, call a solemn assembly: Gather the people, sanctify the congregation, assemble the elders, gather the children, and those that suck the breasts: let the bridegroom go forth of his chamber, and the bride out of her closet. Let the priests, the ministers of the LORD, weep between the porch and the altar, and let them say, Spare thy people, O LORD, and give not thine heritage to reproach, that the heathen should rule over them: wherefore should they say among the people, Where is their God? Then will the LORD be jealous for his land, and pity his people. (Joel 2:15-18)
Then shalt thou cause the trumpet of the jubile to sound on the tenth day of the seventh month, in the day of atonement shall ye make the trumpet sound throughout all your land. (Leviticus 25:9)
Therefore, the "things which must be hereafter" pertain to the Laodicean era rather than a return to the first advent. The books of Joel and Amos in the Bible illustrate this recurring pattern of judgment in the house of God. When his people are disobedient, God punishes them by allowing their enemies, such as Babylon, to conquer them. In Revelation, this disobedience is marked by the letter to Sardis and culminates with the Laodicean era.
The progression of the judgment of the saints to their enemies is illustrated by the time of the seven trumpets, the seventh seal. The seven trumpets are prefaced by the “prayers of the saints” ascending before God, which fills the censer “with fire of the altar” that is cast down to the earth in fulfillment of “the day” in which “every man’s work shall be made manifest” in 1 Corinthians 3:13 (Revelation 8:1-5). Further evidence is in the woes “to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound!”