RDKirk: "I also explained that when electronic media discovered black people in the late 60s, the media created and imposed "ghetto" as a new surface cultural meme that became the dominant concept of "black culture," and, yes, black people who have no reason by neighborhood or parentage to have adopted any of that "ghetto" culture yet have done so because electronic media informs them of what "being black" means.
One almost has to have been there to see it happen, because it was rapid enough to see within one lifetime. Our social direction (and our BMI) was changed between the 60s and the 80s."
I don't have RDKirk's perspective on all this, but rather than focus on celebrities, I would focus on what image was part of mass entertainment's menu of black-centered productions for mass network audiences in the time period he's talking about (including little white kids like me, who watched all of this, and am still fond of a lot of it).
Fat Albert and his gang played in a junkyard.
Sanford and Son was about a man who owned... a junkyard.
Good Times - set in the projects in inner-city
Chicago
What's Happening? - set in
Watts
And then you have the flipside, which plays a bit on fish-out-of-water
Diffrent Strokes: After their mother dies, two black kids (from
Harlem! Trifecta!) are adopted by the rich white guy who employed their mom. (What about their dad? Trick question: black children have no fathers.)
The Jeffersons: Black man gets his start from a settlement from a bus accident to start a dry-cleaning business and 'move on up' to the East Side. You can almost hear the chitlin in the theme song...
Well we're movin' on up
To the east side
To a deluxe apartment in the sky
Movin' on up
To the east side
We finally got a piece of the pie
Fish don't fry in the kitchen
Beans don't burn on the grill
Took a whole lotta tryin'
Just to get up that hill