While historicists have been attempting to synchronize the Hebraic festivals with the Revelation for some time, they still fall short in his rendering of the horsemen of the seven seals, due to the lack thereof. They overlooked the unremitting advancement from the first partition in the sanctuary, representing the observance of the
tamid or “daily” intercession and depicted in the scenes of
Revelation 1 and the seven churches (the seven candlesticks), into the second, the holy of holies in the scene of
Revelation 8, representing the “yearly” or
yoma intercession, synchronizing the Hebraic festivals with
Revelation 1through
Revelation 11. The historicists’ oversight exemplifies the persistent impeding of this progress towards the holy of holies by the historicists in these scenes, conflicting with the promise of but “a little season” to the souls of the sixth seal, until the
yoma intercession, the day of atonement, when a final remnant will be martyred for Christ, depicted by the trumpets. Guinness, for instance, rendered of the first seal as the first-century church hardly agrees with “a little season!”
Furthermore, the historicists have overlooked that the souls of the sixth seal petition for retribution because of the torment by the horsemen of the previous seals, which are easily resolved as the horsemen and locust army of
Joel 2:4 that traditional Hebraic scholars vindicate as the judgment illustrated by Rosha Hashana, heralded by the trumpet of
Revelation 4:1. Contemporary historicists concede that Christ’s manifestation before the “Ancient of days” in
Revelation 5 parallels his manifestation in
Daniel 7:13, which represents the seventh-month festivals of Rosh Hashana and Yom Kippur. As exemplified by the seven churches, Christ’s voice symbolizes the trumpets that herald the new moons (days of darkness) of the seven months between the spring and autumnal festivals and Rosh Hashana. Again, the petitions by the souls of the sixth seal are answered in the sanctuary scene in
Revelation 8 that leads to the end of the torment of those who are sealed in chapter 7 by the horsemen/locusts, conveyed in the fifth trumpet (
Revelation 9:7), which supports the unremitting advancement from the first partition to the second, synchronizing the Hebraic feasts with
Revelation 1 through
Revelation 11.
I’ve published a book that maintains this synchronization and the exposé that the first horseman was fulfilled by Protestant missionary imperialism at the time of the Laodicean church, Daniel’s “time of the end” and “cleansing of the sanctuary.” I document the exploitation of the true church by apostate Protestantism, Babylon, that fulfills the denunciation that Babylon is “drunken with the blood of the saints, and with the blood of the martyrs of Jesus,” and this is the source of the torment of the souls in the sixth seal. Protestant missionary imperialism led to the wars for the resources of the world, the first attempt at globalism (the red horseman), the ending of their churches’ intercession in commerce (the black horse), and the famines and death that followed by their attempts at globalism (the pale horseman).