- Oct 17, 2011
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Smithsonian has a well-rounded article focusing on an anti-Semitic sculpture in Wittenberg at a church where Luther preached. New signs have helped put the image in context, but it remains a controversial, if historic, display.
Around the back of the Stadtkirche, in a carved sandstone sculpture set into the facade, a rabbi lifts the tail of a pig to look for his Talmud. As he stares, other Jews gather around the belly of the sow to suckle. Above this scene is written in flowery script: “Rabini Schem HaMphoras,” a mangled inscription intended to mock the Hebrew phrase for the holiest name of God.
Today, more than 20 Judensau sculptures are still incorporated into German churches and cathedrals, with a few others in neighboring countries. At least one Judensau—on the wall of a medieval apothecary in Bavaria—was taken down for its offensive nature, but its removal in 1945 is thought to have been ordered by an American soldier. The Judensau in Wittenberg is one of the best preserved—and one of the most visible. The church is a Unesco World Heritage site.
Luther himself praised the sculpture on his home church in a 1543 text called “Of the Unknowable Name and the Generations of Christ.” Throughout the tract, he denounced Jewish beliefs about a hidden, powerful name for God—a kabbalistic teaching that Jews refer to as the “Shem HaMephorash” (the explicit name). “Here in Wittenberg, in our parish church,” Luther wrote, “there is a sow carved into the stone under which lie young pigs and Jews who are sucking; behind the sow stands a rabbi who is lifting up the right leg of the sow, raises behind the sow, bows down and looks with great effort into the Talmud under the sow, as if he wanted to read and see something most difficult and exceptional; no doubt they gained their Schem Hamphoras from that place.” The inscription “Rabini Schem HaMphoras” was installed above the sculpture 27 years later, in Luther’s honor.
Around the back of the Stadtkirche, in a carved sandstone sculpture set into the facade, a rabbi lifts the tail of a pig to look for his Talmud. As he stares, other Jews gather around the belly of the sow to suckle. Above this scene is written in flowery script: “Rabini Schem HaMphoras,” a mangled inscription intended to mock the Hebrew phrase for the holiest name of God.
Today, more than 20 Judensau sculptures are still incorporated into German churches and cathedrals, with a few others in neighboring countries. At least one Judensau—on the wall of a medieval apothecary in Bavaria—was taken down for its offensive nature, but its removal in 1945 is thought to have been ordered by an American soldier. The Judensau in Wittenberg is one of the best preserved—and one of the most visible. The church is a Unesco World Heritage site.
Luther himself praised the sculpture on his home church in a 1543 text called “Of the Unknowable Name and the Generations of Christ.” Throughout the tract, he denounced Jewish beliefs about a hidden, powerful name for God—a kabbalistic teaching that Jews refer to as the “Shem HaMephorash” (the explicit name). “Here in Wittenberg, in our parish church,” Luther wrote, “there is a sow carved into the stone under which lie young pigs and Jews who are sucking; behind the sow stands a rabbi who is lifting up the right leg of the sow, raises behind the sow, bows down and looks with great effort into the Talmud under the sow, as if he wanted to read and see something most difficult and exceptional; no doubt they gained their Schem Hamphoras from that place.” The inscription “Rabini Schem HaMphoras” was installed above the sculpture 27 years later, in Luther’s honor.