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artybloke said:But the Song of Songs has never been considered a "prophecy." It belongs with the "Ketuvim" - The Writings - which include Ruth, Esther, Lamentations and Ecclesiastes - not the prophets. Two stories and two poems. It was probably written down a long time after Solomon. The books we call histories, by the way, they consider to be prophets. Chronicles belongs to the later Ketuvim, along with Daniel, Job, Psalms and Proverbs.
Ruth and Esther are 'Ketuvim' or writings but they describe actual events as well. Job descibes actual events but you would be hard pressed to find richer and more elaborate metaphor in the Scriptures. The bulk of Job is a discussion between Job and his friends. I think it's important to discern between metaphor and narrative. Ruth for example is a simply, straight forward narrative. She was David's great grandmother and her place in redemptive history is vital.
One thing that you seem to be doing is what a lot of people do with scripture - you're considering it in isolation to anything else that was written in the same area at the time. As if the books of the Bible appeared sui generis out of nowhere. As neither of us, probably, are great experts on ancient Near Eastern literature, neither of us can make a comparative study; but it wouldn't surprise me to find that there are (or were) similar poems in the surrounding culture. What was this poem like in its form and imagery, in the surrounding culture?
I thought the insights I made into this would be helpfull along these lines. It tells us some things about how marriages grew from commitments and prescribed responstibilities. Now obviously, someone more knowledgable about the ancient Near Eastern world would be able to glean a great deal more. It would be interesting to compare Solomon's song to say, an Eqyptian wedding song. Actually, I would like it if I had some idea what the content of his lessor songs was.
And there is still the question of why you find it difficult to cope with the idea of a book not being historical. I don't take the poem as an allegory, either, by the way; any more than I consider the story of Romeo and Juliet to be an allegory. But I don't go to Shakespeare for history; I go for profound meditations on the nature of love, on the nature of family and feuding; and for the sheer beauty of the language. Whatever else the Song of Songs is, it is beautiful.
It didn't really trouble me when I looked at this as poetic literature. Ecclesiasties is and it is still as meaningfull to me as any of the historical books, actually more so. I mean seriously, do I really care how many people were in the tribe of Dan after the Exodus? This song sparked something in me that made me wonder if it was two real live people. I don't need this to be somekind of an historical narrative for it to speak to me. I'm just saying because I see this book as an actual series of events it opens up the meaning of the metaphors.
Sometimes I think we're so busy trying to find "meaning" in the Bible; or trying to defend if from largely imaginary enemies, that we forget that it is one of jewels of ancient literature.
I suppose your right, it just bugs me sometimes that I'm the only one who looks at SOS in this way. I find many of the interprutations distastefull, particularly the one were Solomon is trying to steal her away. Maybe it is after all just a story about two people preparing to raise a family. Oh by the way, I think this is their final vows to one another:
"Set me as a seal upon your heart.
As a seal upon your arm;
For love is as strong as death,
Jealousy as cruel as the grave;
Its flames are flames of fire,
A most vehement flame.
Many waters cannot quench love,
Nor can the floods drown it.
If a man would give for love all the wealth of his house,
It would be utterly despised"
(Song of Songs 8:6,7)
Grace and peace,
Mark
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