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Old 17th July 2009, 02:49 PM
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Denver Airport Mural connection to Revelation

These murals are full of symbolism. Since the Denver airport was built by Freemasons, the symbolism is occultic. What should be disturbing to all of us is the fact that the 3rd casket contains a female child of the Judeo-Christian culture...that's the children of God, the Church.






Revelation 12 describes (in symbolism) the devil standing in front of the woman (symbolic of Zion/Israel above) who is about to give birth in order to devour her child (symbolic of the church).

The occultic murals show 3 women in caskets: an African woman, an Indian (South American/American) woman and a Judeo-Christian female child.
The fact that they are female is, in my opinion, a direct attack and reference to reproduction...population control.
The fact that they are in caskets/boxes, in my opinion, refers to population control via death. Anything put in a box, in my opinion, is about control of what is in the box.
Notice, too, that the female Judeo-Christian child is holding a rose, the national flower of England and USA, a shamrock, the national "flower" of Ireland, and I'm not sure what the white flower is...could be Canada (Canada doesn't have a National flower but the captial city of Canada, Ottowa, is in Ontario. Ontario, Canada's flower is the white trillium)
She is laying on a red, white, and blue quilt.
I can't see what is in the locket or watch she is wearing around her neck.




I read an article that made me realize we're next. I'll find the link.
http://revolutionradio.org/2009/07/16/getting-the-kids-ready-for-soft-kill-vaccinations-%E2%80%9Cmission-set-immuno%E2%80%9D/

They are doing it through vaccines. Contaminated Small Pox vaccines in Africa led to Aids (1st woman in box), contaminated Tentanus vaccines affected reproduction in South America (2nd woman in box), and now we've got the swine flu vaccinations that could become mandatory. Canada and the UK are already warning the public that it will be mandatory.


The bottom line is that, in my opinion, this mural depicts what the Bible predicts in Rev 12...that the devil will be planning to devour the church and then he is cast down while the church is caught up.

Last edited by HisdaughterJen; 17th July 2009 at 04:09 PM.
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Old 17th July 2009, 07:45 PM
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The Denver airport will be used as a transfer center for Christians and those who oppose the New World Order in the time of the end. It has a huge underground prison for detainees on their way to internment camps located through out America.


Deleted my far out interpretation of the mural and agree to what Skylark posted below from the artist site.

Last edited by kotel; 18th July 2009 at 01:02 AM.
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Old 17th July 2009, 08:47 PM
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I think these look kinda cool/creepy, actually. Any idea who painted 'em, and why?
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Old 17th July 2009, 08:57 PM
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Judith F. Baca
SPARC Murals - Social And Public Art Resource Center

I think that her own words probably best explain its meaning.


"My mural for the Denver International Airport, entitled La Memoria de Nuestra Tierra, is of a personal nature. My grandparents came from Mexico to La Junta, Colorado during the Mexican Revolution. They followed the course traveled by thousands of other Mexican families, from Chihuahua to the United States through the historic northern territories of Mexico (Texas, New Mexico, Colorado) via the "Ellis Island" of the southwest, El Paso. It is a story that has been little chronicled and one for which I am anxious to create a visual record.

My mother was born in La Junta, educated in Coloradoís segregated school system, and raised in itsí segregated housing in the Ď1920ís and 30ís. Recently, she was successful in petitioning the governor of Colorado to intervene in the segregated graveyard of her hometown that maintained only Anglo graves. Due to my motherís insistence, the Governor mandated preservation and maintenance for my grandfatherís grave and those of the other Mexicans who were buried in the Mexican section of the La Junta cemetery.

The simple fact that, even in death the bodies of racially different people were required to remain separate, was what moved me to create an artwork that would give dignity to the Mestizoís story and the stories of countless others who toiled in the mines, fields, and railroads of Colorado. Not only to tell the forgotten stories of people who, like birds or water, traveled back and forth across the land freely, before there was a line that distinguished which side you were from, but to speak to our shared human condition as temporary residents of the earth."

Continued at:

La Memoria de Nuestra Tierra for the Denver International Airport
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Old 17th July 2009, 10:34 PM
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Originally Posted by skylark1 View Post
Judith F. Baca
SPARC Murals - Social And Public Art Resource Center

I think that her own words probably best explain its meaning.


"My mural for the Denver International Airport, entitled La Memoria de Nuestra Tierra, is of a personal nature. My grandparents came from Mexico to La Junta, Colorado during the Mexican Revolution. They followed the course traveled by thousands of other Mexican families, from Chihuahua to the United States through the historic northern territories of Mexico (Texas, New Mexico, Colorado) via the "Ellis Island" of the southwest, El Paso. It is a story that has been little chronicled and one for which I am anxious to create a visual record.

My mother was born in La Junta, educated in Coloradoís segregated school system, and raised in itsí segregated housing in the Ď1920ís and 30ís. Recently, she was successful in petitioning the governor of Colorado to intervene in the segregated graveyard of her hometown that maintained only Anglo graves. Due to my motherís insistence, the Governor mandated preservation and maintenance for my grandfatherís grave and those of the other Mexicans who were buried in the Mexican section of the La Junta cemetery.

The simple fact that, even in death the bodies of racially different people were required to remain separate, was what moved me to create an artwork that would give dignity to the Mestizoís story and the stories of countless others who toiled in the mines, fields, and railroads of Colorado. Not only to tell the forgotten stories of people who, like birds or water, traveled back and forth across the land freely, before there was a line that distinguished which side you were from, but to speak to our shared human condition as temporary residents of the earth."

Continued at:

La Memoria de Nuestra Tierra for the Denver International Airport
She didn't do the artwork. It was a man named Leo Tanguma. Maybe there was more than one...

Denver Airport
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Old 17th July 2009, 11:12 PM
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Originally Posted by HisdaughterJen View Post
She didn't do the artwork. It was a man named Leo Tanguma. Maybe there was more than one...

Denver Airport
I'm sorry, although she did have a mural exhibited at the Denver Airport, you are right that it was not the one that you mentioned in the OP. When I read her story of how even in death people were buried separated by race, I thought that was why the coffins were included in the mural. Please acccept my apology.



This is what it said on the correct artist's site.
Humanity, represented by multi-racial children, is shocked and saddened at finding our natural world in a trampled and abused state. Surrounding the youthful group are endangered or extinct wildlife species. The bewildered children view the Snow Leopard, said to be the most beautiful of the large cats, laid out lifeless before them displaying its exquisite fur and colors. To the left, a young girl gazes at a Great Auk in a display case, a vanished species made extinct in 1844. On the right front, a young boy touches a display case containing the last of the Passenger Pigeons, a species existing in immense numbers throughout the Eastern U.S., and finally extinguished in 1914. Shown also are a harpooned Gray Whale, a Kempís Ridley sea turtle enmeshed in a fishing net, and a wall mounted buffalo head. Fluttering over the central scene, is an agitated Quetzal bird, with parts of a display case ominously surrounding it, as if foretelling its extinction.

Behind these central images, a fire rages, consuming a rainforest, while in the foreground we see endangered plant life, such as the Holy Ghost Orchid, from Panama, the Flower of the Gods, South Africa and others. In the immediate foreground are three concrete coffins, each containing a young girl clutching cultural articles. These three girls symbolize our own humanity as victims of our self destruction, notably through war, slavery, genocide, exploitation and violence of all kind.

Leo Tanguma - Chicano Muralist
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Last edited by skylark1; 17th July 2009 at 11:23 PM.
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Old 17th July 2009, 11:39 PM
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Originally Posted by skylark1 View Post
I'm sorry, although she did have a mural exhibited at the Denver Airport, you are right that it was not the one that you mentioned in the OP. When I read her story of how even in death people were buried separated by race, I thought that was why the coffins were included in the mural. Please acccept my apology.



This is what it said on the correct artist's site.
Humanity, represented by multi-racial children, is shocked and saddened at finding our natural world in a trampled and abused state. Surrounding the youthful group are endangered or extinct wildlife species. The bewildered children view the Snow Leopard, said to be the most beautiful of the large cats, laid out lifeless before them displaying its exquisite fur and colors. To the left, a young girl gazes at a Great Auk in a display case, a vanished species made extinct in 1844. On the right front, a young boy touches a display case containing the last of the Passenger Pigeons, a species existing in immense numbers throughout the Eastern U.S., and finally extinguished in 1914. Shown also are a harpooned Gray Whale, a Kemp’s Ridley sea turtle enmeshed in a fishing net, and a wall mounted buffalo head. Fluttering over the central scene, is an agitated Quetzal bird, with parts of a display case ominously surrounding it, as if foretelling its extinction.

Behind these central images, a fire rages, consuming a rainforest, while in the foreground we see endangered plant life, such as the Holy Ghost Orchid, from Panama, the Flower of the Gods, South Africa and others. In the immediate foreground are three concrete coffins, each containing a young girl clutching cultural articles. These three girls symbolize our own humanity as victims of our self destruction, notably through war, slavery, genocide, exploitation and violence of all kind.

Leo Tanguma - Chicano Muralist
Why are they female? What "self-destruction" has the 3rd Judeo-Christian girl endured?

He admits that everything is symbolic. The Freemasons built that airport and dedicated it to the "New World Airport Commission". Everything they do is symbolic...and has deeper, occultic meanings.



For example, in one mural is a rendition of the Kabbalistic "tree of life" which is a big Freemason symbol.






The murals are a lot like Freemason tracing boards:

http://www.freemasons-freemasonry.com/TBs.html

http://masonictraveler.blogspot.com/...ing-board.html

Last edited by HisdaughterJen; 17th July 2009 at 11:48 PM.
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Old 18th July 2009, 01:38 AM
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are those murals like the occultic demonic lost book of nostradamus drawings ? , are they like the one that I believe is me which is the onemale drawing ?

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Old 18th July 2009, 07:04 AM
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It does nothing but glorify death and destruction. It is beyond hideous and make me incredibly ill and relieved my tax dollars didn't directly go to that thing.
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Old 19th July 2009, 12:36 PM
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Originally Posted by HisdaughterJen View Post
He admits that everything is symbolic. The Freemasons built that airport and dedicated it to the "New World Airport Commission". Everything they do is symbolic...and has deeper, occultic meanings.
Not really, you just imagine things. A member of my church is a freemason, great guy.
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